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Escamoteur’s
Equipment
Tony Shiels
An Exploration in Three Parts
of Various Aspects of
Cups and Balls Conjuring
The Expert
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It is strongly recommended that you print this ebook out before reading.
Staple the pages together - or better still take the pages to you local
Staples or ofice supply store and have it bound. Add your own notes and
ideas as they come to you. That way you will turn this ebook into a valuable
reference document.
Contents & illustrations copyright © Tony Shiels 1966 and 2006
These articles originally appeared in The Linking Ring, the magazine of The
International Brotherhood of Magicians http://www.magician.org
There is no charge for this ebook. You are
free to share it with your friends provided it
is left unedited and in its entirety.
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Introduction by Quentin Reynolds
If you associate the name of Tony ‘Doc’ Shiels with weird, strange and
bizarre magick, you will, no doubt, be surprised to discover that in his
professional work, the Linking Rings and the Cups and Balls effects, were
the stable part of his repertoire.
As you read through this manuscript, and bear in mind it was written in
1966, you will be inspired by his enthusiasm for the subject.
In more recent times the Cups and Balls has had a revival back onto the
streets and is the featured effect by many of magic’s leading street
performers.
At the rear of this manuscript I’ve listed some recommended further
reading, published since Tony’s articles irst appeared in The Linking Ring.
As publisher of one of Tony’s other books, The Shiels Effect
http://www.TheShielsEffect.com I was delighted to discover some of
his older writings lost in the iles of magazines. As these come to light I
will post them on the above website.
There you will ind updated information on ‘Doc’ (now retired from
perfroming, living in a remote part of south-west Ireland, painting and
exhibiting his works) as well as his writings.
Enjoy this manuscript and I hope it inspires you with your study of the
trick of tricks...the Cups and Balls.
To your success,
Quentin Reynolds
PS There is no charge for this ebook. You may distribute it to your friends
providing it is not edited or altered in any way. The copyright belongs to
Tony Shiels.
Expert Escamoteur’s Equipment Page 3 Tony Shiels
Part One - The Apparatus
“Note also that you must have none of your trinkets wanting, least you
be put to a nonplus: besides it behoveth you to be mindful whereabout
you go in every trick lest you mistake and so discredit the Art.”
(’The Art of Jvgling or Legerdemaine’ 1614.)
ONE fateful night, some ifteen or sixteen years ago, I sat in a large
theatre and witnessed the most amazing man perform the cleverest feat
of conjuring I had ever seen. The magician was Galli Galli and his trick
was the Cups and balls ... It was magic . . . magic . . . MAGIC ! ! !
Indeed, he was “. . . A most dexterous fellow; and even beyond
Eurybatos of OEchalia, of whom we have heard so much” . . . and the
Cups and Balls was, and is, the classic trick of tricks. Its many variations
are endless, complex and eternally fascinating. I was securely hooked
that night and remain so today.
The actual equipment, the props, the cups and the balls themselves are
of special interest to the student escamoteur. Leaving aside such re-
lated triles as walnut shells, thimbles, Chinese Marbles and notes under
teacups . . . let us take a look at some of the predilections of presti-
digitators past and present: and thus attempt to justify the rather
ponderous title I have tacked onto this series of meanderings!
The Greeks had a couple of words for it, ‘acetabula et calculi’ . . . the
cups and pebbles. Pebbles are talkative objects”; most dexterous fellows
those Greek acetablarii must have been. Victor Farelli was highly
suspicious of the whole business and suggested that the pebbles were,
in fact, switched for soft pellets of bread.
But what of Conus, the great nineteenth-ccntury escamoteur ”He used
balls of solid brass, did then nor cause a loudish clatter”. Well according
to Robert-Houdin, Conus met this dificulty by means of a special sleight,
consisting of a ‘check’ given to the ball in the act of introducing it under
the cup, which made it stop dead ...” (Secrets of Conjuring and Magic, P.
347). Anyway, the brass balls should not have been too much of a
problem to a magician who advertised that he could conjure his wife
from under a cup! All the same, the brass ball and pebble puzzle is
worth pondering over.
Expert Escamoteur’s Equipment Page 4 Tony Shiels
Have YOU ever tried the trick with pebbles? It ran be done, though your
moves are rather limited. The Greeks (and Conus) may have performed at
a lively speed, as the Egyptians do, with much banging and clanging as
part of the routine. The general din would help to cover up the occasional
‘talking’ pebble. I really don’t know the secret, but a most logical
solution is that suggested by Eddie Joseph in his Advanced Lessons in
Cups and Balls.
He writes. “I may warn you that the balls announce their arrival when
dropped in cup to those close to the table. This may be over come by
lining the roof of the cup with felt.”
He then describes a routine using cups and balls studded with
Rhinestones; a case in which a lined cup would be useful not only to avoid
un-welcome noise, but also to protect the bejewelled balls. A similar
dificulty arises when wine-glasses are loaded for a climax. Senor Mardo
states that Max Malini’s prowess in this direction was the result of lifelong
practice ... and advises the use of small livestock, fruits or larger balls
instead!
Today, balls of sponge, cork and crochet-covered rubber are generally
employed; and each performer has his own individual ideas on the matter
of which is best.
Laurie Ireland’s famous routine probably helped to make sponge-balls so
popular with many Cups and Balls experts. Claude Rix, the brilliant
French manipulator, lists Ireland’s pamphlet as one of the three best
works on the Cups and Balls. Burtini, another well-known expert
escamoteur writes, “I have tried various materials for the ‘Balls’. I found
that sponge-rubber suits me best, easy to handle, silent, easy to obtain.”
George Mclntyre, one of Britain’s top Cups and Balls men, writes, “I do
not like cork balls and use only American Sponges; they are quite
large and real sponge, NOT latex foam. I feel if one uses a large cup
and very small balls the whole effect looks silly.”
Brian MacCarthy says, “The sponge-rubber balls are very easy to palm,
never talk, and two of them can be squeezed together and held as one
ball a distinct advantage.”
But, there are those who beg to differ . . .
Expert Escamoteur’s Equipment Page 5 Tony Shiels
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