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The Mirror Crack 'd from Side to Sic

The Mirror Crack 'd from Side to Sic

 

 


BY THE SAME AUTHOR

 

The ABC Murders

 

The Adventure of the

 

Christmas Pudding

 

After the Funeral

 

And Then There Were None

Appointment with Death

At Bertram's Hotel

The Big Four

 

The Body in the Library

 

By the Pricking of My Thumbs

Cards on the Table

A Caribbean Mystery

Cat Among the Pigeons

The Clocks

Crooked House

 

Curtain: Poirot's Last Case

Dead Man's Folly

Death Comes as the End

Death in the Clouds

Death on the Nile

Destination Unknown

Dumb Witness

 

Elephants Can Remember

Endless Night

 

Evil Under the Sun

 

Five Little Pigs

 

4.50 from Paddington

Hallowe'en Party

 

Hercule Poirot's Christmas

Hickory Dickory Dock

The Hollow

 

The Hound of Death

The Labours of Hercules

The Listerdale Mystery

Lord Edgware Dies

 

The Man in the Brown Suit

The Mirror Crack'd from Side

 

to Side

 

Miss Marple's Final Cases

The Moving Finger

Mrs McGinty's Dead

 

The Murder at the Vicarage

Murder in Mesopotamia

Murder in the Mews

 

A Murder is Announced

Murder is Easy

 

The Murder of Roger Ackroyd

Murder on the Links

 

Murder on the Orient Express

 

 

The Mysterious Affair at Styles

 

The Mysterious Mr Quin

 

The Mystery of the Blue Train

 

Nemesis

 

lq or M?

One, Two, Buckle My Shoe

 

Ordeal by Innocence

 

The Pale Horse

 

Parker Pyne Investigates

 

Partners in Crime

 

Passenger to Frankfun

 

Peril at End House

 

A Pocket Full of Rye

 

Poirot Investigates

 

Poirot's Early Cases

 

Postern of Fate

 

Problem at Pollensa Bay

 

Sad Cypress

 

The Secret Adversary

 

The Secret of Chimneys

 

The Seven Dials Mystery

 

The Sittaford Mystery

 

Sleeping Murder

 

Sparkling Cyanide

 

Taken at the Flood

 

They Came to Baghdad

 

They Do It With Mirrors

 

Third Girl

 

The Thirteen Problems

 

Three-Act Tragedy

 

Towards Zero

 

Why Didn't They Ask Evans

 

 

Novels under the Nora de Plume of

'A4ary Westmacott'

 

Absent in the Spring

 

The Burden

 

A Daughter's A Daughter

 

Giant's Bread

 

The Rose and the Yew Tree

 

Unfinished Portxait

 

 

Books under the name of

 

Agatha Christie Nlallowan

 

Come Tell me How You Live

 

Star Over Bethlehem

 

 

Autobiography

 

Agatha Christie: An Autobiography

 

 


AGATHA CHRISTIE

 

 

THE MIRROR CRACK']

FROM SIDE TO SIDE

 

 

HarperCollins/d//she

 

 


HarperCollinsPubl/shers

77-85 Fulham Palace Road,

Hammersmith, London W68JB

 

 

This paperback edition 1993

3579864

 

 

Previously published in paperback by Fontana 1965

 

Reprinted fifteen times

 

 

First published in Great Britain by

 

Collins 1962

 

 

Copyright © Agatha Christie Limited 1962

 

 

ISBN 0006169309

 

 

Set in Plantin

 

 

Printed in Great Britain by

HarperCollinsManufacturing Glasgow

 

 

All rights reserved. No part of this publication may be

reproduced, stored in a retrieval system, or transmitted,

in any form or by any means, electronic, mechanical,

photocopying, recording or othenvise, without the prior

permission of the publishers.

 

 

This book is sold subject to the condition that it shall not,

by way of trade or otherwise, be lent, re-sold, hired out or

otherwise circulated without the publisher's prior consent

in any form of binding or cover other than that in which it

is published and without a similar condition including this

condition being imposed on the subsequent purchaser.

