Zizek The Rhetorics of Power.pdf

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RESPONSES
THE RHETORICS OF POWER
SLAVOJ Z IZ EK
Claudia Breger. THE LEADER’S TWO BODIES: SLAVOJ Z IZ EK’S POSTMODERN
POLITICAL THEOLOGY. Diacritics 31.1 (2001): 73-90.
The first problem I have is: to what should I effectively respond? I find it difficult to
recognize the theory I developed in the text, so often is my position distorted by means
of an entire bag of rhetorical tricks:
—thoroughly distorting paraphrases of my line of argumentation (for example,
“Thus, resistance to the ‘formal’ law of Judaism works as the enactment of the divine
Law constituted by the ‘real’ content of Christianity” [85]— where do I speak of the
“divine Law constituted by the ‘real’ content of Christianity”?), up to simple inventions
inserted to render the critique more piquant by making me appear antifeminist, and so
forth (for example, “At the same time, ‘woman’s’ ‘naked’ body functions as a spectacle
doubtlessly deserving the philosopher’s lust” [88]— where do I claim anything resem-
bling this?).
—the artifice of rendering my position in a falsified way, which makes it an easy
target of criticism, and then dismissing the fact that this is NOT my position either as
secondary attempts to answer (Judith Butler’s) criticism or as its inconsistency . Perhaps
the best example of this procedure is the short footnote 9:
As a response to Butler’s criticism, i ek stresses today that this Real is none-
theless “a symbolic determination” [ FA 121], but he keeps insisting on its
(retroactively installed) foundational status as a traumatic “ahistorical” ker-
nel [112; i ek’s quotation marks]. [78, my emphasis—SZ ]
Unfortunately, the features that I allegedly stress as a response to Butler’s criticism (the
Real, far from being a substantial starting point and reference/guarantee, emerges as the
retroactive effect of the failure of the symbolic process itself, and so forth) are system-
atically developed in my Sublime Object of Ideology, which, published in 1989, pre-
cedes Butler’s criticism [see 169–73]. (Incidentally, Butler herself accuses me of incon-
sistency when I characterize the Capital as the Real of our epoch, claiming that I thereby
contradict my own definition of the Real—surely the easiest way to avoid confronting
the inadequacy of her own notion of the Real: “I claim the notion of the Real in the
criticized author means X—the criticized author says things that do not fit X—no prob-
lem, it is not my notion that is wrong, he is inconsistent with himself . . .”).
—finally, attributions of theoretical propositions that directly contradict my theses:
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diacritics 31.1: 91–104
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for example, the claim that my “epistemology collapses historical difference, and the
contemporary leader is modeled on the image of the ‘premodern’ king” [82]. Really?
Do I not, again, already in Sublime Object of Ideology , develop in detail the difference
between the traditional Master and the modern Leader [see 145–47]? Furthermore, when
my critic comments on the thesis that “the emperor cannot simply be undressed,” she
again imputes the very opposite of what I claim: the undressing of the king does not
work not because his charisma is indestructible, but because it only destroys his per-
sonal charisma, not the power of the symbolic place of the King —when we undress him,
we realize that “he is not truly a king” . . . and engage in the search for a true one .
(Incidentally, Marx makes a homologous point apropos of commodity fetishism: in or-
der to escape its grasp, it is not enough to realize that “commodity is just an object like
all others.”)
Once we discard these distortions, my critic’s basic line of argumentation is simple and
clear enough: my theory “does not allow for more optimistic scenarios of democratiza-
tion and the diminution of nationalism in society” [73], that is, I “outline a world eter-
nally ruled by a monstrous, earthbound Lord, a world not open to human agency and
political change. Because the authoritarian shape of his [Z i ek’s] vision is constitutively
tied up with anti-Semitic and antifeminist phantasms, it is especially problematic” [75].
