to be or not to be.pdf
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Pobierz
To Be or Not to Be
Authentic
LARGE
d
o
uble
d
oo
rs wer
e
in elab
o
r
ate
.
B
OTH
SIG
NS
O
N
TH
E
. Go
thic
scr
i
pt
.
On
e
h
a
d b
e
en
pa
int
e
d
a
lon
g
t
i
m
e
a
go wi
th
p
a
in
s
t
a
kin
g
c
a
re. It
sa
id:
The Cr
u
sa
d
es
R
oom
Pl
ease E
nt
e
r
Most of the
g
old fl
o
u
r
i
s
h
es
a
nd
li
ga
tur
es
h
a
d f
l
a
k
e
d
o
ff
,
'
~
n
d
wou
l
d
h
a
v
e
c
a
l
l
e
d m
a
ju
s
ul
w
h
a
t th
e
-o
r
i
g
inal
ca
ll
i
g
ra
ph
e
r
-
c
a
pital lett
e
r
s
; th
e s
u
m
m
i
t
of h
i
s
c
r
a
ft -
h
a
d
t
a
k
n
n
t
h
s
h
a
bbin
ess o
f ne
g
l
ec
t
e
d
o
ld
ag
e
.
Th
e oth
e
r
sig
n
s
impl
y
hun
g
o
n th
e
d
oor
. I
t
h
a
d b
ee
n b
o
rn
i
n
. th
e
crisp whirr
of
a
l
ase
r p
r
int
e
r,
it
s
p
e
rf
ec
tl
y
s
hap
e
d
a
nd
precisely etch
e
d lett
e
r
s
the pr
o
duct
of t
ec
hnol
ogy
a
nd
som
e
-
on
e's w
him
s
i
ca
l
ch
o
i
ce o
f t
y
p
e
f
a
c
e
f
or a s
i
g
n th
a
t
wa
s
on
l
y
t
e
mp
o
rar
y.
It
s
aid
:
T
h
e
i
ro
ni
c co
nt
ras
t
w
as
not lost to Glen Crockford
as
h
e
G
l
e
n
Cr
ockford
follow
e
d h
e
r
o
b
e
di
e
nt
l
y
.
H
e
co
uld
n'
t
h
e
l
p
pL
dl
ed
o
n
e
of
th
e
bi
g
d
a
'
o
r
s o
p
e
n, but he said nothi?
g
t
o
th
e
but
a
d
mi
r
e
wh
a
t
they'd
d
o
n
e
.
Suc
h
a
diff
e
r
e
n
ce
fr
o
m
t
h
e
y
o
un
g ass
i
s
t
a
n
t
c
u
ra
t
or
wh
o
followed him in. Her J
o
b,
a
ft
e
r
m
u
s
e
um
s
w
e
once knew, h
e
th
o
u
g
ht
t
o
h
i
m
se
l
f
, a
l
t
h
o
u
g
h
h
e
a
ll
,
w
a
s "a
rtif
a
c
t
s
y
s
t
e
m
s
m
a
n
age
ment
and displ
a
y c
o
n
t
r
o
l.
"
c
o
uldn't
he
lp n
o
tin
g
th
e e
l
e
ctro
ni
c
g
l
o
w in t
h
e a
r
c
h
w
a
y
t
h
a
t
S
h
e
h
a
d
a
n
und
erg
r
a
du
a
t
e
d
egre
e in archaeolo
gy
but th
e
war
n
e
d in r
e
d
: "
Youn
g
C
hi
ldr
e
n
M
ay
B
e F
r
i
g
h
t
e
n
e
d.
"
H
i
s cy
ni
c
i
s
m
a
lm
os
t di
s
a
pp
e
ar
e
d
o
n
c
e
h
e
w
e
n
t
in
s
id
e
,
f
o
r
h
e
r
e
th
e
b
a
ttl
e
r
ag
ed
eve
n m
o
r
e
l
o
udl
y
a
n
d
mor
e
r
ea
li
s
t
i
c
a
ll
y
,
H
ea
ti
ng
e
l
e
m
e
nts in th
e
fl
oo
r
a
nd
c
e
i
lin
g
m
ea
n
t
o
n
e co
ul
d
n
o
t
ju
s
t
s
e
e
a
nd h
e
ar the fir
e,
but
ac
tu
a
ll
y fe
e
l it.
