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Portrait Lighting for Digital Photographers: The Basics and Beyond
PORTRAIT LIGHTING
for Digital Photographers
The Basics
and Beyond
Stephen Dantzig
Amherst Media
®
PUBLISHER OF PHOTOGRAPHY BOOKS
Copyright © 2010 by Stephen Dantzig.
All photographs by the author unless otherwise noted.
All rights reserved.
Published by:
Amherst Media
®
P.O. Box 586
Buffalo, N.Y. 14226
Fax: 716-874-4508
www.AmherstMedia.com
Publisher: Craig Alesse
Senior Editor/Production Manager: Michelle Perkins
Assistant Editor: Barbara A. Lynch-Johnt
Editorial assistance provided by Sally Jarzab, John S. Loder, and Carey Maines.
ISBN-13: 978-1-58428-265-5
Library of Congress Control Number: 2009903892
Printed in Korea.
10 9 8 7 6 5 4 3 2 1
No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic,
mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher.
NoticeofDisclaimer:Theinformationcontainedinthisbookisbasedontheauthor’sexperienceandopinions.The
author and publisher will not be held liable for the use or misuse of the information in this book.
View the companion blog to this book at:
http://portraitlightingfordigitalphoto.blogspot.com/
Check out Amherst Media’s other blogs at:
http://portrait-photographer.blogspot.com/
http://weddingphotographer-amherstmedia.blogspot.com/
Contents
Foreword
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Preface
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
Acknowledgments
. . . . . . . . . . . . . . . . . . . . . . . .9
The Relationship Between Distance and
Quality of Light . . . . . . . . . . . . . . . . . . . . . .46
Beyond the Basics: The Inverse Square Law
and Depth of Light . . . . . . . . . . . . . . . . . . . .47
Introduction
. . . . . . . . . . . . . . . . . . . . . . . . . .11
Key to Lighting Diagrams . . . . . . . . . . . . . . . . .12
1. Exposure and Metering
. . . . . . . . . . . . . . .13
The Art and Science of Photography . . . . . . . . .13
Proper Exposure in the Digital Age . . . . . . . . . .14
I’ll Fix it in Photoshop! . . . . . . . . . . . . . . . . .14
ISO Calibration . . . . . . . . . . . . . . . . . . . . . .16
Gettingthe CorrectExposure In-Camera . . . .17
2. Equipment and Lighting Styles
. . . . . . . . .22
Positioning Your Main Light . . . . . . . . . . . . . . .23
Side Lighting . . . . . . . . . . . . . . . . . . . . . . . . . .24
Rembrandt Lighting . . . . . . . . . . . . . . . . . . . . .28
Loop Lighting . . . . . . . . . . . . . . . . . . . . . . . . .30
Butterfly Lighting . . . . . . . . . . . . . . . . . . . . . . .32
Beyond the Basics: Using Butterfly Lighting
to Create Single-Light Fashion Shots . . . . . .34
3. Quality of Light
. . . . . . . . . . . . . . . . . . . . .35
Bare Bulbs . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Spotlights . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Beauty Dishes . . . . . . . . . . . . . . . . . . . . . . . . . .39
Softboxes . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Small and Medium Stripdomes . . . . . . . . . . .41
Large Softboxes . . . . . . . . . . . . . . . . . . . . . .43
Halos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Extra-Large Softboxes . . . . . . . . . . . . . . . . . .44
Light Ratios: Altering Contrast by Moving
Your Reflector . . . . . . . . . . . . . . . . . . . . . . . .68
5. Multiple-Light Setups
. . . . . . . . . . . . . . . . .70
The Additive Nature of Light . . . . . . . . . . . . . .70
Beyondthe Basics:Intermediate F-StopValues . .72
Light Ratios . . . . . . . . . . . . . . . . . . . . . . . . . . .75
Adding Accent Lights . . . . . . . . . . . . . . . . . . . .77
Lighting Backgrounds . . . . . . . . . . . . . . . . . . . .79
Expanding Your Options with Gels . . . . . . . .79
Maximizing Your Options with a
Starter Studio Kit . . . . . . . . . . . . . . . . . . .80
6. Working Outdoors
. . . . . . . . . . . . . . . . . . .84
Using Strobes Outdoors . . . . . . . . . . . . . . . . . .84
7. Postproduction Enhancements
. . . . . . . . . .98
Basic Retouching . . . . . . . . . . . . . . . . . . . . . . .98
The Brushes . . . . . . . . . . . . . . . . . . . . . . . .100
The Approach . . . . . . . . . . . . . . . . . . . . . . .100
Color Correction and Color Conversion . . . . .102
Beyond the Basics: Putting It All
Together toCreate a Corporate Headshot ..112
Explore Your Options . . . . . . . . . . . . . . . . . . .117
Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .118
Resolution and File Type . . . . . . . . . . . . . .118
ICC Profiles . . . . . . . . . . . . . . . . . . . . . . . .118
Color Mode . . . . . . . . . . . . . . . . . . . . . . . .119
Sharpening . . . . . . . . . . . . . . . . . . . . . . . . .119
Ownership . . . . . . . . . . . . . . . . . . . . . . . . .119
Actions . . . . . . . . . . . . . . . . . . . . . . . . . . . .119
Beyond the Basics: Behind the Scenes of a
Fun-Filled Fashion Shoot . . . . . . . . . . . . . .50
Picking Up the Pace . . . . . . . . . . . . . . . . . . .50
Color Issues . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Conclusion
. . . . . . . . . . . . . . . . . . . . . . . . . . .120
About the Author
. . . . . . . . . . . . . . . . . . . . . . .121
Index
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .122
4. One-Light Setups
. . . . . . . . . . . . . . . . . . . . .56
Modifying Light with Reflectors . . . . . . . . . . . .60
Beyond the Basics: Making the Most Out of
One Light . . . . . . . . . . . . . . . . . . . . . . . . . . .64
4
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