Modern Joseki and Fuseki, Vol. 1 - Parallel Fuseki.pdf - GO - Araviaa

M ODERN J OSEKI AND F USEKI

Volume One

Parallel Fuseki

Sakata Eio, Noninbo-Judan

translated and edited by

R ICHARD B OZULICH

T HE I SHI P RESS

B ERKELEY , C ALIFORNIA

Published by The Ishi Press. Box 1021,

Berkeley 1, California, U.S.A.

duced in any form without written permission of the publishers.

This book may be ordered from The Ishi press, Box 1021, Berkeley 1, California, U.S.A.

First Impression March 1968

Contents

Foreword.............................................................................................................4

Preface................................................................................................................5

PART I - Fuseki Type l: Black Shimari in the Upper Right Corner....................6

Introduction: The problem of a White kakari.....................................................7

CHAPTER 1: Kogeima Kakari.............................................................................11

a) Sangen basami.........................................................................................11

b) Niken Takabasami...................................................................................13

c) Tenuki......................................................................................................41

CHAPTER 2: Ogeima Kakari............................................................................... 61

CHAPTER 3: Ikken Takagakari............................................................................87

CHAPTER 4: Kogeima kakari : Ikken Basami...................................................111

PART II - Fuseki Type 2: San-san and Komoku.................................................123

CHAPTER 5: A New Fuseki with Black at San-san...........................................124

CHAPTER 6 Kogeima Kakari: Ikken takabasami..............................................138

CHAPTER 7: A Large Scale Fuseki Fig. 1: (1-4)...............................................168

Definitions of Japanese Go Terms.................................................................173

FOREWORD

I was very pleased to learn that this book, entitled "Modern Jose-

ki and Fuseki", based on my writings, has been made available to

Go players throughout the world through the translation efforts of

Mr. Richard Bozulich, 3-dan.

I believe this is a wonderful thing for European and American Go

lovers who, though eager to become masters of the game, cannot

improve their skill due to the lack of proper text books on Go writ-

ten in English.

I hope that this book will succeed in this respect and I look for-

ward confidently to a time when Go will be as developed interna-

tionally as. it now is in Japan.

Sakata Eio

Honinbo-Judan

PREFACE

The purpose of this book is to present for the first time in English a compre-

hensive and systematic study of modern evengame opening theory. This book is

the first volume in a two volume set and covers afl the basic komoku josekis.

These josekis are studied in the context of professional games with appropriate

emphasis being made on the choice of joseki considering the overall situation on

the board. The main emphasis in the first volume will be joseki while in the sec-

ond volume emphasis will be on fuseki. These two volumes will form the first

part of a series of books on Go theory. In preparation is a two volume set on

Chuban Sen (Middle Game), one volume on the Complete Yose (End Game) and

others dealing with various phases of the game of Go.

The material for this book was obtained from the supplements to Kido which

appeared from September 1965 to June 1967 entitled `Sakata's Go School'. The

contents have been arranged and edited by the translator to avoid redundancy and

also to allow the material to flow forth in a logical, systematic and elegant order.

Hopefully this has been achieved, while at the same time retaining Sakata's origi-

nal meaning and intentions.

Many of the ways of playing discussed in this book are neither to be interpret-

ed or construed as the only way to play nor as absolutely good or bad moves un-

less explicitly stated. These moves are given as those most commonly employed

by professional masters and it is the reasons why they have been adopted essen-

tially that we are discussing here. I would like to refer the reader at this point to

an article in the October 1967 issue of Go Review entitled "Way to Sho-dan"

written by Professor Ryuichi Akiba who has elaborated on this question in great

detail.

At this point I would like to acknowledge my indebtedness to Nihon Kiin for

use of their facilities and to Messrs. Makoto Ito, Kiyoshi Kuihara and Kohei

Yoshida of the Nihon Kiin editorial stafl' without whose kind assistance and en-

couragement this book would have never been possible. I must also express my

gratitude to Messrs. Mitsuru Nakada and Shunro Narazaki for their invaluable aid

during translation.

Richard Bozulich

Tokyo. 1965

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