T
h
er
e
wa
s e
v
e
n
s
m
o
k
e
-
a
rtificial smok
e
.
T
h
e
fir
e
d
e
p
a
rt
me
n
t
a
nd th
e
d
e
-
p
ar
tm
e
nt of public health had th
row
n
a
c
o
mbin
e
d
f
it
w
h
e
n
th
e
r
ea
l
s
tuff had been pr
o
p
ose
d in th
e o
ri
gi
n
a
l pl
a
n
s
.
B
ut th
e
sa
nit
i
z
e
d alternative bel
c
h
e
d
o
ut it
s a
p
p
r
o
v
e
d p
a
rt
s
-p
er-mi
l-
l
io
n
o
f h
y
drocarbon at si
x
t
ee
n-
se
c
o
nd int
erva
l
s
,
a
rid it
.
o
e
>
.
c
ur
re
d t
o
Glen that even if it
was
n
o
m
ore
r
ea
l
t
h
a
n th
e
fi
re,
it
'
s
u
re was
di
f
f
er
ent from
a g
uid
e
d t
o
u
r
.
E
x
ce
pt for th
e
walkw
ay
, th
e
fl
oor
s
wh
e
r
e
th
ey
n
o
w
s
t
oo
d
we
r
e
c
ove
r
e
d in rushe
s
. Th
ey we
r
e
in li
v
i
n
g q
u
a
rt
e
r
s
, a
n
d
a
sca
tt
e
r o
f
robes
,
o
v
erturn
e
d j
ar
s a
n
d
b
ro
k
e
n
furn
i
t
u
r
e S
L
I
-
ges
t
e
d th
a
t this part of the ca
s
tl
e
h
a
d
a
l
r
ea
dy b
ee
n
o
v
er
r
u
n
b
y
th
e
inv
a
ders. Almost out of th
e
li
g
ht,
a d
e
c
a
p
i
t
a
t
e
d
mu
s
.
e
um b
oa
r
d
h
a
d
c
h
os
e
n
h
e
r for her master's
in bu
s
in
e
ss
a
d mini
s
t
rat
i
on
.
W
h
en t
h
e
d
oo
r
c
l
o
s
ed b
e
hind them and th
e
ir
eyes
h
a
d
a
dju
s
t
e
d t
o
th
e
dim
nes
s
,
h
e
r f
irs
t comment
,
right on cu
e, was,
"
Wh
e
n
w
e
r
e
op
e
n
n
ex
t m
o
nth
, t
he inventory in h
e
r
e
will h
ave
a
3
0
p
e
rc
e
nt
g
r
ea
t
e
r vi
e
w
er ac
cess than before."
G
l
e
n s
upp
resse
d
a g
r
oa
n but he couldn't ch
e
ck him
se
l
f
c
om
pl
e
t
e
l
y;
t
h
e
Cr
u
sa
d
es
R
o
om had always been th
e
b
oa
rd'
s
g
r
e
a
t
e
s
t p
r
i
d
e
.
.
"Ms
.
Spar
k
s
. N
o
t
inv
e
ntor
y,
pl
eas
e. These piec
es
.
..
.
"
S
h
e
didn
'
t h
ea
r
him
;
o
r
e
l
se s
he was not paying
a
tt
e
ntion.
"
Th
a
t
'
s
a
pr
e
.
tt
y e
f
fec
tiv
e
return.
A
s
y
ou know, w
e s
p
ent
a
l
m
os
t
se
v
e
n
m
ill
io
n
o
f th
e
L
a
n
s
dorff
endowment
in h
e
r
e
,
ove
r
ha
l
f of
it
o
n n
e
w
ac
qui
s
ition
s
for this beaut
y
!
