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LESSON 4 G, D7 AND C CHORDS
Lesson {2} covered chords for the key of D. In this lesson you will learn
chords for the key of G. You already know the G chord, so we need two more.
These are D7 and C. Don't forget that X on a string means don't play that
string in that chord.
R
R
I
I
M
M
P
S
X
S
P
X
S
P
I
R
M
G D7 C
Now you can try these chords in the following songs. Note that some of
these songs have more than a three chord sequence. This is done for variety.
There is no rule that says only three chords are used in a song. If you
see a chord that you do not know in a song, you should look it up in the
chord chart and learn it.
The songs in this book have been included because many of them are well
known. This means that you don't have to learn new songs or read music.
The goal of this book is to teach you to play guitar, and not necessarily
to teach you new songs. The skills you learn can be applied to other songs
or styles of songs not in the notes, if you don't like the songs in this
book.
As you play these songs consider the following:
Remember in lesson {2} when we discussed the buzzing or dead sound you might
notice? This was caused by not holding the strings with enough pressure or
because your finger may be touching a string it shouldn't be. When learning
a new chord, try to get it just right, but when using the new chord in a
song, don't worry too much about this dead sound. When playing a song you
should concentrate on being able to get your fingers to the right chord
position, and do the strum correctly. As time goes by, your ability to hold
the strings down in that position will improve.
4-1
The Greatest Guitar Course in the World
Copyright 1983 by Raymond P. Voith
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SONGS IN G
BLOWING IN THE WIND
G C G
HOW MANY ROADS MUST A MAN WALK DOWN
T P T P T P T P T P T P T P T
C G
4/4) BEFORE YOU CALL HIM A MAN
1) P T P T P T P T P T P T P T P T P
S4F0 C G
HOW MANY SEAS MUST A WHITE DOVE SAIL
T P T P T P T P T P T P T P T
C D7
BEFORE SHE SLEEPS IN THE SAND
P T P T P T P T P T P T P T P T P
G C G
HOW MANY TIMES MUST THE CANNONBALLS FLY
T P T P T P T P T P T P T P T
C G
BEFORE THEY'RE FOR - EVER BANNED
P T P T P T P T P T P T P T P T
C D7 G
THE ANSWER MY FRIEND IS BLOWING IN THE WIND
P T P T P T P T P T P T P T P T
C D7 G
THE ANSWER IS BLOWING IN THE WIND
P T P T P T P T P T P T P T P T P
----------------------------------------------------------------------
THIS LAND IS YOUR LAND
G C G
THIS LAND IS YOUR LAND, THIS LAND IS MY LAND
P T P T P T P T P T P T P T P T
D7 G
4/4) FROM CALIFORNIA TO THE NEW YORK ISLAND
2) P T P T P T P T P T P T P T P T
S3F0 C G
FROM THE REDWOOD FOREST TO THE GULF STREAM WA - TERS
P T P T P T P T P T P T P TP TP TP
D7 G
THIS LAND WAS MADE FOR YOU AND ME
T P T P T P T P T P T P T
4-2
The Greatest Guitar Course in the World
Copyright 1983 by Raymond P. Voith
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WHERE HAVE ALL THE FLOWERS GONE
G EM C D7 G
4/4) WHERE HAVE ALL THE FLOWERS GONE, LONG TIME PASSING
2) 2 a 3a4 a 1 2a 3a4a 1 2a3a 4a 1 2a 3a4a 1 2a3a4a 1
S4F0 EM C D7 G
WHERE HAVE ALL THE FLOWERS GONE, LONG TIME AGO
2 a 3a4 a 1 2a 3a4a 1 2a 3a4 a 1 2a3a4a 1 2a3a4a 1
EM C D7 C
WHERE HAVE ALL THE FLOWERS GONE, YOUNG GIRLS PICKED THEM EVERYONE
2 a 3a 4a 1 2a 3a4a 1 2 a 3a 4a 1 2a 3a4a 1
G C D7 G
WHEN WILL THEY EVER LEARN, WHEN WILL THEY E - VER LEARN
2a 3a 4a 1 2a 3a4a 1 2a 3a 4a 1 2a 3a4a 1 2a3a4a 1 2a3a4a 1
The above song uses the pattern (1 2a3a4a), which is a strum discussed in lesson
8 (strum 7). This strum takes the place of a "thumb pluck" strum, as shown here:
T P T P T P T P becomes
1 2 a 3 a 4 a
pause--^
In this pattern, the thumb gets numbers and the index or middle finger gets
"a"s. Note that after the first "1", there is a pause or delay where the
missing "a" would be. To do Thumb Plucks, just reverse the process (put T
in for 1, 2, 3, 4, and put P in for "a" and the pause).
------------------------------------------------------------------------
BATTLE HYMN OF THE REPUBLIC
Note: Prolong the thumb stroke and shorten the pluck, or it won’t sound right.
The thumb stroke will be a dotted quarter note (like 3 eighth notes).
The pluck becomes an eighth note.
