John Petrucci - Guitar Lessons #18.pdf - podreczniki - tynka0073

Practice Makes Perfect, Part 3

Goals, choices and lifting weights

If you've been reading my past columns with any regularity, you might have

noticed that I often refer to the similarity between music and sports. It only

makes sense: both are activities that require constant practice to stay in

"playing shape," and both require repetitive, dedicated work to develop the

skills necessary to advance to the next level.

When it comes to the discipline of practicing, there isn't a better parallel to the

guitar than working out with weights. In both cases, you have to embark on a

systemic, consistent practice regimen over a fairly long period of time in order

to see any progress. There's a lot of mindless, repetitive work that initially

doesn't seem to lead to anywhere. But then, when you least expect it (or are

ready to throw in the towel), you make a breakthrough and reach the next

plateau;only to have to start the painful process all over again. The bottom line

is, you have to be mentally tough and really see yourself achieving your

objectives to go through all the physical discomfort and mental tedium.

Before starting any workout program, you have to outline your goals. Do you

want to bulk up and gain weight, or do you want to tone and trim? Is there a

specific muscle group you need to develop? Then, depending on your goals,

you structure your workout accordingly.

The same goes for guitar playing-before starting a practice regimen, it's

imperative that you define your goals. And that requires doing some serious

soul-searching before deciding who you are (and want to become) as a player.

After all, if you only have a finite amount of practice time a day (say, two

hours), what do you spend them on-learning a piece of music, writing a song

or honing your chops? Or all three? So ask yourself, what are your interests?

Do you want to push the envelope of technique and play anything you can

hear, or are you more interested in creating new sounds on the guitar? Or do

you just want to write the best three-chord pop song you can? (And believe

me, there's an art to that, too.)

Once you have an idea of where you want to go, you must structure your

practice regimen accordingly to achieve those goals. You must have a direction

and a purpose!

For example, if you're interested in being a successful studio musician, it's

important to get your reading chops together and to have a well-rounded

knowledge of most styles. Therefore, it would make sense for you to focus

your practicing on sight-reading and learning the essential stylistic components

of rock, country, blues, metal, etc. If you're interested in making a mark as a

composer or songwriter, you'll want to know at least a little bit of harmony and

theory, and do a lot of writing and free-associating.

And if being a great improviser/soloist is your life's ambition, you might start

out by listening to and transcribing solos by great improvisers such as Steve

Morse, Al DiMeola and Allan Holdsworth. Of course, you'd also have to practice

scales, arpeggios and melodic sequences-anything and everything to hone

your chops to the point where you can play anything you hear.

Needless to say, as you grow as a person and a musician, your goals will

probably change. Mine sure did. When I was younger, all I wanted was to get

proficient on the guitar, so I spent all my time practicing technical things.

Then, when I went to Berklee, I became more focused on learning music-I

worked on sight-reading, theory, etc. And once I got my technique together

and grew as a musician, writing and arranging songs became more of a

priority. That's one of the cool things about playing the guitar-you never know

where your musical path will eventually take you.

As you embark on your practice regimen, there will be times when you "hit the

wall." It'll feel like you're "stuck"-you know, the frustrating sense that no

matter how long you've practiced something, you just can't seem to master it.

Believe me, it's not just something that happens to you-every musician (and

athlete) has encountered this at one point or another. All I can tell you is don't

get discouraged when it occurs. Work through it!

You'll often encounter this phenomenon of "hitting the wall" when you lift

weights. For example, you might be bench-pressing 150 lbs. for weeks, and

yet whenever you try to step up a small increment (even 10 lbs.), you can't lift

the bar anymore, no matter how hard or often you try. Then one day, out of

the blue, you try to lift 160 lbs. and you breeze right by it! In fact you can lift

175 lbs. with little effort!

The same curious process occurs when you're stuck on the guitar. You may

have difficulty playing a 16th-note passage at 144 beats per minute. And no

matter how many weeks you practice, you just can't seem to break that "144

barrier." Then one day, you pick up the guitar and, for no good reason, play

the same passage not just at 144, but at 160 beats per minute!

Congratulations-you've just burst through the wall and reached a new plateau!

Both lifting weights and playing the guitar require that you pay close attention

to form. When lifting weights, proper form is critical-it can make the difference

between progressing to the next weight level or ending up with a serious

injury. On the guitar, correct form will enable you to avoid repetitive-stress

hand injuries such as carpal tunnel and tendonitis.

And just as using proper form can enable a weightlifter to add more pounds to

his total, using an efficient picking technique and economy of left- and right-

hand motion can add tremendous speed and accuracy to your overall

technique. When working on any new material, start out playing it slowly and

cleanly at first. When you play a passage slowly and mistake-free, you learn it

much faster that playing it at a quicker tempo, but sloppily. It all comes down

to form!

Finally, after all is said and done, don't put too much pressure on yourself. The

guitar is a fun instrument to play, and every once in a while you should allow

yourself time to just noodle around (after all, it's probably the reason you

picked up the guitar in the first place). Just realize if you do want to progress

as a player, you have to put in the time-you can't do it half-heartedly. It's

simple: the more you put in, the more you get out. So keep practicing! See

you later!

John Petrucci - Guitar Lessons #18.pdf

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