Lesson-01.pdf

Micro Course - Lesson 1

The irst and most important thing to understand for modern SLR photography, is that to record an image

you must have all of the following 6 things.

Light - You cannot have a picture without light in some form or another

Medium - What that light (or image) is recorded onto

Aperture - The hole that that light HAS to pass through

Shutter Speed - The amount of time the light is allowed to pass through the hole

Composition - What is in your picture and how it is composed

Optics* - These are lenses that attach to our SLR camera and focus the light as an image

* It is possible to record an image without optics by letting light pass through a very small aperture , this

then effectively focuses the light enough that it can form an image. However optics make it much easier to

achieve and also allow us to magnify or reduce the scale of the image.

Here is more detailed breakdown of the six essential requirements to recording an image:

LIGHT – To make a picture you require light, that light may be natural (sunlight/moonlight) or artiicial such

as a light bulb or lash. Light that our own eyes are sensitive to is called visible light but other creatures

and materials are sensitive to non-visible forms of light such as ultraviolet light, infrared or x-ray. We can’t

see those forms of light but some animal’s can, although we do have certain materials or mediums that

can record them as a photograph.

MEDIUM - Film, digital sensor or special recording material. These materials or mediums are available in

different sensitivities which are generally called ISO (ilm speed) and are what we record or “capture” the

light onto.

APERTURE (Av = Aperture Value) – The size of the hole that the light has to pass through to form an

image. An example would be a pinhole camera, this hole focuses the rays of light to form an image on the

medium. However to effectively form a high quality image we uses lenses to focus the light and the

adjustable aperture inside the lens controls how much light gets through and how much of this light/image

is in focus.

SHUTTER SPEED (Tv = Time Value) – The amount of time the light is allowed to pass through the hole.

This provides the ability to freeze action of fast moving subjects by using a fast shutter speed or let

objects or motion become blurred by using a slow shutter speed. The time the light is allowed to pass

through is usually controlled by a door that opens and closes called a shutter. We can control the time we

leave the shutter open for from hours to fractions of a second.

COMPOSITION – What is in your picture and how it is composed. This can also include angle of view,

perspective, colour, contrast and your subject.

OPTICS – A lens which focuses the light to a given point on the medium. Depending on the type of lens

and its shape and the amount of elements and their space apart will determine if the image is magniied or

give a wider view than your eye.

If you can understand these fundamental principles then everything else in photography no matter

what, will relate back to one of or a combination of these 6 subjects

YES IT REALLY IS THAT SIMPLE!

Images and text © Karl Taylor Photography

www.karltaylorphotography.com 1

From the six essential requirements two of them are important to learn irst and fully understand; The

aperture (size of the hole adjustable in the lens) and the shutter speed (Controls the amount of time that

we record the light). These are the main mechanical control functions of your SLR camera, if you learn to

control these manually then all other areas of photography becomes easier to understand. If you only use

your Digital SLR camera in automatic modes then you will never fully beneit from the creative possibilities

of your Digital SLR camera. Our Introduction to Photography programme covers this topic in full and also

demonstrates the creative aspects of using the Shutter Speed and Aperture manually.

As a brief overview a smaller aperture will let less light through and a large aperture will allow more light

through. A slow or long shutter speed will let more light through and a fast or brief shutter speed will let less

light through. In photography when we adjust one we need to adjust the other to compensate for the

decrease or increase in light to ensure that our recorded image is not overexposed (too bright) or

underexposed (too dark).

In your micro course video “Action Photography” you will learn how different shutter speeds

affect our image.

In your micro course video “Natural Light Portraiture” you will see how large aperture sizes also give

shallow depth of ield. This means that only a shallow or small area of our picture appears to be sharp,

usually this is the subject, which your lens has focused on. A small aperture would reduce the amount of

light that can be recorded but it also increases the range of sharpness either side of the focus point. This

topic is fully covered in our Introduction to Photography programme .

Our irst micro course video helps you understand about light and in particular the differences between

“Hard Light” and “Soft Light.”

SOURCES OF HARD LIGHT ARE: Light that comes from a source which has an apparent small surface

area. e.g. Direct sunlight, lash, bare light bulb or a spot light.

SOURCES OF SOFT LIGHT ARE: Any light that comes from an apparent large surface area in relation to

the subject that you are taking a picture of. e.g. Light through clouds on an overcast day, a big window with

net curtains, A large studio soft box. Soft light can also be produced from a hard light source that has then

been relected off of a large plain surface back onto the subject therefore creating the effect of a large light.

There are also a whole level of light mixtures and combinations in between these two extremes!

Other descriptions of light covered in your irst micro course video are:

TRANSMITTED LIGHT: Light visible in your image from its source.

REFLECTED LIGHT: Exactly that - light that is relected off an object or relected light onto our subject

(most of the light that we view around us.)

Generally speaking our photos usually only include relected light, but they can often look more

exciting when we include transmitted light as part of the picture, such as featuring the sun or street

lights within our picture!

You may now proceed to watch videos Understanding Light Part 1 & Understanding Light Part 2.

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