00:00:01:/SubEdit b.3875 (http://alfa.icis.pcz.czest.pl/~subedit)/ 00:00:02:HUNGER 00:00:07:based on a novel by|KNUT HAMSUN 00:00:13:A SCANDINAVIAN CO-PRODUCTION|by 00:00:17:SANDREW - SVENSKA FILMINSTITUTET|STUDIO ABC - HENNING CARLSEN 00:00:21:with|PER OSCARSSON and GUNNEL LINDBLOM 00:00:26:and|OSVALD HELMUTH|SIGRID HORNE-RASMUSSEN |BIRGITTE FEDERSPIEL 00:00:31:adaptation: PETER SEEBERG|screenplay: HENNING CARLSEN 00:00:35:director of photography: HENNING KRISTLANSENdff|art director costumes: ERIK AAES ADA SKOLMEN 00:00:39:sound: ERIK JENSEN|music: KRZYSZTOF KOMEDA 00:00:44:directed by HENNING CARLSEN 00:01:09:KRISTIANIA 1890 00:01:52:CRIMES OF THE FUTURE 00:02:53:I'll come and buy up the lot|at 10 o'clock tomorrow morning. 00:02:58:A little treat|for a couple of children I know. 00:03:15:PAWNBROKER 00:04:40:No, I've no time to talk to you.|Talk to each other instead. 00:04:49:Are you here? 00:04:54:Did they take you on? 00:04:59:They only want people|who have passed exams. 00:05:02:As long as you're a master of this|and a bachelor of that - 00:05:06:- it doesn't matter a damn|whether you've got talent or not. 00:05:19:Bookkeeper at a grocer's.|Why not? 00:05:26:Try! 00:05:30:FIRE BRIGADE SEEKS RELIABLE|YOUNG MEN OF SOUND PHYSIQUE 00:05:36:- Coming to have something to eat?|- No, I'm not really hungry. 00:05:42:But I'll keep you company. 00:06:32:Listen, I'll come round one day|and Iook at your painting, eh? 00:07:15:Do you have to sit on this bench? 00:07:18:What do you say? 00:07:20:I'm accustomed to being alone|on this bench when I'm working - 00:07:24:- so I would prefer you to Ieave.|I don't wish to be disturbed. 00:07:28:You needn't go straight away! 00:07:39:What are you doing here? 00:07:42:Would you be so kind|as to tell me the time? 00:07:45:Two o'clock. 00:07:48:It's ten! 00:07:50:- It's two!|- You're wrong, it's ten! 00:07:53:You'd better re-set your watch,|my good man! 00:08:07:FIRE BRIGADE SEEKS RELIABLE|YOUNG MEN OF SOUND PHYSIQUE 00:08:35:No glasses! 00:09:45:M. GUNDERSEN|CARETAKER 00:11:21:Mr. Christie's Grocery. Wiith|reference to your advertisement... 00:11:57:Hii, there! Boy! Come here! 00:12:02:Run into the grocer's with this!|I'll give you a tip another day! 00:12:09:Off you go! 00:12:34:Excuse me...|What's the time? 00:12:37:- Half past three.|- Fine! I can hear you know your job. 00:14:33:You're dropping your book, miss. 00:15:49:You're dropping your book, miss. 00:15:54:What book is he talking about?|I haven't got a book! 00:15:58:Never mind him, he's drunk.|You can see he's drunk! 00:17:44:Ylajali! 00:19:15:Ylajali. 00:19:18:At last! 00:19:22:Come in! 00:19:25:My Darling! 00:19:29:How heavily she's breathing! 00:19:33:As you see...|Rubies everywhere! 00:19:38:Her eyes are like ambre. 00:19:43:Come to me. Come! 00:19:49:That red, soft silken Divan! 00:19:53:Kiss me! 00:19:56:Kiss me! 00:19:59:Her lips are glowing. 00:20:07:Up you get! 00:20:10:I'm sorry. 00:20:24:Wait!|Don't forget your hat! 00:20:29:Of course. I'm sorry.|I thought I'd forgotten something. 00:20:41:Move along then! 00:21:23:No, I don't talk to shoes, I said. 00:21:27:Talk to one another instead. 00:21:52:You must leave tomorrow.|Cordially yours, Mrs. Gundersen. 00:23:17:FUNERAL SHROUDS 00:24:10:Five... five crowns. 00:24:15:Ten... ten!