"
S
h
e r
ea
c
h
e
d u
n
d
e
r
a
c
o
n
so
l
e
, flipped a
few
switch
es a
nd
o
n
e
e
nd of t
h
e ~oom
i
i
t
er
a
lly
c
a
m
e
to life w
i
th sounds, b
a
c
ksc
r
ee
n
pr
o
j
ections
b
o
dy
J
ay
.i
n
and
li
g
hti
n
g
ch
ange
s. It was the mus
e
um
b
o
ar~
's
th
e g
r
o
t
es
que
twist of violent d
ea
th
. G
l
e
n t
r
i
e
d
to m
a
k
e
i
t
o
u
t
n
e
w
p
ride
a
n
d j
oy
:
'
a
di
o
r
a
m
a
of the seige of Je
r
us
a
l
e
m
m
t
h
r
o
u
g
h
the smoke and gloom. It
co
uld h
ave b
ee
n
a
w
o
m
a
n
's
1099
A
.D
.
Th
ey
b
o
th t
ook a few s
t
e
p
s
to
w
ard the end of the ro
o
m
a
nd
th
e
n p
a
u
s
e
d t
o
g
e
th
e
r
t
o a
b
s
o
r
b th
e
o
v
erpowering visu
a
l
e
ffe
ct
of g
r
ea
t,
.
thick
wa
ll
s
,
se
i
ge
towers and battlement
,
s
th
a
t
r
e
a
c
h
e
d
r
i
g
ht up t
o
th
e
hi
g
h
,
vaulted ceiling. The
a
udI
O
w
as
ov
e
r
power
in
g
b
o
d
y
.
.
"
Y
o
u
're
ob
v
iousl
y
not
hidin
g
a
n
y
o
f th
e
C
ru
sa
d
er
s
'
b
e
h
av
i
o
;
a
re
y
ou?" h
e
s
a
id to M
s
. Sp
a
rk
s
.
.
.
"Tr
y
this one!
"
she re
s
pond
e
d
as s
h
e
l
e
d him
ro
und
a
t
ur
n
'
wh
e
r
e
a
he
av
il
y
armored
kni
g
ht h
e
ld hi
s
t
wo
-h
a
nd
e
d
s
w
o
rd
t
oo, for as
th
e
r
e
cording
tape turn
e
d, sound
s o
f
ov
e
r a
c
lutch
of frighten
e
d
c
hildr
e
n.
"Th
ey
w
e
r
e
a
b
l
o
o
d-
b
a
t
t
l
e g
re
w l
o
ud
er
a
n
d m
o
r
e
int
e
nse.
To
th
e
r
i
g
ht
a
nd l
e
fr
s
id
es
th
i
r
sty
bunch,
the Crus
a
der
s
.
N
o
p
o
i
n
t
in hidi
n
g
th
a
t f
a
c
t
.
we
re
lowered drawbrid
g
,
es
,
e
a
c
h
E
v
ery
wh
er
e they went w
a
s
a s
l
a
u
g
ht
e
rh
o
u
s
e
.
"
G
l
e
n w
a
s
a
bout to ask
w
h
e
th
er
a
ll th
e
bl
o
o
dth
irsty r
ea
li
s
m
w
a
s
r
ea
ll
y a
mu
s
eum'
s
pr
o
p
e
r
task w
h
e
n M
s
.
Spark
s
t
o
ok h
i
s
ha
nd
a
nd l
e
d him thr
o
u
g
h
a
l
ow arc
h
w
a
y
.
"
I
t
's
n
o
t
a
ll
a
ction
a
nd
go
r
e
.
Thi
s
i
s
qu
i
e
t
e
r
.
Se
e,
we
h
ave
t
o
build in r
e
li
e
f
ev
er
y so o
ft
e
n. Thi
s
i
s
th
e
S
a
l
a
di
n
c
o
mpl
e
t
e
wi
th
a
h
a
l
f
-
ra
i
se
d
p
o
rtcullis
that allow
e
d vi
e
w
e
r
s a
s
t
o
o
p
e
d
e
n
t
r
y
i
n
t
o
th
e
cast
l
e
i
t
se
lf.
