Women Through the Lens - Gender and Nation in a Century of Chinese Cinema by Shuqin Cui (2003).pdf
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Women Through the Lens
Gender and Nation in a Century
of Chinese Cinema
S
huqin
C
ui
Women Through
the Lens
Women Through
the Lens
GENDER AND NATION
IN A CENTURY OF CHINESE CINEMA
Shuqin Cui
UNIVERSITY OF HAWAI‘I PRESS
HONOLULU
© 2003 University of Hawai‘i Press
All rights reserved
Printed in the United States of America
08 07 06 05 04 03
6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Cui, Shuqin.
Women through the lens : gender and nation in a century of Chinese cinema / Shuqin
Cui.
p. cm.
Includes bibliographical references and index.
ISBN 0-8248-2532-2 (hardcover : alk. paper)
1. Motion pictures—China—History.
2. Women in motion pictures.
3. Sex role in
motion pictures. I. Title.
PN1993.5.C4 C85 2003
791.43'0951—dc21
2002010919
Chapters 2 and 6 of the present work appeared in slightly
different versions as noted below. “Stanley Kwan’s Center Stage:
The (Im)possible Engagement between Feminism and Postmodernism,” by
Shuqin Cui, from
Cinema Journal
39:4, pp. 60–80,
copyright © 2000 by the University of Texas Press, all rights reserved;
and “Gendered Perspective: The Construction and Representation
of Subjectivity and Sexuality in
Ju Dou
,” by Shuqin Cui, in
Transnational Chinese Cinemas: Identity, Nationhood, Gender,
ed. Sheldon Hsiao-peng Lu, pp. 303–329, copyright © 1997
by the University of Hawai‘i Press, all rights reserved.
Illustrations reprinted by permission of
the China Film Archive, Beijing.
University of Hawai‘i Press books are printed on acid-free paper
and meet the guidelines for permanence and durability
of the Council on Library Resources.
Designed by Argosy
Printed by The Maple-Vail Book Manufacturing Group
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