G
2/4) MINE EYES HAVE SEEN THE GLORY OF THE COMING OF THE LORD
2) P T P T P T P T P T P T P T P
S4F0 C G
HE IS TRAMPLING OUT THE VINTAGE WHERE THE GRAPES OF WRATH ARE STORED
T P T P T P T P T P T P T P T P
HE HAS LOOSED THE FATEFUL LIGHTNING OF HIS TERRIBLE SWIFT SWORD
T P T P T P T P T P T P T P T P
A7 D7 G
HIS TRUTH IS MARCHING ON
T P T P T P T P T P T P TP TP TP
G C G
GLO - RY GLORY HALLELU - IA, GLO RY GLORY HALLE - LU - IA
T P T P T P T P TP TP T P T P T P T P T P T P TP TP TP TP
A7 D7 G
GLO RY GLORY HALLELU - I A, HIS TRUTH IS MARCHING ON
T P T P T P T P TP TP T P T P T P T P T P T P TP TP TP TP
4-3
The Greatest Guitar Course in the World
Copyright 1983 by Raymond P. Voith
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YELLOW ROSE OF TEXAS
G
4/4) THERES A YELLOW ROSE IN TEXAS I'M GOING THERE TO SEE
4) 4 T 2 T 4 T 2 T 4 T 2 T 4 T 2 T
S4F0 A7 D7
NO OTHER FELLER KNOWS HER, NOBODY ELSE BUT ME
4 T 2 T 4 T 2 T 4 T 2 T 4 T 2 T
G
SHE CRIED SO WHEN I LEFT HER IT LIKE TO BROKE MY HEART
4 T 2 T 4 T 2 T 4 T 2 T 4 T 2 T
C G D7 G
AND IF WE EVER MEET AGAIN WE NEVER MORE WILL PART
4 T 2 T 4 T 2 T 4 T 2 T 4 T 2 T 4 T 2 T
In this song, the strum pattern is a 4/4 version of T P T P (1 2 3 4). You
do the Pluck (P) on the 2 and 4.
-----------------------------------------------------------------------
HAPPY BIRTHDAY
G D7
3/4) HAPPY BIRTHDAY TO YOU
3) P T P P T P P T P
S4F0 D7 G
HAPPY BIRTHDAY TO YOU
P T P P T P P T P
G C
HAPPY BIRTHDAY, HAPPY BIRTHDAY
P T P P T P
D7 G
HAPPY BIRTHDAY TO YOU
P T P P T P P T P
4-4
The Greatest Guitar Course in the World
Copyright 1983 by Raymond P. Voith
807418429.027.png
COUNTRY ROADS (notated for strum {9-7})
G EM D
4/4) ALMOST HEAVEN WEST VIRGINIA
3) 3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a
S4F0 C G
BLUE RIDGE MOUN TAINS SHENANDOAH RIVER
3a 4a 1 2a 3a4a 1 2a 3a4a 1 2a3a4a 1 2a
EM D
LIFE IS OLD THERE OLDER THAN THE TREES YOUNGER THAN THE
3a 4a 1 2a 3a4a 1 2a 3a 4a 1 2a3a4a 1 2a 3a 4a
C G
MOUNTAINS GROWING LIKE A BREEZE
1 2a 3a4a 1 2a 3a 4a 1 2a3a4a 1 2a
CHORUS
============================================================================
G D EM
COUNTRY ROADS TAKE ME HOME TO THE PLACE
3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a
C G
I BELONG WEST VIRGINIA
3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a
D C G
MOUNTAIN MOMMA TAKE ME HOME COUNTRY ROADS
3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a3a4a 1 2a
===========================================================================
G EM D
ALL MY MEMORIES GATHER ROUND HER MINERS
3a 4a 1 2a3a4a 1 2a 3a 4a 1 2a 3a4a 1 2a 3a 4a
C G
LA - DY STRANGER TO BLUE WA - TERS
1 2a 3a4a 1 2a 3a 4a 1 2a 3a4a 1 2a
G EM
DARK AND DUS - TY PAINTED ON THE SKY
3a 4a 1 2a 3a4a 1 2a 3a 4a 1 2a3a4a
D C G
MISTY TASTE OF MOONSHINE TEARDROP IN MY EYE
1 2a 3a 4a 1 2a 3a4a 1 2a 3a 4a 1 2a3a4a 1 2a3a4a 1
CHORUS ================================ (AS ABOVE)
EM G
I HEAR HER VOICE IN THE MORNING HOURS SHE CALLS ME
2a 3a 4a 1 2a 3a 4a 1 2a 3a 4a 1 2a 3a4a
C G D
RADI O REMINDS ME OF MY HOME FAR AWAY
1 2a 3a 4a 1 2a 3a 4a 1 2a 3a 4a 1 2a3a4a 1 2a 3a
EM F C G
AND DRIVING DOWN THE ROAD I GET A FEELING THAT I SHOULD HAVE
4a 1 2a 3a 4a 1 2a 3a 4a 1 2a 3a 4a 1 2a
D D7
BEEN HOME YESTERDAY, YESTERDAY
3a 4a 1 2a 3a4a 1 2a3a4a 1 2a 3a 4a 1 2a3a4a 1 2a3a4a 1 2a
4-5
The Greatest Guitar Course in the World
Copyright 1983 by Raymond P. Voith
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