script17.pdf

TWIN PEAKS

Episode 2.010

Tricia Brock

Scanned by runningdog.

Original formatting duplicated as closely as possible. For clarification all

duplicate pages removed. Special note: this is a faithful duplication that

includes the original spelling, formatting and series related errors.

DRAFT DATE: September 27, 1990

REVISED DRAFT: October 2, 1990 - BLUE

REVISED: October 5, 1990 - PINK

REVISED: October 10, 1990 - GREEN

REVISED/General Distribution: October 12, 1990 - YELLOW

REVISED: October 22, 1990 - CHERRY

Lynch/Frost Productions, Inc.

7700 Balboa Boulevard

Van Nuys, CA 91406

(818) 909-7900

#2.010

ACT ONE

FADE IN:

1. EXT. PALMER HOUSE - DAY

Establish. SUPER TITLE: Four days later.

2. INT. PALMER HOUSE - DAY

CUT TO:

ON the Fireplace MANTLE, a still life: bouquet of FLOWERS, with LAURA'S framed

PROM QUEEN PHOTO, on one side, and in a matching frame, a PHOTO OF LELAND

on the other. CAMERA MOVES over to the sofa. SARAH PALMER sits with DOC

HAYWARD - holding her hand. She's dressed in black, and Doc's wearing a somber suit.

HAYWARD

Sarah I'd like you to take this.

COOPER sits in a chair opposite them.

SARAH

No, Doc, I don't want it. I want to be there. Every

single part of me needs to be there - for both of them.

(looks at Cooper struggling to understand)

Today I bury my husband. Next to my only child. Her

grave is still fresh. There's just a little bit of grass on it.

She stops, numb with grief. Cooper leans in.

COOPER

Mrs. Palmer, there are things dark and heinous in this

world. Things too horrible to tell our children. Your

husband fell victim to one of them. Long ago, when he

was innocent and trusting. Leland didn't commit these

crimes. Not the Leland you knew.

SARAH

(a shudder of fear)

The man I saw. That disgusting long hair.

COOPER

He's gone. Forever.

SARAH

So is everything dear to me.

COOPER

Laura and Leland have gone from this life to the next. But

they're with you always. Here ... and here ...

(tapping his head and heart)

(more)

(CONTINUED)

Revised 10-12-90, YELLOW

#2.010

2. CONTINUED:

COOPER (continued)

The experience we have of people doesn't leave when they

do. If you close your eyes, you can see Laura blowing out

the candles on her birthday cake, Leland mowing the

yard, shaving at the sink ...

(Sarah closes her eyes)

Those moments are yours. Always.

She nods, grateful. Cooper glances at his watch.

It's time.

COOPER

She reacts - reality intrudes. Cooper rises, offering her his arm.

COOPER

Mrs. Palmer, I'd be honored to drive you.

DISSOLVE TO:

3. INT. HAYWARD HOUSE - LATE AFTERNOON

CLOSE ON the dining room table arrayed with FOOD. Plates are being filled with ham,

fried chicken, scalloped potatoes, green beans, waldorf salad, hot rolls, pecan pies, apple

cobbler, etc. There's a quiet BUZZ of CONVERSATION.

ANOTHER ANGLE reveals mourners as they gather. NADINE HURLEY stands alone,

seemingly preoccupied, waving her hands back and forth over her shoetops. HANK

JENNINGS stands at the buffet, loads up a plate of food. CAMERA FOLLOWS Hank as

he moves through the crowd.

(CONTINUED)

3. ANGLE ON SOFA

#2.010 Revised 10-12-90, YELLOW

MRS. PALMER sits on the sofa with AUDREY. EILEEN HAYWARD has parked her

wheelchair next to them. Hank steps into view. He leans over, sweetly handing Sarah a plate

of food.

HANK

Here you go. While it's hot.

SARAH

Thank you very much.

Hank pauses to receive her gratitude, then looks up, reacts. BIG ED HURLEY and NORMA

JENNINGS stand together across the room. Talking quietly, sharing some confidence.

Hank scowls, watches as Norma steps away. Then returns to the buffet.

AUDREY

(watching Hank walk away)

Do you invite people to these things or do they just show

up?

EILEEN

At a time like this people just naturally come together.

It is a time of reaching out. I remember when my mother

died there must have been a hundred people.

SARAH

I remember. Donna came to see Laura that night. They

promised they'd be best friends for life. A bond against

dying ...

Eileen reacts - feeling bad for bringing this up.

SARAH (CONTINUED)

No, please, I want to remember. Donna spent the night

that night. Leland said not on a school night, but I said it

was fine.

EILEEN

I remember that, too.

Eileen takes Sarah's hand, and squeezes it - two mothers loving their daughters.

4. OMITTED

CUT TO:

5. INT. DINING ROOM

Donna's confiding in Big Ed - upset.

DONNA

This whole town's coming apart. And somehow James

(more)

(CONTINUED)

5. CONTINUED:

#2.010 Revised 10-12-90, YELLOW

DONNA (continued)

thinks it's all his fault. First Laura, then Maddy. Or

maybe he blames me, I don't know. Two people in love

couldn't cause something like this, could they?

The tears roll down her cheeks - totally bereft. Ed gets out his handkerchief.

C'mon, Donna, honey. He'll come back soon.

Everything's gonna get better.

Nadine rushes over, agitated.

NADINE

Excuse me, Eddie.

(lowering her voice)

Can you see my underpants in my shoes?

Ed's completely flummoxed. He looks at her gleaming shoes.

NADINE (Cont'd)

I looked down and thought I could see the reflection. Do

you think boys have been looking up my dress?

Sweetheart, I can't see a thing in your shoes. I promise.

Satisfied, Nadine returns to the coffee machine. Donna gives Ed a sympathetic look.

5A. INT. HAYWARD FOYER

CUT TO:

COOPER stands by the staircase with Truman and DR. JACOBY. MAJOR BRIGGS joins

them.

MAJOR BRIGGS

Welcome home, Dr. Jacoby. You appear to have fully

recovered from your recent setback.

JACOBY

Nothing beats the restorative powers of Hanalei Bay.

BRIGGS

Agent Cooper, what's next for you sir?

COOPER

I'm not entirely sure. I've stockpiled a few weeks of

vacation time. Now might be the time to cash 'em in.

(CONTINUED)

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