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B AGUAZHANG T HE C OMPLETE S YSTEM V OL 2
Erle Montaigue
Baguazhang
The Complete System Volume 2: Linear Fighting Form.
A Moontagu Book
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B AGUAZHANG T HE C OMPLETE S YSTEM V OL 2
By Erle Montaigue
Http://www.taijiworld.com
Erle@igong.org.uk
PO Box 35
Gwynfe Llangadog SA19 9SY
Wales UK
+44 (00 1550 740136 Phone:
Publisher’s Note:
This book contains material never before published. The enclosed information can only have come from Erle Montaigue,
being the only Westerner to have received this information. It is illegal to copy any portion of this book other than brief
extracts for review articles. You must obtain permission directly from the copyright holder ©2004. It is also illegal to
plagiarize any part of this book to use in some other publication, paper, electronic, or video and film, by changing it in some
way to make out as if it has not come from this source.
This book is provided free of charge in good faith so that all may enjoy the great benefits of this pinnacle of all Baguazhang
systems. You may download it free of charge. But please do not plagiarize it. Even though it is free, it is still covered by
international copyright laws.
Moontagu Books Ltd: CN 4964420
POB 35
Gwynfe Llangadog SA19 9SY
Wales UK
Ph: +44 (0) 1550 740136
Fax: +44 (0) 1550 740136
E-mail: erle@qigong.org.uk
http://www.taijiworld.com
Baguazhang: The Complete System Volume 2 Linear Form
Copyright © 2004
Moontagu Books Wales UK
First Published in The UK Electronically December 2004
All Rights Reserved
ISBN: 0-949132-07-9
This book is pubished free of charge on the Internet for personal use only! Plagiarism
is a crime both legaly and moraly! Please do not steal our hard work for self gain.
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CONTENTS
CONTENTS
Introduction
I NTRODUCTION ……………....1
T HE M ARTIAL & H EALING
A RT ……………………………….2
D RAGON F ORM ……………….3
T HE F IGHTING L INEAR F ORM
P AGE …………………………….7
P USH H ANDS & CIRCLE
F IGHTING : P AGE …………….57
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I NTRODUCTION
CHAPTER 9
INTRODUCTION:
B aguazhang, is said to be the sister of T'ai Chi Ch'uan, the mother of the three
'internal systems'. It is one of the newest Chinese healing/martial arts of the internal
system and contains the very best of the Shaolin Martial arts as well as the very best of
the Buddhism or Taoism fighting arts. Its intricacies are great and one is able to
continually discover new techniques from within the complex postures and movements
which go together to build the framework which we call the Baguazhang form or kata.
Invented by one man, the form has been slowly added to and taken away from until we
have come to a highly evolved form of healing or self-defence which only relies upon the
palms and feet for attack and defence. With mainly circular foot movement, the form lays
stress upon the stability of the stance and the flexibility of the waist which is
complimented by the vigorous movements of the arms and palms while always being
coordinated in legs, waist and upper body. Bagua is said to have the fastest footwork
of any martial art.
Throughout this book, I will be making mention of "dim-Mak" or death point striking and
some points used in this art. Baguazhang is a dim-Mak art. I suggest that you get a
copy of my encyclopaedia "The Erle Montaigue Encyclopaedia of Dim-Mak"
available from the publisher of this book, Paladin Press in Boulder Colorado in the
USA.
Dim-Mak literally means "Death Point Striking" whereby the practitioner is taught to
strike to either one, or multiples of dim-Mak points in the human body causing effects
that range from a simple knock out to maiming and death, or even effects that manifest
many years from when the strike was felt.
Every movement in Baguazhang has a meaning and is aimed at the dim-Mak points.
Bagua is often referred to as "the art of overkill".
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B AGUAZHANG T HE C OMPLETE S YSTEM V OL 2
THE MARTIAL ART:
Two methods of attack and defence are taught.
The first method is given to larger people who are able to literally crash their way in
through any defence enabling them to reach the body's centre, this is the basic way of
defence whereby we attack anything that comes within range.
The second method is mainly for smaller people. From the very basics of the eight palm
changes or Bagua Cheng Chung, (Orthodox Eight Diagram), the practitioner is able
to go on to the highest level of Bagua fighting, the 'DRAGON PALM FORM'.
This form consists of circular foot movements, which enables the practitioner to evade
to the side and come in at the rear in a circular movement at various speeds thus
perplexing the opponent.
At this level, attacks are mostly executed from the rear, having got around there by
using the very unique Bagua stepping method. This method is mainly for smaller people
who do not have the physical strength of the larger person and particular attention must
be given to training the waist to gain more power and flexibility, as this is where almost all
of the power for Bagua is derived. If one is able to control the waist with one's mind,
then the waist will control the legs and feet.
THE HEALING ART:
Baguazhang is just as sophisticated as its mother art of Taijiquan, it is one of the
greatest healing arts. The healing side of Bagua is not as well documented as
Taijiquan, however, I am working on fixing that situation. (See the article at the end of
this introduction). But if we look at the relative ages of when the old Bagua masters
died, (excluding those who died in battles etc.,) then we get an idea of how good this
form is for health as most of them lived to very old and healthy ages.
The constant training of the waist, twisting, turning, bending etc, results in an effective
exercise for the joints, sinews, muscles and internal organs so one is not only training in a
fighting art but also a healing art. It is interesting to note that most of the old Bagua
practitioners lived to very old ages, those who weren't killed in fights or the 'Boxer
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