 

 


To MARGARET RUTHERFORD

in admiration

 

 


Out fiew the web and floated wide;

 

The mirror crack'd from side to side:

 

"The curse is come upon me, "cried

 

The Lady of Shalott

 

ALFRED TENNYSON

 

 


CHAPTER ONE

 

 

Miss Jane Marple was sitting by her window. The window

looked over her garden, once a source of pride to her. That was

no longer so. Nowadays she looked out of the window and

winced. Active gardening had been forbidden her for some

time now. No stooping, no digging, no planting - at most a little

light pruning. Old Laycock who came three times a week, did

his best, no doubt. But his best, such as it was (which was not

much) was only the best according to his lights, and not

according to those of his employer. Miss Marple knew exactly

what she wanted done, and when she wanted it done, and

instructed him duly. Old Laycock then displayed his particular

genius which was that of enthusiastic agreement and subse-quent

lack of performance.

 

'That's fight, missus. We'll have them mecosoapies there

and the Canterburys along the wall and as you say it ought to

be got on with first thing next week.'

 

Laycock's excuses were always reasonable, and strongly

resembled those of Captain George's in ThreeMen in aBoat for

avoiding going to sea. In the captain's case the wind was always

wrong, either blowing offshore or in shore, or coming from the

unreliable west, or the even-more treacherous east. Laycock's

was the weather. Too dry - too wet - waterlogged - a nip of

frost in the air. Or else something of great importance had to

come first (usually to do with cabbages or brussels sprouts of

which he liked to grow inordinate quantities). Laycock's own

principles of gardening were simple and no employer, however

knowledgeable, could wean him from them.

 

They consisted ora great many cups of tea, sweet and strong,

as an encouragement to effort, a good deal of sweeping up of

leaves in the autumn, and a certain amount of bedding out of

 

 


his own favourite plants, mainly asters and salvias - to 'make a

nice show', as he put it, in summer. He was all in favour of

syringeing roses for green-fly, but was slow to get around to it,

and a demand for deep trenching for sweet peas was usually

countered by the remark that you ought to see his own sweet

peas! A proper treat last year, and no fancy stuff done

beforehand.

 

To be fair, he was attached to his employers, humoured their

fancies in horticulture (so far as no actual hard work was

involved) but vegetables he knew to be the real stuff of life; a

nice Savoy, or a bit of curly kale; flowers were fancy stuff such

as ladies liked to go in for, having nothing better to do with

their time. He showed his affection by producing presents of

the aforementioned asters, salvias, lobelia edging, and summer

chrysanthemums.

 

'Been doing some work at them new houses over at the

Development. Want their gardens laid out nice, they do. More

plants than they needed so I brought along a few, and I've put

'em in where them old-fashioned roses ain't looking so well.'

 

Thinking of these things, Miss Marple averted her eyes from

the garden, and picked up her knitting.

 

One had to face the fact: St Mary Mead was not the place it

had been. In a sense, of course, nothing was what it had been.

You could blame the war (both the wars) or the younger

generation, or women going out to work, or the atom bomb, or

just the Government - but what one really meant was the

simple fact that one was growing old. Miss Marple, who was a

very sensible lady, knew that quite well. It was just that, in a

queer way, she felt it more in St Mary Mead, because it had

been her home for so long.

 

St Mary Mead, the old world core of it, was still there. The

Blue Boar was there, and the church and the vicarage and the

little nest of Queen Anne and Georgian houses, of which hers

was one. Miss Harmell's house was still there, and also Miss

Hartnell, fighting progress to the last gasp. Miss Wetherby had

passed on and her house was now inhabited by the bank

 

 


manager and his family, having been given a face-lift by the

painting of doors and windows a bright royal blue. There were

new people in most of the other old houses, but the houses

themselves were little changed in appearances since the people

who had bought them had done so because they liked what the

house agent called 'old world charm'. They just added another

bathroom, and spent a good deal of money on plumbing,

electric cookers, and dishwashers.