We are thus back to the old criticism elaborated by Butler, according to which the Real
I evoke “remains . . . grounding a realm beyond discourse” [78]: the real kernel, that
which is “in X more than X,” more than a combination of contingent symbolic determi-
nations and, as such, exempted from any transformative grasp of a human agency. Al-
though fantasmatic, this Real is irreducible, unshakable, charismatic, a traumatic point
of reference that assumes in my work different forms (king, woman, Jew, capital). In
sexual economy, this gives us Woman as Real, the ahistoric traumatic Thing; in racism,
this gives us the (anti-Semitic figure of the) Jew as the traumatic point of reference of
the racial imaginary; in politics proper, this gives us the King as the excess of the Real
which limits the open process of democratic reinscriptions and redefinitions. . . . Again,
the trouble with this line of criticism is that I find it difficult to recognize in the criti-
cized position my own theory, in which I repeatedly claim that symbolic practice can
transform the Real:
Precisely because of this internality of the Real to the Symbolic, it is possible
to touch the Real through the Symbolic—that is the whole point of Lacan’s
notion of psychoanalytic treatment; this is what the Lacanian notion of the
psychoanalytic act is about—the act as a gesture which, by definition, touches
the dimension of some impossible Real. [“Class Struggle” 121]
And, as if answering in advance my critic’s claim that my world is “eternally ruled by a
monstrous, earthbound Lord” and, as such, not “open to human agency and political
change,” I emphasize that
[a]n act does not merely redraw the contours of our public symbolic identity, it
also transforms the spectral dimension that sustains this identity, the undead
ghosts that haunt the living subject, the secret history of traumatic fantasies
transmitted “between the lines,” through the lacks and distortions of the ex-
plicit symbolic texture of his or her identity. [“Class Struggle” 124]
Is it possible to put it in clearer terms? An act intervenes in and changes precisely that
which, according to my critic, I elevate into a firm ground outside the scope of human
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agency, the fantasmatic-real support of the symbolic process. So my proposal to the
reader of these lines is the following one: she should read the last paragraph of my
critic’s essay, and then read these lines from my contribution to Contingency, Hege-
mony, Universality :
In what, then, does our difference consist? Let me approach this key point via
another key criticism from Butler: her point that I describe only the paradoxi-
cal mechanisms of ideology, the way an ideological edifice reproduces itself
(the reversal that characterizes the effect of point de capiton, the “inherent
transgression,” etc.), without elaborating how one can “disturb” (resignify,
displace, turn against themselves) these mechanisms; I show:
how power compels us to consent to that which constrains us, and
how our very sense of freedom or resistance can be the dissimulated
instrument of dominance. But what remains less clear to me is how
one moves beyond such a dialectical reversal or impasse to some-
thing new. How would the new be produced from an analysis of the
social field that remains restricted to inversions, aporias, and rever-
sals that work regardless of time and place? (JB, p. 29)
In The Psychic Life of Power, Butler makes the same point apropos of Lacan
himself:
The [Lacanian] imaginary [resistance] thwarts the efficacy of the sym-
bolic law but cannot turn back upon the law, demanding or effecting
its reformulation. In this sense, psychic resistance thwarts the law in
its effects, but cannot redirect the law or its effects. Resistance is thus
located in a domain that is virtually powerless to alter the law that it
opposes. Hence, psychic resistance presumes the continuation of the
law in its anterior, symbolic form and, in that sense, contributes to its
status quo. In such a view, resistance appears doomed to perpetual
defeat.
