Guitar Legends 109 (2009) Classic Rock.pdf
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43704 KB
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It,
1969:
THE GREATEST
YEAR IN ROCK
Guitar lacebds taLt6 ^ nonth-by-month look at
the albums ard erent! that shaped 1969, the most
pivotal
reu
in rock and mll.
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THE SEVENTIES
With BlacL Sabbath, kd Zeppetin,
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and oth€r
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PRIME CUTS
The tales of the tunes, told by the artists who wrote
and recorded theD.
FE TURI,,YG
52 ZZ TOP'S BILLY GIBBONS
54 JETHRO TULL'S IAN ANDERSON
AND MARTIN BARRE
56 KISS' PAIJL STANLEY
AND GENE SIMMONS
58 EDWARD VAN IIALEN
60 AC/DC'S ANGUS YOIJNG
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INSIDE TRACKS
The stories behird classic rcck's geatest sonss.
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INETEENSIXTY-NINEWASA MAD,mad
year.
Acrossthe
USA,
peopleprotested
silentlyor violentlyagainst
subsequenI generations of musi-
ci:rns.
where woulrt today's punk
rockcrs be without lggy Pop's flre
Sfoojes and the MC5's iaicl Ou.
rftcJdms?50,000 rock and metal
bands without thc tlvo Lcd Zeppc
lin albul11sof'69? The world
with-
orltLet It Blee.1andAbbey Roada
on a more specificguitrr lev-
eI,1969was abonanza ofpowcr
ard
glory.
The arrivalofthe All
men BrothersB:rnd,u,irh their
trvin guitars fiom heaven. Thc
novel tunings and sweet rlrythns
ofCrosby, stills and Nash.And
rhe lantastic funL siylings of
.lames Brown's unsung guitarist,
Jimm,vNolen-
The moment which best rep
resentsall the fire and rain ofa
nDSt chaotic and creative tine
belongs to Jimi Hendrix,
who
on
one July day atthe woodstock
festival forevel ensl ted a cosnic
n1omelltin an incredible
1,s1.ttitt
his
majestic version
of"The Star-
SpangledBanner." It u-as1969,
and America rockcd.
theVietnam
War,racismand
poverty.
Menwith crewcutstraversed
the
moon's
surface
in
giant
leapsandbounds.Againstallodds,theNewYork
Jets
won
the SuoerBowl andthe New
York
Mets won the World Series.
kind ofproclamation onc associ-
ateswith boorish, opinionated
know-nothings. Now, beforewe
tale offenseat such aharshcharac-
terization, let us hestily male this
point:we got
the
proof.
The
prool
sotospeak, is in the
vinyl. The notion of1969'ssuprem-
acyis, ofcourse, arlopinion until
one examinesthe incredible num
ber oflandmark albumsissued
it1that
glo
ousyear-True, miny
fine records first saw the light in
1968,1970,1979and 1994,for thar
matter,but nothingcomparcs to
MCMLXIX when itcomes to shccr
volurneof rock achievement.
But how is "achievement"
gauged?
on the one hand, there
js
the mxtter ofdurability. Turn on
any classicradio station tomor
row morningand you r.villfind an
incredible array of songsrecorded
in r969 in regllar rotation.led
Zeppelin's "whole Lotta Lovc"
(Lea Zeppelil II). Creedence
Clenrwater
Revival's
"Bad
Moon
tusind'
(crcen
xiver). The who's
"Pinball Wizard"(?ommJ). These
songsare not oldies,but:rs current
asthe latest cdses in the Balkans.
Another lneasureof
greatncss,
whether an album rvasissued
in 1969or 1989,is its impact on
TNSCENIC BETHDL, New YCTK,
ajoyous crowd, halfa million
strong braved the elements and
personal discomfort to witness
history at woodstock. Outside
lovely Sa11Francisco,California,
at Altamon! Speedway,equally
joyous
crowdsjoined the Rolling
Stores in wihressing murder.
1969was thebest oftimes and
the wildest oftimes, soit should
comc asno surpdse that it was
an incredible year for music. So
incredible,
in fact,
tha!we
arcuitdr
world believeit to havebeenthe
8t€dt€st
rock
ard
roll yea] ofthem
all. Yes,that's abigstatement, the
------.,vvPA
GE 10.r.,r---
ry".wN*gr\gy.w\qg
JANUARY
Ld Zeppeli4* LEDZEPPELIN
Englishpounds.
Butevenonthistightschedule,
the
band,
just
asPagehadenvi-
sioned,
producedplenty
of"light
andshade."trrom the ominous
hea\y metalepic
"Dazedand
Confused"to the folky "BabeI'm
GonnaLeaveYou" to the quicksil-
verpopof"CommunicationBreal
down,"Zep'spower,versatility
and
imagination
wereundeniable.
with the albumfinished,
PageenlistedformerYardbirds
managerPeter
Crantto takeLed
Zeppelin
to the bank.Usingthe
guitarist's
associationwith the
Yardbirdsasbait,the
ruthless
Grantworkedout afive-year
worldwidedistributiondealwith
AtlanticRecords.Underits land
markterms,Led Zeppelin
were
promised
totalcreativecontrol-
their recordswouldbeproduced
independently,without anylabel
inteference.Thegroupwould
alsocontrolalljacketartwork,
press
ads,
publicity
picturesand
anlthing elserelatedto their
image.Thebasic
outlineofthis
remarkablecontractlaterinflu-
encedthe RollingStones,another
Atlantic
band,in their deal-
ingswith the label.Bothbands
retainedcompl€tecontroloverall
creativeprocesses,
IT
WASI]ARI,YIN TID SUrnrnCIOf
1968andJimmyPagewasdeeply
preoccupied,
wassuperhurnan.
