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PHOTOGRAPHY AFTER CONCEPTUAL ART
Photography after Conceptual Art Edited by Diarmuid Costello and Margaret Iversen
© 2010 Association of Art Historians. ISBN: 978-1-444-33360-2
Art History Special Issue Book Series
In this distinctive series, developed from the annual special issue of Art History, leading
scholars are invited to publish new research on key issues and to reflect on contemporary
concerns in the discipline. Each collection of essays takes a particular theme and the scope is
wide: frompainting and sculpture to photography and video, urban history and architecture,
institutions, collecting, and historiography.
Titles in the series include:
Art and Architecture in Naples, 1266–1713: New Approaches
Edited by Cordelia Warr and Janis Elliott
About Mieke Bal
Edited by Deborah Cherry
Spectacle and Display
Edited by Deborah Cherry and Fintan Cullen
Location
Edited by Deborah Cherry and Fintan Cullen
About Stephen Bann
Edited by Deborah Cherry
Between Luxury and the Everyday: Decorative Arts in Eighteenth-Century France
Edited by Katie Scott and Deborah Cherry
Art: History: Visual: Culture
Edited by Deborah Cherry
Difference and Excess in Contemporary Art: The Visibility of Women’s Practice
Edited by Gill Perry
Other Objects of Desire: Collectors and Collecting Queerly
Edited by Michael Camille and Adrian Rifkin
Fingering Ingres
Edited by Susan Siegfried and Adrian Rifkin
About Michael Baxandall
Edited by Adrian Rifkin
PHOTOGRAPHY AFTER CONCEPTUAL ART
EDITED BY
DIARMUID COSTELLO
AND
MARGARET IVERSEN
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This edition first published 2010
r 2010 Association of Art Historians
Edition history: originally published as Volume 32, Issue 5 of Art History
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The right of Diarmuid Costello and Margaret Iversen to be identified as the authors of the editorial
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Library of Congress Cataloging-in-Publication data is available for this book.
9781444333602 (paperback)
A catalogue record for this book is available from the British Library.
Set in 10/12pt SwiftEF-Regular by Macmillan India Ltd., Bangalore, India
Printed in Singapore
01 2010
CONTENTS
Notes on contributors
vi
1
Introduction: Photography after conceptual art
1
Diarmuid Costello and Margaret Iversen
2 Auto-maticity: Ruscha and performative photography
12
Margaret Iversen
3 Ed Ruscha, Heidegger, and deadpan photography
28
Aron Vinegar
4
Subject, object, mimesis: The aesthetic world of the Bechers’
photography
50
Sarah E. James
5 Exit ghost: Douglas Huebler’s face value
70
Gordon Hughes
6 Productive misunderstandings: Interpreting Mel Bochner’s
theory of photography
86
Luke Skrebowski
7 Roni Horn’s Icelandic encyclopedia
108
Mark Godfrey
8 Thomas Demand, Jeff Wall and Sherrie Levine: Deforming
‘Pictures’
130
Tamara Trodd
9 Almost Merovingian: On Jeff Wall’s relation to nearly
everything
153
Wolfgang Br
uckle
.
10 Morning cleaning: Jeff Wall and The LargeGlass
172
Christine Conley
Index
193
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