script13.pdf

TWIN PEAKS

Episode 2.006

Harley Peyton & Robert Engels

Scanned by runningdog.

Original formatting duplicated as closely as possible. For

clarification all duplicate pages removed. Special note: this is a

faithful duplication that includes the original spelling, formatting and

series related errors.

FIRST DRAFT: August 28, 1990

REVISED: August 30, 1990 - BLUE

REVISED: August 31, 1990 - PINK

REVISED: September 17, 1990 - GREEN

Lynch•Frost Productions

7700 Balboa Boulevard

Van Nuys, CA 91406

(818) 909-7900

LYNCH/FROST PRODUCTIONS, INC.

7700 Balboa Boulevard

Van Nuys, CA 91406

Tel: 818-909-7900

Fax: 818-909-0700

Due to the continuing narrative nature of our show, please do not divulge

the contents of story lines to anyone. This script is for your eyes only.

Thank you for your cooperation.

#2.006

ACT ONE

FADE IN:

1. INT. HAROLD SMITH'S HOUSE - NIGHT

SUDDENLY: HAROLD SMITH looms, gardening tool in hand. It arcs through the air,

smashes Laura's diary out of MADDY FERGUSON'S hands. Maddy screams, backs toward

the door. But DONNA HAYWARD remains frozen in place, ashen, as Smith turns to her.

He speaks quietly at first, almost puzzled. And quite mad.

SMITH

I trusted you. I invested my heart and my soul in you.

DONNA

We only wanted to read it, I didn't -

Donna, run !

MADDY

SMITH

(mounting fury)

I thought you were different. You made me feel I could

return to the world and find something decent and pure.

But you're just like all the others. You lie, you betray, and

then you laugh about it. You are unclean. You have

contaminated me.

Smith raises the tool over his head. Donna remains transfixed. Maddy screams.

DONNA!!

MADDY

Just then: the front door explodes open, JAMES HURLEY tumbles inside . The sound

distracts Smith, Donna regains her senses, turns to run. But then she spots Laura's diary open

on the floor nearby. Donna moves toward it, as if to grab and flee. Smith yells:

NO!

SMITH

(he rushes toward the diary)

Donna!

James rushes forward, Smith raises his hand to strike. Donna retreats, James pushes Smith

out of the way, takes Donna by the hand. Maddy joins them as they rush our the door. Smith

kneels to retrieve the diary. He looks at the open door, the black night beyond it. The world

outside. Smith turns and races back to his greenhouse.

JAMES

CAMERA VIEWS Smith through the large glass panel, his features lurch into view, shadowy,

distorted by the glass. He lets out a howl, but we can't quite hear it behind the thick panes.

(more)

(CONTINUED)

#2.006

1. CONTINUED:

Muffled, anguished. It sounds a little like "Laura."

2. EXT. HAROLD SMITH'S HOUSE - NIGHT

CUT TO:

James, Donna, and Maddy race into the night.

Run!!

JAMES

DONNA

(looking back at house)

He's not coming. He won't. He's afraid.

They stop running, catch breath.

JAMES

Are you okay? Did he hurt you?

DONNA

No. I'm fine. I ...

Donna begins to cry. James takes her into his arms. Donna holds him tighter.

DONNA

Oh James. It's all my fault. I'm so sorry.

JAMES

Don't cry. It's my fault too.

(to Maddy, as if to include)

We have to tell the Sheriff. We'll tell him everything.

DONNA

You've had enough trouble. I'll go.

But -

JAMES

DONNA

Just hold me. Please.

James takes Donna into a deeper embrace. Maddy stands and watches. Then looks away.

3. EXT. THE BOOKHOUSE - NIGHT

CUT TO:

Establish.

CUT TO:

Revised 9-17-90, GREEN

#2.006

4. INT. THE BOOKHOUSE - NIGHT

AGENT COOPER carries AUDREY HORNE into the Bookhouse interior. She moans

softly, drifting in and out. DEPUTY HAWK enters behind him. They are met by, a

handsome young man. A Bookhouse Boy named CAPPY.

CAPPY

We're all set up inside.

Cooper nods, no time for conversation. He carries Audrey to a bed inside a curtained area.

Cappy pulls back a blue blanket, assists Cooper as he gently sets Audrey upon it. They work

with quiet, but discernible urgency.

Cooper checks Audrey's pulse, softly placing two fingers upon her neck. He peers into her

eyes, listens to whispered breath.

COOPER

Sluggish pulse. Pupils constricted. Breathing slow and shallow.

Cooper gently lifts her left arm - every time he touches her it is with great care and precision

and checks inside the elbow. Bruises. Red pinpricks.

COOPER

Needle tracks. Most likely heroin.

Poor kid.

HAWK

AUDREY

(faintly)

Daddy? ... Can you see me Daddy?

COOPER

Multiple injections over the course of a two day period.

Audrey, can you hear me?

Audrey says nothing. Her eyes roll back. She nearly loses consciousness. Cooper leans closer.

COOPER

Audrey, you must stay awake. Do you hear me? You've

got to stay awake.

AUDREY

(airy whisper)

Can you catch me? ... Can you ...?

Cooper watches, helpless, uncertain. Then, urgent, emphatic:

COOPER

I want you to talk to me. Audrey, Please.

(CONTINUED)

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