Richard Wilson - Transitory Island.pdf

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TRANSITORY ISLAND
by Richard Wilson
(Author of "Murder From Mars," "The Missing Sea-Serpent," etc.)
When three men are alone on a barren island in the middle of nowhere, how can
two of them disappear without a trace?
DOUG PELTON CHUCKED a valueless penny into the Pacific and laughed grimly. He
was remembering a questionnaire he had answered ten years ago in college.
"What three objects or persons would you like to have along if you were
stranded
on a desert island?"
He had listed: "Mary Astor, the complete works of Shakespeare, and a shaving
kit."
Well, here he was on a desert island, but without Miss Astor, with nothing to
read and with a stubby hedge on his face. Beside him was a life preserver,
carefully folded, bearing the imprint of the Honeybell. The Honeybell had
been
Doug's home for the past six months. He and a small crew of natives were
getting
along decently in the copra trade until a sudden storm had sent the boat to
the
bottom. Doug had swum until he was exhausted, then clung to a drifting spar,
which, some hours later, at dawn, had bumped into this island.
Pelton had always pictured desert islands as sandy, pebbled, circular things,
about ten feet across, with a palm tree growing in the center. His island was
quite different. It was perhaps a quarter mile in diameter, noticeably
convex,
so that the center was the highest point, the rest sloping away gradually
under
the waters of the Pacific. It seemed to be of rock.
The castaway's assets were the clothes now drying in the sun, a tin of
biscuits,
a pint of water and a wrist watch that had stopped at 4.06 a.m. His liability
was one uncrossable ocean.
Pelton was celebrating his twelfth hour as a shipwrecked sailor by trotting
around the edge of the island and singing disjointedly at the top of his
lungs
when a plane appeared in the northeastern sky.
He stopped singing and ran to where his clothing was drying in the sun. He
climbed into his soggy slacks. After all, you never knew. There were lady
aviators.
This one wasn't, though. The man who opened the door at the side of the cabin
plane when it had bobbed over to the island was a tall, stocky man of about
fifty, with iron-gray hair and a large mustache, pointed at the ends.
"Hey!" he cried. "Want a lift?"
"Sure," said Doug. "If it's not too much trouble."
The other hopped onto the island, surveying it with interest. "Quite a place
you
have here," he commented. "Have you laid claim to it?"
"Absolutely. It's called Pelton's Folly. I chose it in preference to a
seventy
foot copra boat that wouldn't stay afloat." He held out his hand. "Doug
Pelton,"
he grinned.
"Charlie Hayes," returned the older man. "You know, this place interests me.
What is it--stone?"
"I guess so."
Hayes noticed Doug's bare feet. "No, it isn't," he said. "Not if you can
 
prance
around at noon on the equator with no shoes on." He bent down to touch it
with
his hand. "Why, it's cool!" he exclaimed. "This warrants investigation."
CHARLIE HAYES was an American with a comfortable fortune who had bought
himself
a plane and was determined to see the world as he chose, unassisted by
steamship
lines or travel agencies. With his plane and pilot, Art Murray--a young man
of
doubtful background but excellent qualifications--he had set out from San
Francisco early in July and, after a brief stop in Honolulu, headed southwest
in
the general direction of Fiji. Halfway there he had found Doug and his island.
But the island seemed to defy him. It was certainly not rock. Hayes tried to
take a sample of it to test in the miniature laboratory aboard the plane, but
succeeded only in breaking a drill without marring the island's surface.
"Looks like it's no use, boss," said Murray, as he coiled the wire that was
attached to the drill.
"Nevertheless, I'm not giving up just yet. There must be an answer." Charlie
Hayes turned to Doug. "If you don't mind deferring your rescue for a day or
so."
"Not a bit," replied Doug. "Now that someone's started me thinking about it,
I'm
as interested as you are."
"Fine," said Hayes. He squinted at the horizon. They had spent the entire
afternoon in their attempts at analysis. "It's getting too dark to do
anything
more tonight. We'll get an early start tomorrow."
But the next day Charlie Hayes had something else to worry about. Art Murray,
the pilot, had disappeared. He wasn't in the plane, or on the island. Nor had
he
gone swimming. There was only one place left . . . Doug and Hayes looked at
each
other. Under the island?
Charlie Hayes took a diving helmet and pumping apparatus out of the plane.
"Know how to work this gadget?" he asked.
"Sure," replied Doug. "I used to run a concession in Florida. 'See the fish
and
flora on the ocean's floor. Ten cents'."
"Good," laughed Hayes. "I'm going down."
He had stripped to bathing trunks. He placed the diving helmet over his
shoulders and waded out into the water. Gradually he disappeared under the
surface.
Doug Pelton pumped rhythmically, watching the airhose snake into the water.
Five minutes later the hose stopped jerking. Doug looked out to where Hayes
had
disappeared from view. Bubbles were coming to the surface in unnatural
profusion. He tugged on the airhose; there was no resistance. The hose was no
longer connected to the helmet!
Was it cut? Doug hauled it in. No; the end had been disconnected. What did it
mean? Was there air--somewhere--down under the island? He waited, tensely,
lighting a cigarette from the pack Murray had given him.
Minutes passed. Doug tossed his cigaret[sic] into the Pacific. Why didn't
Hayes
come back? And where was Murray? What was down there? Were they in danger? He
determined to find out.
With a keen-bladed pearl knife strapped to his trunks, he swam out to where
the
bubbles had come up. He breathed in a lungful of air--and dived. Eyes open
 