Besidesbeing
oneofthebestdrummers
I'veever
heard,hewasalsooneoftheloud-
est.He wasthe reasonwe hadto
start
buyingbiggeramps.And his
playingwasn't
in his arms;it wasall
in hiswristaction.Frightening!I
still don't
know how he managedto
get
somuchleveloutofa kit."
"Mu5icallyil
5aur
Zeppeli4a5
a
marriage of blueE,
Iyzrdrocfua4d
acou,tic muEic,
topped uit[ lleavy'
cllora.6e6.It vould
be a combi4atio4
tlyzt
lpd
4everbee4
do4e beforc. Lot5 of
Iigfu a4d
6llade."
-linnyPage
rttw!tttlt\tttlw
quickly
found
just
the right men
to helphim achievehis radler
ambitiousmusicalgoals.
John
PaulJones,oneofEngland's
Forseveralyears
hehadworkedIike
adogtobuild
areputationasoneofEngland's
finestsessionguitaiists,playing
onmanyof therecordsreleased
in Britainin the1963-1965
era,
includingalbumsbythewho,
th€RollingStones,
theKinks,
TomJones
andmanyothers.He
then
par:layed
his notoriety into a
year-long
stintwith theYardbirds,
whosepreviousguitarists,Eic
Clapton
andJeffBeck,had
gone
onto become
leavilg
only
the manufacture
anddistribu
tion ofalbumsand,to alimited
degree,promotionto Atlantic.
OnJanuary12,the salneweek
the Beatles'
"White Album" was
No.l on theBillboardcharts,
Led Zeppelin was rclensed,.k
enteredthe albumchartsat
99,
from which
itjumped to 40,then
28.lts highest
position
wasNo.
10,butthe albumremainedon
the chartsfor aremarkable
73
consecutiveweeks.While Led
Zeppelin'simmediateimpactwas
surprisingespecially
full-fledged
legends.
Page,
be
nextin line.Unfotunately,
due
to
the pressures
of touring the Yard-
birds disintegrated
just
ashe was
beginningto comeinto his own.
with his bandandcareerin
complet€
disarray,Pagestoodata
crossroads.
it \rasassumed,would
finest
sessionbassists,
and
arrangers,wastircd ofthe studio
g nd andasked
to
join
Jimmy's
newband.Page,
keyboardists
Hecouldresumehis
sessionwork,returnto artschool,
or try hisluckatcreatinganew
band.Thegui[arist,
determined
with
hisdreambandassem-
bled,Pagewassoconfidenthe
decidedto recordthe
bandhimself
andselltheresultsto thehighest
bidder.The
quartet,
nowofficially
namedLedZeppelin,assembled
in London'sOl).rnpic
Studios
for a new
band,itwas evenmoreimpres-
siveconsidering
recognizingJones'
talent andversatility,inmediately
edistedthemulti-insffumentalist.
Vocalist
RobertPlant,recom
mendedbytwoof Page's
to
takeashotatbig-timerocksuccess,
decidedtoforgeahead.To that
end,he
carefullydevisedablue-
pdnt
for hisidealband.Thathe
wouldactuallyseehisplanscome
to fruitionand,in doingso,
shake
the very
foundation ofrock, would
no doubt havesurprisedPage.
"ThebandthatI envisioned
wouldcombineblues,hardrock
a]rdacoustic
musicandtopit alloff
5
with
hearrychomses,"remembers
6
Page.
the
group's
popularitywasachievedprimar
ily throughword-of-mouth.
Therewereno singlesreleased
from their debut,theyhadlittle
radioexposureandpractically
no supportfrom the rockpress,
who werecaughtoff-guardby the
band'sovernightsuccess.
liiends,
in
November
of1968,with Page
producing.
Afteronlyafewweeks
ofreheaisalandashorttour,they
cuttheirgroundbrealing
debutin
amere
30hours,at acostofl,700
wasalsoaremarkable
find.He
lookedeveryinch
theleadsinger,
andhis volcanic,androgynous
voicewassuitablefor everything
from the raunchiestbluesto the
mostdelicate
ballad.But
perhaps
Page's
greatest
discoverywas
dmmmerJohnBonharn,who
hadplayedwith Plantin previous
bands.Pagehadwanted
a
very
powerful
drummer,butBonham
was
"beyond
the realmsof anlthing
I couldhavepossibly
JANUARY
ALBUM RELEA6E6
Odesn-The Bee Gees
BayouCountry-CreedenceClearwater Revival
Erglis, Rose.-FleetwoodMac
YellowSubnairc
(Soutdtrack)-The
Beatles
"Itwould beacombination
g
that hadneverbeendonebefore.
: Lotsoflight
andshade."
:
Ina strokeofcosmic
luck,Page
imagined.He
GUITARLEGENDS
II
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