Taboo 12.pdf

ART OF DARKNESS – HARDEST KINK-SEX PIX THE LAW ALLOWS

HUSTLER HONEY BUNS PRESENTS:

FRIGHT FLIGHT

Snatched Singers’

Jet-Ride to Hell

DEBAUCHERY

Indentured

Roommates

Trained to

Please

PLAYTHINGS

Chained Galley

Slaves’ Sweating

Servitude

HAREM

Desert

Ordeal for

Disappeared

Dolls

HIGHWAY

Teasing Tourists

Snagged and

Shagged

CRUEL NEW

COMIX BY

TABOO ILLUSTRATED #12 $8.99

CAGRI

ROBERTS

ERENISCH

FERNANDO

TEMPLETON

WAYNE WINE

KANE

COVER ART BY TEMPLETON—DOFANTASY

DOUBLE

PIRATE’S

HEAT

HELL BOUND

7 CHAIN MAIL

Carnal Comments from Raunch-Loving Readers

8 BARBARY CORSAIRS

Graphic Novel by Templeton–Part One

20 GALLERY: KANE – FLESH TRADERS

Auction-Block Beauties Sold Into Sin

30 ROAD TO HORROR

Graphic Novel by Wayne Wine–Part One

40 KINK-SEX NOIR

The Dark Dreams, Hard Men and Soft Women

of Templeton

Special Feature by Ernest Greene

Art by Templeton

48 THE GREAT REBELLION – EPISODE 3

Graphic Novel by Fernando–Part One

58 ROOMMATES

Graphic Novel by Erenisch–Part Four

66 SHEIK’S SLAVES

Graphic Novel by Cagri–Part One

76 KINK IN INK

Superman Creator Joe Shuster’s Secret Fetish Files

78 TWISTED FLICK

Slave Sisters’ Animated Anguish

80 STARFUCKERS 2

Graphic Novel by Roberts–Part Three

NO ACTUAL TOONS WERE HARMED IN THE MAKING OF THESE COMICS.

HUSTLER HONEY BUNS PRESENTS: HUSTLER’S TABOO ILLUSTRATED, No. 12 is published by LFP Publishing Group, LLC at 8484 Wilshire

duced in whole or in part without written permission of the publisher. Return postage must accompany all manuscripts, drawings, photographs,

etc., if they are to be returned, and LFP Publishing Group, LLC assumes no responsibility for unsolicited material. All letters sent to

HUSTLER’S TABOO ILLUSTRATED will be treated as unconditionally assigned for publication and copyright purposes and as subject to

HUSTLER’S TABOO ILLUSTRATED ’s right to edit and comment editorially. Any similarity between persons and places in fictional portions

of this magazine and any real persons or places is purely coincidental.

PRINTED IN CANADA

The publisher maintains the records relating to images in this periodical required

by 18 U.S.C. §2257, which records are located at the office of the manufacturer,

8484 Wilshire Blvd., Beverly Hills, CA 90211, D. Carrillo, custodian of records. All

nude models are 18 years of age or older. Date of publication is August 18, 2009.

TABOO

LARRY FLYNT, Editor and Publisher

MICHAEL H. KLEIN, President

ROBERT GADDIS, Chief Financial Officer

DONNA HAHNER, Corporate Vice-President

LIZ FLYNT, Vice-President, Administration

BRUCE DAVID

Editorial Director

ERNEST GREENE

Executive Editor

LISA BEATTIE

Art Director

PHILIP SANGUINET

Copy Chief

ARTWORK

Roberts, Erenisch, Templeton, Fernando, Wine, Cagri

STRICTLY

WRITE TO US AT:

HUSTLER’S

TABOO

ILLUSTRATED

NETWORK SYSTEMS

Andrea Landrum, network systems director

SPEAKING

8484 WILSHIRE BLVD.

SUITE 900

BEVERLY HILLS, CA 90211

SPEAKING

PRODUCTION

Brian Sturzenacker, production manager

Jeremy Rogers, traffic coordinator

E-mail: taboo@lfp.com

ADVERTISING

Mickey Puyda, national advertising director

(323) 951-7907

Gina J. Lee, ad production/pre-press director

Wendy Camacho, advertising production coordinator

blonde co-ed vanishes during a spring break vacation on a tropical island. Pirates

seize vessels on the high seas off the Somali coast. Pretty girls recruited by false

ads from the poorer countries of Eastern Europe take jobs as “domestic help” in

the Middle East and never return. Student protesters picked up by the secret police

in obscure banana republics disappear. Idealistic aid workers fall into the hands of marauding

militias and innocent road trips turn into nightmarish encounters with brutal biker gangs.