But though the houses looked much as before, the same

could hardly be said of the village street. When shops changed

hands there, it was with a view to immediate and intemperate

modernization. The fishmonger was unrecognizable with new

super windows behind which the refrigerated fish gleamed.

The butcher had remained conservative - good meat is good

meat, if you have the money to pay for it. If not, you take the

cheaper cuts and the tough joints and like it! Barnes, the grocer,

was still there, unchanged, for which Miss Harmell and Miss

Marple and others daily thanked Heaven. So obliging, comfortable

chairs to sit in by the counter, and cosy discussions as to

cuts of bacon, and varieties of cheese. At the end of the street,

however, where Mr Toms had once had his basket shop stood

a glittering new supermarket - anathema to the elderly ladies of

St Mary Mead.

'Packets of things one's never even heard of,' exclaimed Miss

Hartnell. 'All these great packets of breakfast cereal instead of

cooking a child a proper breakfast of bacon and eggs. And

you're expected to take a basket yourself and go round looking

for things - it takes a quarter of an hour sometimes to find all

one wants - and usually made up in inconvenient sizes, too

much or too little. And then a long queue waiting to pay as you

go out. Most tiring. Of course it's all very well for the people

from the Development-'

At this point she stopped.

Because, as was now usual, the sentence came to an end

there. The Development, Period, as they would say in modern

terms. It had an entity of its own, and a capital letter.

 

9

 

 


Miss Marple uttered a sharp exclamation of annoyance. She'd

dropped a stitch again. Not only that, she must have dropped

it some time ago. Not until now, when she had to decrease for

the neck and count the stitches, had she realized the fact. She

took up a spare pin, held the knitting sideways to the light and

peered anxiously. Even her new spectacles didn't seem to do

any good. And that, she reflected, was because obviously there

came a time when oculists, in spite of their luxurious waiting-rooms,

the up-to-date instruments, the bright lights they

flashed into your eyes, and the very high fees they charged,

couldn't do anything much more for you. Miss Marple

reflected with some nostalgia on how good her eyesight had

been a few (well, not perhaps a few) years ago. From the

vantage-point of her garden, so admirably placed to see all that

was going on in St Mary Mead, how little had escaped her

noticing eye! And with the help of her bird glasses - (an interest

in birds was so useful!) - she had been able to see - She broke

off there and let her thoughts run back over the past. Arm

Protheroe in her summer frock going along to the Vicarage

garden. And Colonel Protheroe - poor man - a very tiresome

and unpleasant man, to be sure - but to be murdered like

that - She shook her head and went on to thoughts of Griselda,

the vicar's pretty young wife. Dear Griselda - such a faithful

friend - a Christmas card every year. That attractive baby of

hers was a strapping young man now, and with a very good job.

Engineering, was it? He always had enjoyed taking his

mechanical trains to pieces. Beyond the Vicarage, there had

been the stile and the field path with Farmer Giles's cattle

beyond in the meadows where now - now...

The Development.

And why not? Miss Marple asked herself sternly. These

things had to be. The houses were necessary, and they were

very well built, or so she had been told. 'Planning,' or whatever

they called it. Though why everything had to be called a Close

 

10

 

 


she couldn't imagine. Aubrey Close and Longwood Close, and

Grandison Close and all the rest of them. Not really Closes at

all. Miss Marple knew what a Close was perfectly. Her uncle

had been a Canon of Chichester Cathedral. As a child she had

gone to stay with him in the Close.

 

It was like Cherry Baker who always called Miss Marple's

old-world overcrowded drawing-room the 'lounge'. Miss

Marple corrected her gently, 'It's the drawing-room, Cherry.'

And Cherry, because she was young and kind, endeavoured to

remember, though it was obvious to her 'drawing-room' was a

very funny word to use - and 'lounge' came slipping out. She

had of late, however, compromised on 'living-room'. Miss

Marple liked Cherry very much....

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