|A bargain at the price! 00:24:25:If you're thanking God,|then thank him from me as well! 00:24:44:I wrote my first masterpiece|here. 28th Oct. 1890. K.P. 00:24:53:Then you move in the course|of the morning! 00:24:56:I place my future in your hands! 00:24:59:And I shall put it down again. 00:25:04:Why don't you go home to the|country. You've no need to stay here. 00:25:16:- AIl right, I'll go.|- Yes, please. 00:27:11:Would you be so kind as|to wrap this up for me? 00:27:16:Thank you ever so much. 00:27:29:Be careful! There are a couple|of valuable vases inside. 00:27:40:I've inherited them. 00:27:44:I'm sending them to Smyrna. 00:27:49:Thank you, thank you! I'm most|grateful to you for your kindness! 00:28:07:TO THE EDITORIAL OFFICES. 00:28:09:Perhaps he'II come|this afternoon? 00:28:12:No fixed hours here. Certainly not|for the editor. Try again at 3 o'clock. 00:28:18:Could I put it|on the editor's desk myself? 00:28:24:- Or will you take it?|- Put it on the pile over there. 00:28:34:Are these manuscripts?|AII of them? 00:28:36:Yes.|What's come in today. 00:28:40:- And you get this many every day?|- We do. 00:28:49:How can I be sure the editor|will read my article? 00:28:54:Excuse me. I said, how can I be sure|the editor will read it? 00:28:59:He reads everything.|Come back at 3 o'clock! 00:29:30:CHRISTIANIA STEAM KITCHEN 00:30:26:You here? 00:30:28:Yes, I always have a little walk|iin the mornings... 00:30:35:How are things? 00:30:37:I'm working for Christie's,|the wholesale people. Bookkeeping! 00:30:43:It's alright, you know. 00:30:46:What have you got here? 00:30:49:Some cloth bought at Semb's.|Can't neglect one's looks completely! 00:30:57:I beg your pardon. 00:31:04:- Do you know him?|- Barely. 00:31:07:She's his latest conquest.|She's married. 00:31:11:Let me recommend you my tailor,|Isaksen. Nobody like him! 00:31:16:Just say I sent you. 00:31:18:May I remind you that you|owe me 10 crowns? Good-bye! 00:32:14:PAWNBROKER 00:32:36:Just a few coppers...|To buy some milk. 00:32:44:Milk? 00:32:49:Money is a little hard to come by,|and I don't know if you're deserving. 00:32:54:I haven't eaten since yesterday|in Drammen, and I'm broke. 00:33:00:I haven't found work yet. 00:33:03:- Are you an artisan?|- Yes, a welt binder. 00:33:06:A welt binder.|I can make shoes too. 00:33:10:I see.|Well, that's different. 00:33:13:It's rather an unfortunate moment|of the day to ask. 00:33:17:It would have been better|after 3 o'clock - 00:33:20:- but just a moment|and I'll see what I can do. 00:33:39:- One crown.|- I'd counted on one and a half. 00:33:49:If it hadn't been getting a bit small|for me, I shouldn't have parted with it. 00:33:54:Of course not. 00:34:13:There you are.|I'm glad you applied to me first. 00:34:33:You've acquired the unpleasant|habit of staring at people's knees - 00:34:37:- when they give you a coin. 00:34:39:Take the blasted money, now|I've had all the trouble getting it! 00:34:44:Perhaps I owe you this sum|for all I know. 00:34:48:PIease realize you are talking|to a thoroughly honest person. 00:34:56:Pick it up, before somebody|more deserving than you does! 00:35:51:There you are. 00:36:00:Excuse me.|I had a pencil in my pocket - 00:36:04:- in the waistcoat|I left with you this morning. 