Solos for the Alto Saxophone Player SaxAlto Book Music.pdf

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Alto Saxophones
for the
ALTO SAXOPHONE
With Piano Accompaniment 'j 1
Selected and Edited b)
LARRY TEAL
ED. 2599
0 MCMLX V by G. Schirmer, Inc.
International Copyright Secured
Printed in U.S.A.
G. SCHIRMER New York/London
16496679.002.png
CONTENTS
Piano Saxophone
AI.RI.IM LEAF (from: Lyric Pieces, Op. 12) . . .
, ,
Ed1w-d Grieg . ,
,
,
,
32
12
CANZONETTA,
Op. 6
,
,
,
,
,
,
,
,
. . . .
,
Alfred0 d'<Ambrosio ,
, , ,
2
2
FANTASY
PIECE.Op. 73. KO. 3
,
,
,
, . ,
,
Robert Schumann .
,
, ,
68
25
GYPSY
ROSDO
, . . . .
,
,
. . . . . .Joseph Haydn . . , . . ,
35
13
ItVTERRIEZ7,O (from: GOye.YCa.3)
,
,
,
Enrique Granados . ,
,
26
10
I
J
(from: Sonatina, Op. 100) ,
~
~
,
~
. . ,
.
, Antonin Dvofhk
~
~
.
~
. . . 19
~
8
~
MINUET
. . . . . <
.
<
<
.
. . . . . . . Joseph Haydn . . ,
, . .
41
15
MINUET(from: Diilertirnenfo in D.K. H4) . , . . . iVolfgang Amadeus hlozart
,
44
16
NOCTURKE,
Op. Posth.
, . . ,
. . . . . Frédéric Chopin . , . , . 15
7
THEOLDCASTLE
(from: Pictu1-es at an Exhibition)
, . . ,
, . , ,
Jfodest Mussorgsky
,
, . . 53 20
ROMANTIC
PIECE.Op. 75. No. 1
Antonin DvoTAk . . . , .
22
9
KONDO
Ih D
ii'olfgaiig Amadeus Mozart 48
18
SICILIENNE
AND ALLEGRO
(from: Fliite Soiiiita A'o.2)
Johaiin Sebastian Bach
,
,
,
7 4
SONATINE
(from: FiutMovement)
,
, . .
, , .
Maurice Ravel
. ,
,
,
62
23
VOCALISE,Op. 34. So. 14.
, ,
,
, , ,
, . , . ,
Sergep Rachmaninoff
58
22
16496679.003.png
FOREWORD
Although many outstanding composers have written solos for the saxophone,
its comparatively late invention leaves a great void in its literature. For many
years its use was confined to military bands and, occasionally, the orchestra.
Emergence of the saxophone as a solo instrument did not take place until the
1920’s, and it is since then that most of the solo literature written for it has
been composed. If the serious saxophonist wants to perform the music of the
Classical and Romantic periods, he must turn to transcriptions.
The pieces in this collection have been selected for their musical value, and
for their adaptability to the st)le and limitations of the instrument. Being
transcriptions, certain changes were necessary. Cuts have been made where
deemed advisable and many of the compositions were transposed from their
original keys. Tempo indications are those recommended b) the transcriber.
Technically the solos might be graded from medium-easy to medium-difficult.
It is suggested that, for the purpose of interpretative study, the student
avail himself of other music by the domposers included here. A knowledge of
the style of each composer and the era in which he lived ir inlraluable.
These compositions may be used both as study pieces and in
formance, and are valuable additions to the literature available
saxophone.
concert p.er-
for the solo
L. T.
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Index by Composers
Piano Saxophone
ALFREDOD’AMBROSIO
, , ,
. .
,
. Canzonetta, Op. G
,
. . . . . . . 2
2
SEBASTIAN
BACH ...... Sicilienne and Allegro
(from: Flute Sonata No. 2)
......
7
4
FRÉDÉRICCHOPIN ......... Nocturne, Op. Posth.
........ 15
7
ANTONIN Dvo~~AK ......... Larghetto (from: Sonntina, Op. 100) .. . 19 8
ANTONIN DVORAK ......... Romantic Piece. Op. 75. No. 1 . . . . . 22
9
ENRIQUEGRAS ADOS ........ Intermezzo (from : Goye.ccas) .
26
10
E~~VARB
....... Album Leaf (from. Lyric Pieces, Op. 12) . . 32
12
JOSEPH HAYDN .......... Gypsy Rondo. , .
......... .35 13
JOSEPH HAYDN .......... Minuet ................ 41
15
WOLFGANG
AxIADEus MOZART . .
,
. hIinuet (from: Diuertirnento in D, K. 334) . 44 16
WOLFGANG
AMADEUS
MOZART .... Rondo in D
.....
48
18
MODESTMUSSORGÇKY
.. The Old Castle
(from: Pictures at an Exhibition)
,
53
20
SERGEYRACHMANINOFF
......
I’ocalise, Op. 34, No. 14
.......
58
22
MAURICERAVEL ......... Sonatine (from: First Movement)
. . . . . 62
23
ROBERTSCHUMANN ........ Fantasy Piece, Op. 73, No. 3
68
25
JOHANN
GRIEG
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