All these things happen in the real world, and though they don’t have much impact on the

sweep of political and economic events, they get saturation coverage through cycle after cycle

of the relentless round-the-clock cable news machine.

Inevitably, with so many journalistic enterprises competing for ever-more-fractured audiences,

every week becomes sweeps week and sensationalism rules over substance. But editors and

programmers who assign the priorities know, if only instinctively, that lurid stories of sexual

misconduct stimulate a part of the public imagination as nothing else can. From the scant

details of a potentially titillating situation, viewers and readers will fill in the blanks with fan-

tasies of diabolic debauchery that have engaged the fascination of the crowd since the earli-

est records of civilization. Looking at art, drama and history as they existed before the dawn

of modern journalism, we found similarities to the sexualized sensationalism of today every-

where from the frescoes of Pompeii to Shakespeare’s Titus Andronicus.

Much has changed in the world over the centuries, but the human appetite for tales of cruel

depravity remains a constant. The artists of TABOO ILLUSTRATED borrow from news and his-

tory to, as it were, flesh out the details of our speculations about what really lies behind the

carefully redacted accounts of real-world depravities we’re allowed to know from official

sources. In that respect, this magazine tells a kind of psychological truth, not only about its

readers, but about the world in which we all live and always have. That truth isn’t necessarily

comforting, but the denial of our hunger for it doesn’t make it go away.

Gerry Awang, vice-president, circulation & distribution

LFP Publishing Group, LLC does not endorse

and assumes no liability for any of the products or claims

of service advertised in this magazine.

—Ernest Greene, Executive Editor

Illustrated

STRICTLY

Do you have a

comment

on this issue?

WE WANT TO HEAR FROM YOU .

Please write to us at: CHAIN MAIL ,

c/o TABOO, 8484 Wilshire Blvd., Suite 900,

Beverly Hills, CA 90211

Or e-mail us at

taboo@lfp.com

YOU GOTTA HAVE ART

Can you tell me how I can get more artwork from John Willie, Loic Dubigeon and Bill Ward?

I would really appreciate it. Also, it would be nice if I could subscribe to your great mag.

Then I wouldn't miss a single issue.

–B. Bauer, Louisville, Kentucky

Glad to help out, Mr. B. The definitive collection of Willie’s work remains The Adventures

of Sweet Gwendoline, 2nd Edition from Belier Press (www.belierpress.com). You can pur-

chase Loic Dubigeon’s Sweet Submissions 2 (his only collection still in print in this coun-

try) from underground comix giant Last Gasp of San Francisco (www.lastgasp.com). Happily,

there is an official Bill Ward site (www.womenofward.com) where his prints and greeting

cards can be obtained online, and you can still buy The Glamour Girls of Bill Ward, an ency-

clopedic collection of his illustrations, many in full color, from the nice folks at www.ama-

zon.com. Happy shopping!

MORE WINE!

Wayne Wine is mighty fine. Love the classic, brilliant style of his graphics in Horror Hunt,

found his interview in TABOO ILLUSTRATED #11 most engaging and am truly fascinated

by the tantalizing images from his animated work. I hope you’re planning on running more

of his art and I’d can’t wait to get my hands on my own copy of his animated Slave Sisters.

Wayne Wine is definitely my favorite vintage.

–Oscar L., Tenafly, New Jersey

We’re serving up another round for you starting with this issue. His new series, Road to

Horror, starts on page 30 in this issue. And Wine’s 3D animated features, Slave Sisters –

Part One and Part Two, are now available by immediate download from www.dofantasy.com.

We guarantee Wine’s work will keep you in high spirits here at Taboo Illustrated for a long

time to come.

TIM TRIUMPHS

While some women may find TABOO ILLUSTRATED a bit rough and raunchy for their tastes,

I love your dark, imaginative fantasies. I wouldn’t care to see some of them acted out with

real people, but they’re closer to the stuff in my head than I’d admit to someone I just met,

and I’ll bet a lot of other women feel the same. Much as I appreciate most of your artists,

Tim really does it for me. I find the period settings and costumes charming, but what I real-

ly love is the way he gives each of his female characters unique appearances and attitudes,

as opposed to just making them generic paper dolls. I’m not surprised from reading his

interview in TABOO ILLUSTRATED #10 that he works from live models. His art is the per-

fect blend of imagination and realism for this kinky gal.

–Anna M., Las Vegas, Nevada

by Templeton

DOFANTASY.COM

TABOO ILLUSTRATED ISSUE #12

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