00:36:12:You'd better look yourself. 00:36:23:Here we are.|Thanks! 00:36:35:Of course it would never occur|to me to go to all this trouble - 00:36:40:- for the sake of any old pencil.|But this one had a story attached to it. 00:36:47:It has helped me make a name|for myself in the world. 00:36:53:It's the pencil I wrote my thesis|on philosophy with. In 3 volumes. 00:36:58:- Perhaps you know it?|- I know of it. 00:37:01:Well, I'm the author, so don't be|surprised at my being fond of it. 00:37:06:I almost regard it as a little person.|Thank you so much! 00:37:11:I shall remember you!|I'm that sort of person, see? 00:37:16:Thank you. 00:37:35:The Morning Post will start|a course in French lip-reading. 00:37:40:You will now see a number|of photographs of the mouth - 00:37:45:- when saying|the passionate words: 00:37:47:Je vous aime.|I love you. 00:38:00:VACANCY FOR BOOKKEEPER|AT MR. CHRISTIE'S GROCERY 00:39:00:Excuse me.|Mr. Christie? 00:39:05:I sent a message|with a letter - 00:39:09:- about a vacancy|for a bookkeeper. 00:39:13:I don't know whether it will|have served any purpose? 00:39:23:Well now, your handwriting|is nice enough - 00:39:26:- but you seem to be|a bit careless with figures. 00:39:30:You've dated your letter 1848. 00:39:35:Even you aren't that old! 00:39:38:Oh, have I? A slight error,|a moment's distraction... 00:39:46:But I need a man who never|makes mistakes with figures. 00:39:50:Your handwriting is very clear.|And it's a good letter, but... 00:39:55:Yes, a pity.|Of course it won't recur. 00:40:00:A tiny slip like this doesn't prove|I'm not a good bookkeeper. 00:40:04:I'm not saying it does. 00:40:06:But it means so much to me|that I've decided on somebody else. 00:40:11:You mean the job is taken? 00:40:14:Then there's nothing more|to be said! 00:40:16:- I'm sorry.|- Bye. 00:40:56:- Yes?|- Excuse me, my carriage is waiting. 00:41:01:- Colonel Schinkel?|- No. Why? 00:41:04:Doesn't Colonel Schinkel live here?|Sorry! I had a small cannon for him. 00:41:17:LARSEN|Butcher 00:41:21:I was to fetch a parcel|for a young musician named Grieg. 00:41:30:But I don't understand...|It must be here, I'm certain of it. 00:41:45:We've got nothing today! 00:41:47:I'm sorry I rang so loudly,|I don't know the bell here... 00:41:51:An invalid gentleman advertised|for a man to push his chair. 00:41:58:A Mr. Hojbjerg. 00:42:00:There's no Mr. Hojbjerg here. 00:42:03:An elderly gentleman? 2 hours'|wheeling a day at 40 cents per hour. 00:42:07:Then it must be on the first floor.|I'm sorry. I only wanted - 00:42:12:- to recommend a man I know|who has a philanthropic outlook. 00:42:18:My name is Wedel-Jarlsberg.|I beg your pardon. 00:42:57:Excuse me, I wonder if I could|have a small bone for my dog? 00:43:01:There doesn't have to be|any meat on it. 00:43:33:Where would we be? 00:43:35:Have you seen that fellow? 00:44:11:Damnation! Is there nothing|one may keep for oneself? 00:44:17:Damn! 00:44:42:Excuse me.|May I help you? 00:44:45:Yes...|What's the time? 00:44:48:Five to three. 00:44:50:Five to three? 00:44:52:I should have known!|This is really too silly. 00:44:59:- Do you thank your God?|- That I do. 00:45:02:Then thank him warmly|from me too. 00:45:09:In 5 minutes|I'll be a happy man. 00:4...
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