"
W
e
'r
e
bu
ildi
n
g
f
o
r
pr
e
d
o
min
a
nt
traffic flow thr
o
u
g
h
th
e
ri
g
ht h
ere
.';
M
s
.
Sp
a
r
k
s was wa
lkin
g
tow
a
rd th
e
dr
aw
bri
d
g
e
o
n th
e
r
i
g
ht
.
"Th
a
t
's
w
h
y
th
i
s
e
ntr
a
nce
is
,
c
lo
se
r."
r
o
om
.
W
e
s
p
e
nt
a
p
ot f
ull in h
e
r
e
.
A
nd in th
e
n
ex
t
o
n
e
t
oo.
That
'
s the
Richard th
e
Li
o
n-H
e
art r
oo
m. A bit kitchy I
g
u
e
s
s
, but those
a
re two n
a
m
e
s p
e
ople know
.
"
It was inde
e
d quieter and Gl
e
n felt more at eas
e
. The light
was brighter
"Yo
u
ca
n s
e
e," M
s. Spar
k
s w
as expl
a
inin
g
b
e
f
o
re h
e
g
o
t
ther
e,
"
w
e
h
a
ve a lot mo
re
Ri
c
hard stuff than S
a
ladin.
"
Gl
e
n winced at "stuff
"
but he could
see
wh
a
t she me
a
nt.
"It
's a
lot e
as
ier to
ge
t
,
i
s
n't it?" he of
fe
r
e
d.
"
Well,
no
thing's
too
;
in fact th
e
two rooms -:
-
adj
a
c
e
nt
al
c
oves,
easy in th
e
museum
bu
s
in
ess,
but ye
s
, it
really -
were almost traditionally
museum-lik
e
.
is. Tho
se
bills for example.
"
She pointed
to
a s
tack of lon
g-
He walked
s
lowl
y
, deliberatel
y
r
e
laxing the p
a
ce
.
But Ms.
handled
s
pe
a
r
s
with hooked
blades. "Not
a
ll authentic
,
but
o
Sparks
wa
s
not in
a
hurry. Appa
r
ently
she want
e
d
to spend
that'
s
ok
a
y. And spu
rs,
c
ro
ss
bows,
swo
r
d
s
-
that kind
of
time here.
"Most of thi
s
inv
e
ntory is from collectors," she
s
aid. "We
h
a
d to pay. In
s
om
e
cases
r
ea
lly
p
ay
! That jew
e
l
ry
w
a
s
really
e
xpensiv
e
.
stuff. "
Gl
e
n wondered
if
a
n
y o
f it was period
-a
uth
e
ntic
but
h
e
didn
'
t
as
k
.
"W
e
h
a
v
e
t
o
make
sca
l
e
d
-
d
o
wn replic
as o
f
s
o
m
e
of it, li
k
e
'
this m
a
n
g
o
nel here.
" S
h
e
p
a
tt
e
d a V\
(
orkin
g
m
o
d
e
l
o
f
a
catapult
. "
S
o
m
e
times
a
uth
e
ntic doesn't m
a
tt
e
r
a
ll th
a
t mu
c
h j
f
you c
a
n
s
h
o~
how th
e
t
ec
hn
o
logy w
o
rk
e
d
.
It
's
th
e
p
ro
cess
then th
a
t'
s
a
uthentic. B
es
id
es
w
e
h
a
ve
s
o
m
e
r
ea
l
s
tuff. S
e
e
th
e
dice,
?
W
e
h
a
v
e
tw
e
lv
e
p
a
ir
s
th
a
t r
a
n
ge
f
ro
m mid
-e
l
e
v
e
nth
E
l
e
v
e
nth
century
.
M
a
de
in Acr
e
.
So was the
hookah
p
i
p
e
. Th
e
crossbow
s
a
nd scimitars
a
re
pr
e
tt
y
stan-
d
a
rd
stuff. Th
ey
'
r
e all real but only one of th
e c
r
oss
bows
is
period-authentic.