under
water, he saw the metal of the island curve downward, to disappear in a
blue-green haze. Powerful strokes brought him nearer. The island seemed to be
a
great gray sphere, submerged for seven-eights[sic] of its depth.
Doug propelled himself closer. He made out a ragged, gaping hole in the side
of
the sphere. Nothing was visible within, save a forbidding blackness. When his
lungs began to ache, he expelled his breath and streaked for the surface.
In the plane he found what he wanted: a waterproof flashlight. Again he went
down. This time he made straight for the hole. With the light held firmly
under
his armpit, he swam cautiously inside. The light illumined a small
compartment.
The swimmer shuddered. It was cold in here. His natural buoyancy caused him
to
rise. He flashed the light upward, and almost dropped it. He caught a glimpse
of
a bloated, distorted human figure, floating face down.
He felt a trifle silly when he realized that the apparition was merely a
reflection of himself on the undersurface of the water. A second later he
broke
through into air.
Carefully he expelled some air from his lungs, drew a shallow breath. The
air,
although dank, was breathable. Gratefully he filled his lungs.
From the curvature of the gray walls revealed in the searching beam of his
light
it would seem that he was in a space between the inner and outer hulls of
this
strange, artificial sphere. The hulls were about ten feet apart, joined at
intervals by girders of the same gray material.
Doug Pelton stuck the flashlight in his belt and hauled himself up on a
girder.
Here he sat, shivering slightly, while he pondered his next move.
Above him on the inside hull he made out a circular panel--or was it a door?
BY STANDING on the girder and leaning his body against the inside hull Doug
managed to reach what appeared to be a knob in the center of the door. It
turned
under his hand.
The door opened slowly and silently--outward. He shone his light inside. A
bare
room, perhaps a dozen feet square, was revealed. At the far side was a door
similar to the one standing open. But what caught his eye was the diving
helmet
Charlie Hayes had worn, lying on the floor. Doug climbed in and picked it up.
It
was still wet. So was the floor, he noticed, where Hayes' bare feet had
tracked
water across the room.
He closed the door. The far door opened as easily as the first.
At that moment the rays from his flashlight became weak, ineffectual compared
with the radiance that poured through from beyond the doorway. When his eyes
had
accustomed themselves to the light, Doug found himself on the threshold of a
strange, glittering world. He stepped through the doorway onto a platform.
The
door closed automatically behind him.
Immediately above him the whole ceiling of the huge room glowed with a
brilliant, but unglaring, radiance. To his right at the edge of the unrailed
 
