Cliff Notes - House of Seven Gables.txt

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NATHANIEL HAWTHORNE:  THE AUTHOR AND
HIS TIMES 


  In our late teens, many of us have to make career decisions.
Will we prepare to be engineers, ballet dancers, composers,
professional athletes, fashion designers?  Nathaniel Hawthorne
at age 17 was at that very crossroads of his life. 

  In a letter to his mother, written in 1821, Hawthorne ruled
out joining the clergy ("Oh, no, mother, I was not born to
vegetate forever in one place and to live and die as calm and
tranquil as a puddle of water").  Becoming a lawyer didn't seem
to be a wise choice either ("...one half of them are in a state
of actual starvation").  And as to medicine, Hawthorne could not
contemplate making a living "by the diseases and infirmities of
my fellow creatures." Instead, he tentatively suggested, "What
do you think of my becoming an author and relying for support
upon my pen?" 

  We don't know how his mother responded, but the millions of
readers who have enjoyed Hawthorne's work are pleased, no doubt,
that he pursued his goal, ultimately taking his place as one of
the leading figures in all of American literature.  In addition,
Hawthorne is seen today as a writer of great influence on
subsequent generations of storytellers.  The effect of
Hawthorne's creation of isolated and withdrawn characters, and
his probing of the psychology that led to their alienation, may
now be seen in the novels of such various writers as Henry
James, William Faulkner, Albert Camus, and Robert Penn Warren. 

  Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts,
a city already infamous in American history for its campaign in
the 1690s against "witches." In The House of the Seven Gables,
Hawthorne uses references to Salem witchcraft in his examination
of the forces that motivated some of the characters in his
novel. 

  Young Hawthorne had a slight limp that hindered him enough to
keep him from engaging in sports, and so he turned to
reading--showing a special fondness for William Shakespeare, the
English poet John Milton, and the novels of the French writer
and philosopher Jean Jacques Rousseau.  This interest in
literature later led to his rejection of other possible
professions in favor of becoming a full-time writer. 

  After graduating from Bowdoin College, in Maine, at the age
of twenty-one, Hawthorne returned to Salem, and for the next
twelve years he lived there in relative seclusion.  He had made
a personal commitment to the literary life and spent that famous
hibernation time developing his craft.  Hawthorne had no regrets
about investing that much time in honing his skills:  "If I had
sooner made my escape into the world, I should have grown hard
and rough...  and my heart might have become callous by rude
encounters with the multitude.  But living in solitude till the
fullness of time was come, I still kept the dew of youth with
the freshness of my heart." 

  Hawthorne was drawn out of his long isolation when he fell in
love with Sophia Amelia Peabody, of Salem.  Before they were
married in 1842, he spent six months at Brook Farm, a commune
outside Boston that attracted people who were in search of a
utopian society.  There he talked with such intellectuals as
Henry David Thoreau (both men had a great deal in common since
they enjoyed solitude and simplicity) and Ralph Waldo Emerson. 

  Brook Farm was just one expression of the liberal spirit of
the times.  Under Emerson, The Transcendentalist Movement tried
to change the way people thought about themselves.  The
Transcendentalists believed that people are basically good and
ultimately perfectible.  They believed communion with nature,
reading literary classics, and studying Eastern religions were
important elements in elevating the human condition.  Thoreau,
also a Transcendentalist, chronicled his own experiment in
returning to nature at Walden Pond. 

  Following his marriage, it became important for Hawthorne to
earn a living.  He used political influence to get a job as the
surveyor for the port of Salem, but lost his position in the
Customs House there when the Democrats were voted out of power
in 1849.  At the time, the mood in America was generally liberal
and optimistic.  Railroads and the telegraph reached widely,
effectively shrinking the size of the country.  Momentum was
building in the Abolitionist movement to free the slaves.
People looked to the future with excitement. 

  Hawthorne, however, was preoccupied with the past.  In one
way, at least, he was closer to the Puritans in spirit.  Instead
of believing that man was perfectible, he felt that evil would
exist as long as the human heart existed.  And so it was
difficult for him to share in the expectations of a "new" world
when what he saw was the past visiting its sins upon the
present. 