And check thi
s
! Here! Th
e
Turki
s
h
chess
se
t! "
Glen w
as s
till
s
t
a
ring at th
e
cr
oss
bows trying to
g
u
e
s
s
which
o
ne was
"
p
e
riod-
a
uthent
i
c.
" "
We bought thi
s
ch
ess
set in
V
e
nice. It w
as
p
a
rt of the loot t
a
ken from the Turk
s
in the
Fourth Cru
sa
d
e
by the old Do
ge
. Gorge<~us, i
s
n
'
t it? Worth
the fortune w
e
paid."
It was strikin
g
ly beautiful Gl
e
n agreed: And hu
ge
. The
figures were i
v
or
y
a
nd black j
a
d
e
. On both sid
es
th
e
king and
queen tow
e
red
o
v
e
r the other fi
g
ures
.
The bishop
s
were per-
f
e
ctly match
e
d but had cont
ras
tin
g
expression
s
on their faces.
E
a
ch pawn w
as a
different tr
a
d
esma
n.
.
Glen w
as a
b
o
ut to pick up
a
r
oo
k to test it
s
h
e
ft wh
e
n Ms.
Sparks call
e
d oi
l
t.
"Over h
e
r
e
i
s o
ur problem piece."
Glen look
e
d
a
round. He
'
d lost h
e
r.
"No
here. Over here! I'm in th
e
Richard ro
o
m!
"
Reluctantly, Gl
e
n l
e
ft the ch
e
s
s
s
e
t to join h
e
r.
"Watch out for those j
~v
elin
s
, Mr. Crockford!
"
Glen w
a
s tall
a
nd the Richard
t
o
earl
y
fourt
e
e
nth
centur
y
.
A
nd those c
a
ndl
es
ti
ck
s
?
T
h
e
y h
a
v
e
Sir Hu
g
h Htzroy's seal!
"
She p
a
u
se
d for a mom
e
nt
,
r
e
flectiv
e
l
y
. "Wh
a
t
we
n
ee
d i
s a
grabb
er
for thi
s
room
-
lik
e
the ches
s s
et in there."
Sh
e
paused
a
gain.
"And w
e
h
a
ve it, but we can't prove it. Th
a
t's
,
what
I m
ea
n b
y
our 'pr
o
bl
e
m
pi
e
ce'. Th
er
e. Th
e
b
a
thtub.
It
'
s
"
here on
s
p
ec
till next w
ee
k.
"
.
M
s.
S
~
ar
k
s
l
e
d Glen ov
e
r to
a
metal tub ju
s
t lar
ge e
nough t
o
hold
a
s
i
ng
le
a
dult unc
o
mf
o
rt
a
bly.
"Rich
a
rd th
e
Lion-H
ea
rt
's
b
a
thtub! M
ay
b
e
.
It c
o
mes fr
o
m
Trif
e
l
s
castl
e
in Austri
a
, wh
e
r
e
Richard w
as
h
e
ld forransom,
"
'
she said. "And we know it'
s
old enough. It's entir
e
ly possibl
e
Richard u
se
d it
.
But callin
g
it Richard'
s
b
a
thtub - I don
'
t
know. It would sure add
z
ip, but I'm really not
s
ure we should
pay for something
we ca
n
't be c
e
rtain of. You
see,
bathin
g
i
s
hardly
a technology.
And
rea
ll
y
, it's just
a
tub. N
o
thing
s
p
ec
-
tacular. But if it were
Ri
c
h
a
rd
'
s
bathtub ....
"
Glen took a deep bre
a
th, h
e
ld it, then
e
x
h
a
l
e
d h
ea
vil
y
.
H
e
wasn't quit
e
sure Ms. Sp
a
rk
s
h
a
d stopp
e
d.
and Saladin ro
o
ms were set
off from
'ea
ch other
by an
a
rch made of two l
o
n
g
, pointed
spears
.
H
e
h
a
d to duck to g
e
t
f
rom one
a
l
c
ov
e
t
o
th
e
other.
"Why does this bother you," he asked, "when you already
have paid
for someth~ng
whose
ancestry
is not what
you
think?"
.
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