In contrast, Foucault formulates resistance as an effect of the very
power that it is said to oppose. [. . .] For Foucault, the symbolic pro-
duces the possibility of its own subversions, and these subversions
are unanticipated effects of symbolic interpellations. [98–99]
My response to this is triple. First, on the level of exegesis, Foucault is much
more ambivalent on this point: his thesis on the immanence of resistance to
power can also be read as asserting that every resistance is caught in advance
in the game of the power it opposes. Second, my notion of “inherent transgres-
sion,” far from playing another variation on this theme (resistance reproduces
that to which it resists), makes the power edifice even more vulnerable: inso-
far as power relies on its “inherent transgression,” then—sometimes, at least—
overidentifying with the explicit power discourse— ignoring this inherent ob-
scene underside and simply taking the power discourse at its (public) word,
acting as if it really means what it explicitly says (and promises)—can be the
most effective way of disturbing its smooth functioning. Third, and most im-
portant: far from constraining the subject to a resistance doomed to perpetual
defeat, Lacan allows for a much more radical subjective intervention than
Butler: what the Lacanian notion of “act” aims at is not a mere displacement/
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resignification of the symbolic coordinates that confer on the subject his or
her identity, but the radical transformation of the very universal structuring
“principle” of the existing symbolic order. Or—to put it in more psychoana-
lytic terms—the Lacanian act, in its dimension of “traversing the fundamental
fantasy” aims radically to disturb the very “passionate attachment” that forms,
for Butler, the ultimately ineluctable background of the process of
resignification. So, far from being more “radical” in the sense of thorough
historicization, Butler is in fact very close to the Lacan of the early 1950s, who
found his ultimate expression in the rapport de Rome on “The Function and
the Field of Speech and Language in Psychoanalysis” (1953)—to the Lacan
of the permanent process of retroactive historicization or resymbolization of
social reality, to the Lacan who emphasized again and again how there is no
directly accessible “raw” reality, how what we perceive as “reality” is
overdetermined by the symbolic texture within which it appears.
Along these lines, Lacan triumphantly rewrites the Freudian “stages” (oral,
anal, phallic . . .) not as biologically determined stages in libidinal evolution,
but as different modes of the dialectical subjectivization of the child’s position
within the network of his or her family: what matters in, say, the anal stage is
not the function of defecation as such, but the subjective stance it involves
(complying with the Other’s demand to do it in an orderly way, asserting one’s
defiance and/or self-control . . .). What is crucial here is that it is this Lacan of
radical and unlimited resignification who is at the same time the Lacan of the
paternal Law (Name-of-the-Father) as the unquestionable horizon of the
subject’s integration into the symbolic order. Consequently, the shift from this
early “Lacan of unlimited resignification” to the later “Lacan of the Real” is
not the shift from the unconstrained play of resignification towards the asser-
tion of some ahistorical limit of the process of symbolization: it is the very
focus on the notion of Real as impossible that reveals the ultimate contin-
gency, fragility (and thus changeability) of every symbolic constellation that
pretends to serve as the a priori horizon of the process of symbolization.
No wonder Lacan’s shift of focus towards the Real is strictly correlative to
the devaluation of the paternal function (and of the central place of the Oedi-
pus complex itself)—to the introduction of the notion that paternal authority is
ultimately an imposture, one among the possible “sinthoms,” which allow us
temporarily to stabilize and coordinate the inconsistent/nonexistent “big Other.”
So Lacan’s point in unearthing the “ahistorical” limit of historicization/
resignification is thus not that we have to accept this limit in a resigned way,
but that every historical figuration of this limit is itself contingent and, as
such, susceptible to a radical overhaul. So my basic answer to Butler—no
doubt paradoxical for those who have been fully involved in recent debates—
is that, with all the talk about Lacan’s clinging to an ahistorical bar, and so on,
it is Butler herself who, on a more radical level, is not historicist enough: it is
Butler who limits the subject’s intervention to multiple resignifications/dis-
placements of the basic “passionate attachment,” which therefore persists as
the very limit/condition of subjectivity. Consequently, I am tempted to supple-
ment Butler’s series in her rhetorical question quoted above: “How would the
new be produced from an analysis of the social field that remains restricted to
inversions, aporias, reversals, and performative displacements or
resignifications . . . ?” [“ Da Capo senza Fine ” 219–21]
Enough of self-quoting, since, I hope, I have made my point: after reading these lines
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