  In 1850, Hawthorne's classic tale of sin and retribution, The
Scarlet Letter, was published and met with great success.  The
story of Hester Prynne, the Reverend Arthur Dimmesdale, and
Roger Chillingworth was set in the gloomy atmosphere of Puritan
New England and was embellished with dark, psychological
overtones.  The vision of the haunted young Hester on the
scaffold with the scarlet "A"--standing for adulteress--on her
breast is among the most memorable portraits in all
literature. 

  When Hawthorne began to write The House of the Seven Gables
the following year, he was already an acclaimed writer.  Unlike
The Scarlet Letter, which is about events in the seventeenth
century, The House of the Seven Gables is set in Hawthorne's own
era, in 1850.  But its main theme is how the past weighs on the
present.  Hawthorne's ancestor, John Hathorne (Nathaniel added
the "w" to his last name), had been one of three judges in the
notorious Salem witchcraft trials in 1692, and Hawthorne may
have been trying to rid his family of that shame when, at the
beginning of The House of the Seven Gables, he wrote so
eloquently of that terrible time. 

  About his own work, Hawthorne said, "The House of the Seven
Gables, in my opinion, is better than The Scarlet Letter but I
should not wonder if I had refined upon the principal character
a little too much for the public appreciation; nor if the
romance of the book should be found somewhat at odds with the
humble and familiar scenery in which I invested it." 

  The poet James Russell Lowell called The House of the Seven
Gables "the most valuable contribution to New England history
that has been made," and Sophia Hawthorne, in a letter to her
mother, said about the novel, "How you will enjoy the book, its
depth of wisdom, its high tone, the flowers of Paradise
scattered over all the dark places." 

  The House of the Seven Gables had been written in the
Berkshire Mountains where the Hawthornes had a home in Lenox,
Massachusetts.  While there, Hawthorne was visited by an
admirer, Herman Melville, who lived in nearby Pittsfield and was
writing Moby-Dick at that time.  Melville thought so much of his
shy friend that he dedicated Moby-Dick to Hawthorne. 

  Melville was greatly impressed with The House of the Seven
Gables, telling Hawthorne that he "spent almost an hour in each
separate gable." And Henry James, a consummate writer himself,
honored Hawthorne as "the first great writer of the tradition of
psychological, subjective fiction in American literature." James
added that Hawthorne "had a cat-like faculty of seeing in the
dark," referring to Hawthorne's genius for illuminating the dark
corners of those people who lead lives of quiet desperation. 

  Others who came to see Hawthorne often remarked about his
physical attractiveness.  The British novelist Anthony Trollope
called him "the handsomest of all Yankees," and Julia Ward Howe,
the author of "The Battle Hymn of the Republic," described him
in this manner:  "The beauty of his countenance was remarkable.
Crayon portraits and photographs preserve the fine outline of
his head and face but fail to give his vivid coloring and
varying expression.  His eyes, fringed with dark lashes, gleamed
like tremulous sapphires." 

  With The Blithedale Romance in 1852, a novel about his Brook
Farm experiences, a very prolific period in Hawthorne's life
came to an end.  He had produced three novels in three years and
was regarded as an important literary figure.  When his college
friend Franklin Pierce was elected President of the United
States in 1852, Hawthorne was rewarded with an appointment as
U.S.  consul in Liverpool, England.  It enabled him to travel on
the European continent and to fill his notebooks with material
for future short stories and novels.  But he had written himself
out, it seemed, because none of his later stories came up to the
level of his earlier classics such as "The Great Stone Face,"
"Rappacini's Daughter," and "Young Goodman Brown." His last
novel, The Marble Faun, written in 1860, lacked the power of his
great books. 

  Hawthorne died quietly in 1864, just before his sixtieth
birthday.  Sophia and their three children survived him.
Hawthorne left us a small treasury of significant and
entertaining works, and an enduring reputation.  One of his
critics, Hyatt Waggoner, rightly pointed out that "few 19th
century American writers seem so likely to reward rereading as
Hawthorne." 

^^^^^^^^^^
THE HOUSE OF THE SEVEN GABLES:  THE PLOT 

  When the prominent Colonel Pyncheon is found dead during a
housewarming party at his new mansion, the official cause of
death is given as a stroke.  The townspeople suspect something
different. 

  Colonel Pyncheon acquired the land for his new homestead only
after its owner, a poor man named Matthew Maule, was hanged
during the Salem witchhunts in 1692, for al...
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