E. C. Tubb - Dumarest 32 - The Return.pdf

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THE RETURN Dumarest
of Terra #32 by E.C.
Tubb
Acknowledgments:
THE RETURN by E.C. Tubb is copyright © 1997 by E.C. Tubb
"Introduction to THE RETURN" is copyright © 1997 By E.C.
Tubb
Dedication:
To Phil Harbottle, who has accompanied Dumarest all the
way.
Cover art by Ron Turner. Cover art Copyright © 1997 by Ron
Turner.
"Postscript to the Dumarest Saga," by Philip Harbottle.
Copyright © 1997 by Philip Harbottle.
Typesetting by Sean Alan Wallace.
Printing History :
Vaugirard (France): 1992 Gryphon: First English (Revised)
Edition: May 1997
ISBN: 0-936071-83-4 regular trade pb $20.00 ISBN:
0-936071-84-2 signed/* limited $40.00
 
A Gryphon Books Original!
This is the First English Language Edition and the First
American Edition!
Additional copies of this book can be ordered for $20.00 or
$40.00 each plus $2 per book from the publisher:
Gryphon Publications
PO Box 209
Brooklyn, N.Y. 11228-0209 USA
Introduction to The Return by E.C. Tubb
In a way it all started back in 1957 when I wrote a short story,
The Bells of Acheron , which dealt with a party of tourists
visiting a selection of worlds with unusual features. That of
Acheron was a deep, spacious valley filled with a mass of growths
each of varying size and all bearing a host of seed pods ranging
in size from small to enormous. The soil was loaded with silicon,
the pods were of glass and, at dawn and dusk when gentle winds
stirred the valley each pod responded to the impact of the seeds
it contained. The result was music which covered the entire
aural spectrum, 'white noise' which held every sound ever heard
and which could be shaped by the mind to form words, prayers,
songs, pleas — a threnody born in the subconscious and holding
a subtle attraction and a deadly threat.
A story, published, later anthologized, but relegated to the
stature of 'ghost' — a thing done and set aside in the face of other
work.
Ten years later that ghost rose again — and it was not alone.
When Earl Dumarest rose from the casket in which he'd lain
doped, frozen and ninety percent dead, he couldn't have known
what he had started, and neither did I. I was writing an
adventure novel and had created a character who would play a
prominent part. I had no suspicion, then, that we would travel
together in 32 books over the next eighteen years.
 
Like any strong character, Dumarest quickly developed a life
of his own. To be believable he had to be consistent in the way he
thought, behaved and evaluated data. The things which made
him, the attributes he had been given, the motives which drove
him, dictated the actions he took and his response to events in
which he became embroiled.
Much was made clear at the very beginning. Dumarest had
ridden as he had, a Low passage, risking the fifteen percent
death rate, for the sake of cheap travel. A traveler at the bottom
of the heap to whom poverty, while a perpetual danger, was no
stranger. An unexpected diversion had dumped him on the last
kind of world he had wanted to visit. Gath, a tourist attraction,
with a soaring range of mountains fretted, worn, shaped,
channeled, pierced and funneled into the resemblance of a
monstrous organ which, like the plants of Acheron, when
impacted by the wind, filled, the air with a mind-churning
medley of 'white noise'. But on Gath the storms were violent, the
sounds they produced strong enough to induce insanity and
death. A harsh world as savage as the society in which he found
himself. A bleak, dead-end world. One devoid of charity, offering
no employment, no hope. Without money it was impossible to
book passage and escape to another world. Without money he
would starve,
Dumarest had learned in the hard school of experience and he
came equipped with certain attributes. He had very fast reflexes,
he carried a knife and knew how to use it, he wore traveler's garb
which, because of the metal mesh buried within the thermal
plastic, gave him protection against the lash of a claw, the rip of
thorns, the cut and thrust of edged weapons. Most important of
all, he had an overriding determination to survive no matter
what the cost.
On Gath that wasn't easy, but he managed and the book sold
and was liked and…and…
Dumarest refused to be forgotten. A year later he was back in
another story, Derai , 1968, which tested him to the limit, costing
him love and security and leaving him alone to follow his own
path. To continue his search for the world on which he had been
 
born and from which he had run when little more than a child.
Earth, now a world of legend, its existence denied, derided, no
almanac carrying the all-important coordinates of its spacial
position.
Toyman , 1969, followed a year later followed by Kalin in
which Dumarest gained both love and a secret which was to
dominate his future years. One so powerful and important that it
made him the prey of the Cyclan who hunted him across the
galaxy with ruthless efficiency. The Jester At Scar, (1970),Lallia
(1971), Technos , (1972), and Veruchia , (1973), followed. Then
things changed.
Don Wollheim who had published the Dumarest books while
at Ace moved to set up his own company, DAW Books, and
wanted Dumarest to go with him. I was agreeable, I'd already
written the next adventure, Mayenne , but there was a minor
snag. DAW wanted to use a longer length than Ace had used, an
extra 10, 000 words a volume. This was a big advantage as it
permitted more freedom to expand and develop the plot. So
Mayenne had to be lengthened. I doubt if anyone could find just
where and how.
With DAW Dumarest gained new life and vigor and a new
element entered the scene. As the series grew longer many
readers began to show concern that Dumarest, despite finding
many clues, had yet to find Earth. I received many letters on the
subject and it was seriously suggested that I should write the
final book and put it safely by so that, should I die of accident or
whatever, the saga could be completed.
All were positive that, sooner or later, Dumarest would find
his home world. Well, almost all, as Don Wollheim later told me
he'd had a visitor in the early years of the series; an excitable
Russian who firmly announced that "Dumarest will never find
Earth!" An affirmation probably based on the popularity of
Dumarest and his adventures or his own hope that they would
never end. Unfortunately events decided otherwise.
In order to sustain interest and to maintain suspense Don
decided that Dumarest would find Earth — but not yet and only
in pretense. This was done in volume 27, Earth is Heaven ,
 
(1982), in which the truth is only revealed at the very end of the
book. So Dumarest moved on for another 4 volumes until , in
1985, he finds the precious coordinates of Earth inscribed on the
walls in The Temple of Truth .
This was not intended to be the end of the series.
Dumarest was to find Earth and then continue his adventures
on a planet which, while his home world, would be strange and
terrible, monstrous and bizarre. Many questions needed to be
resolved — why had Earth been proscribed? By whom? Why had
its existence been denied? What dreadful threat did it harbor?
What mysteries lurked in its caverns, on its mountains, deep in
its valleys? Spurred by the lust for easy wealth others would
follow the coordinates Dumarest had found, eager to help
themselves to a mountain of legendary wealth. Their presence
would be resented by those who would combat the intrusion.
There would be battle, murder and sudden death. A host of
possibilities — now in limbo. The series did not continue. As far
as DAW Books were concerned The Temple of Truth ended the
adventures of Dumarest.
In all fairness I have to agree that, if the series had to end,
then that was as good a place as any. But I had already written
The Return and planned the beginning of the next volume. That
remains just a beginning, and The Return remained a 'lost book'
until 1992 when it, together with all other 31 volumes were
published in France. It seemed that it would stay 'lost' as far as
an English publication was concerned. Now, happily, three
decades since Dumarest rose from his casket, you can travel with
him to find his home.
I hope you will enjoy the journey.
— E.C. Tubb, London, July 1996
POSTSCRIPT TO THE DUMAREST
SAGA by Philip Harbottle
Edwin Charles Tubb ("E.C. Tubb") was one of a select group of
young British writers who emerged after the second world war
and helped establish science fiction in Great Britain. A prolific
 
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