IATH Best Practices Guide to Digital Panoramic Photography.pdf

IATH BEST PRACTICES GUIDE TO

DIGITAL PANORAMIC PHOTOGRAPHY

E d i t E d b y S a r a h W E l l S , b a r r y G r o S S , M i c h a E l G r o S S , a n d b E r n a r d F r i S c h E r

IATH BEST PRACTICES GUIDE TO

DIGITAL PANORAMIC PHOTOGRAPHY

E d i t o r S :

Sarah Wells

Barry Gross

Michael Gross

Bernard Frischer

c o n t r i b u t o r S :

Brian Donovan

Barry Gross

Michael Gross

Eugene Johnson

Worthy Martin

Lisa Reilly

Will Rourke

Ken Stuart

Michael Tuite

Tom Watson

Madelyn Wessel

t h a n k S t o :

Daniel Pitti

Rick Mandelkorn

Gretchen Wagner

Cover photo by Barry and Michal Gross. Cover art by Karey Helms/IATH.

Photo pg. i by Brian Donovan.

TABLE OF CONTENTS

1. o v E r v i E W a n d o b j E c t i v E S .................................................................6

1.1. W h o i S t h i S G u i d E F o r ? ............................................................................ 6

1.2. i n t r o d u c t i o n a n d E x a M p l E S ...................................................................... 7

1.3. b r i E F h i S t o r y a n d u S E o F p a n o r a M i c p h o t o G r a p h y ...................................... 8

1.4. b a S i c d i G i t a l p a n o r a M i c p h o t o G r a p h y M E t h o d S ........................................ 13

1.5. h o W t o u S E t h i S G u i d E ........................................................................... 14

2. p r E -p r o d u c t i o n ..........................................................................17

2.1. E S t a b l i S h i n G p r o j E c t G o a l S ..................................................................... 17

2.2. c h o o S i n G t h E S i t E ................................................................................. 18

2.3. c h o o S i n G S i t E n o d E S ............................................................................. 18

2.4. E n v i r o n M E n t a l c o n S i d E r a t i o n S / S c h E d u l i n G t h E S h o o t ............................... 21

2.5. E q u i p M E n t ............................................................................................ 22

2.6. t r a v E l p r E p a r a t i o n S ............................................................................... 35

2.7. l o c a l S i t E l i a i S o n (M r . F i x -i t /F i x E r ) ......................................................... 41

2.8. S i t E a c c E S S a n d r E S o u r c E S ....................................................................... 43

2.9. b u d G E t ................................................................................................ 46

3. c o p y r i G h t a n d p E r M i S S i o n S ............................................................50

3.1. c o p y r i G h t ............................................................................................ 51

3.2. F a i r u S E a n d d E M i n i M i S u S E ................................................................. 53

3.3. c o n t r a c t v E r S u S c o p y r i G h t ................................................................... 53

3.4. p E r M i S S i o n S a n d r E l E a S E S ........................................................................ 54

3.5. p E r M i t S a n d i n S u r a n c E ........................................................................... 55

3.7. i n t E r n a t i o n a l c o p y r i G h t ....................................................................... 57

3.8. a d d i t i o n a l r E S o u r c E S a n d r E F E r E n c E S .................................................... 58

4. p a n o r a M a c r E a t i o n (p a r t 1): M E t h o d S a n d t E c h n i q u E S

F o r c a p t u r i n G i M a G E S .......................................................................60

4.1. i n t r o d u c t i o n t o t y p E S o F d i G i t a l p a n o r a M a p h o t o G r a p h y a n d S t r u c t u r E S .. 60

4.2. i n t r o d u c t i o n t o p h o t o G r a p h y a n d d i G i t i z a t i o n ...................................... 61

4.3. S E l E c t i n G i M a G E F i l E F o r M a t S .................................................................. 61

4.4. u S i n G i M a G E c a p t u r i n G S y S t E M S a n d l E n S E S ............................................... 63

4.5. p a n o r a M i c t r i p o d h E a d S ........................................................................ 70

4.6. p h o t o G r a p h i c W o r k F l o W ...................................................................... 71

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