platform was a set of parallel moving cogs, resembling the beginning of a
descending escalator, but without steps or railings. It swept down, arced like
a
ski-jump, and vanished through a portal in the wall of the room below.
A rhythmic throbbing came from a glittering pile of machinery a hundred feet
below. Doug, gratefully absorbing the glow of heat, marveled at the machines,
that dwarfed even those that drove ocean liners. What sort of place was this?
And where were the people in charge of it? So far he had seen no human being.
He looked for a way to get down to what seemed to be the center of activity.
There was none--unless the rows of cogs that clicked downward in an endless
chain were a means of transportation.
He dared not attempt such a descent in bare feet, and cast about for
something
to protect him. Standing in a row at an end of the platform were half a dozen
gleaming cubes of silver, measuring perhaps three feet each way. Atop each
was
what seemed to be a handle, in the center of which was a metal ball the size
of
an orange--also silver in color.
He dragged one to the edge of the platform. It was heavier than he expected,
but
he managed to set it on the moving cogs.
It sped down the incline at a rate that made Doug step back in alarm. He
noticed, however, that when the cube disappeared through the aperture at the
lower end of the room, there was enough clearance to prevent anyone who might
be
foolish enough to sit on top of one of the cubes from being injured--which
was
what he proposed to do.
He saw no other way of descent short of a hundred foot drop to a hard
floor--and
he didn't relish the thought of going back to the "island's" surface . . .
alone.
DOUG PELTON had been to Coney Island, but the concessionaires there would
have
writhed in envious agony if confronted with a ride such as he was now
experiencing.
After the initial swoop down through the machine room, Doug, lying belly down
on
the side of the cube, his hands tightly clutching the handle, was whisked into
a
tunnel whose blackness seemed eternal. His head between his arms, legs
outstretched behind him, Doug feared imminent dismemberment.
The only sound was a clackety-clack as the cube sped over the cogs and the
whistling of a warm wind past his ears. Echoes were thrown back from all
sides.
After what seemed an interminable period of time, a square of light appeared
ahead and above. The cogs, reflecting the light, curved upward to meet it.
The
cube's tornado-like pace slackened as it emerged into something rather
closely
resembling a subway station, with an enormous door at one side.
The cube clacked on in a crawl. Doug forced his trembling body onto the
platform, where he sat for a moment, too weak to move.
He turned his head as he heard running footsteps. Art Murray, the pilot, was
hurrying toward him.
"For God's sake, Pelton," he cried, "did they get you, too?"
Doug expelled a sigh of relief. He noticed that Murray was fully clothed and
dry.
"Hello!" he said--then: "What do you mean, they?"
 
Murray pointed to the cube that was vanishing into the tunnel at the far end
of
the platform.
"Those things. Those--silver safes--with arms."
Doug shook his head in bewilderment. "I don't know what you're talking about.
What arms?" He got to his feet.
"I was taking a stroll on the island last night," explained Murray. "It felt
good to be able to walk around after being cooped up in a plane for hours at
a
time. Then there was a click ahead of me and a trapdoor opened. One of
those--robots stuck his head through and grabbed me. It got me down inside
before I managed to get at my gun and smash its eye. Then it died, I guess.
I've
been wanderin' around ever since."
The immense door at the side of the platform opened. Murray groaned.
"See what I mean?"
In the doorway stood--on tentacle-like, silver legs--a cube such as Doug had
ridden along the cogs. The "handle" glowed, eye-like, with a red, intelligent
gleam. Two more tentacles emerged from the upper corners of the cube and
weaved
about, like powerful multiple-jointed arms.
"Good grief!" gasped Doug, staring fascinated at the gleaming eye.
"See what I mean?" repeated Murray. "They're alive!"
THE CREATURE MOVED toward them, then backed away. It seemed to beckon with
its
metal tentacles. There was a ticking sound from the eye above its body.
"Look out!" cried Murray. "It'll get us the way they got me."
He reached for the revolver strapped to his side. Quickly the cube leapt
forward
and lashed out a tentacle, pinning Murray's arms to his sides. Before Doug
could
move he felt himself grabbed in the same way.
The thing whirled, and running awkwardly but swiftly on its metal legs,
carried
them through the door and into a long corridor, down which it sped.
Murray was cursing at a great rate, and raining ineffectual kicks on the body
of
the metal monster that had them in its power. Doug was silent, wondering
whether
he'd have been better off if he had gone to the bottom with his copra boat,
instead of being whisked through the bowels of a great floating sphere by
something that properly had no business outside a nightmare.
Out of the corner of his eyes Doug saw walls flash past at a rapid rate.
There
were some strange things on the walls--and behind them, for they were of a
glasslike substance. One portion bore varicolored murals, depicting
unfamiliar
scenes in an alien land peopled by strange folk--giants in stature, gaunt,
hairless, intelligent-looking, an unearthly green in color.
Behind one transparent section of the corridor, Doug thought he saw a row of
slabs, with immense figures, draped in white, laid out on them. But his metal
captor whisked him past so quickly that he could not be positive.
The automaton's pace slackened as it approached a large door set in the end
of
the corridor. It swung open as they neared it, and the creature ran through.
It set Doug and Murray on their feet.
In the small, translucent-walled room a weird sight met their eyes.
Approximately a dozen of the metal beings were grouped at one corner, with
what--if there were any difference--would be their backs toward them.
They seemed to have all their attention centered on a screen set in the floor.
 

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