Fotografia-światło.pdf

digital photography

in available light

third edition

mark galer

AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD

PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO

Focal Press is an imprint of Elsevier

essential skills

Focal Press is an imprint of Elsevier

Linacre House, Jordan Hill, Oxford OX2 8DP

30 Corporate Drive, Burlington MA 01803

First edition as Location Photography: Essential Skills 1999

Reprinted 2000

Second edition 2002

Third edition 2006

The right of Mark Galer and Philip Andrews to be identiﬁ ed as the authors of this work

has been asserted in accordance with the Copyright, Designs and Patents Act 1988

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form

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Notice

No responsibility is assumed by the publisher for any injury and/or damage to persons

or property as a matter of products liability, negligence or otherwise, or from any use

or operation of any methods, products, instructions or ideas contained in the material

herein.

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloguing in Publication Data

A catalog record for this book is available from the Library of Congress

ISBN 13: 978 02405 2013 1

ISBN 10: 02405 2013 0

For more information on all Focal Press publications visit our website at:

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Printed and bound in Italy

Acknowledgements

Philip Andrews would like to thank Karen, Adrian and Ellie and the great guys at Kaidan and

Realviz for their support.

I would like to pay special thanks to Philip Andrews, John Child, Andrew Fildes and Michael

E. Stern for their editorial input and to Orien Harvey for many of the wonderful images used to

illustrate the text. I would also like to thank the students of RMIT University and PSC Melbourne

who have also kindly supported this project with their images. I would also like to pay special

thanks to my wife Dorothy - without whom this book would never have seen the light of day.

Thank you.

Picture Credits

Ansel Adams (Ansel Adams Publishing Rights Trust/Corbis), Paul Allister, Shane Bell,

John Blakemore, Ricky Bond, Dorothy Connop, Tamas Elliot, Walker Evans (Walker

Evans Archive, The Metropolitan Museum of Art) , Andrew Goldie, Andy Goldsworthy,

Orien Harvey, John Hay, Wil Hennesy, Itti Karuson, Sean Killen, Dorothea Lange, Jana

Liebenstein, Michael Mullan, James Newman, Kim Noakes, Matthew Orchard, Ann

Ouchterlony, Rod Owen, Stephen Rooke, Michael Wennrich, Amber Williams.

All other images by the authors.

m a rk g ale r

contents

Introduction

Digital Cameras

Megapixels

The need for speed

Prosumer digicams - closing the gap?

Choosing a system

Check list overview

Asset Management

Workﬂ ow sequence

Conclusion

Exposure

Introduction

Intensity and duration

TTL light meters

Interpreting the meter reading

Reading exposure levels

Camera RAW

Processing RAW data

Processing activity

White balance

Tonal adjustments

Noise reduction and sharpening

Choosing a bit depth

Choosing a color space

Save or open

Additional information

Foreword

Introduction

Digital asset management

Introduction

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