Solos For The Alto Saxophone Player - Larry Teal.pdf
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Pobierz
Alto Saxophones
for
the
ALTO
SAXOPHONE
With Piano Accompaniment
'j
1
Selected and Edited
b)
LARRY TEAL
ED. 2599
0
MCMLX V
by
G.
Schirmer, Inc.
International
Copyright
Secured
Printed in
U.S.A.
G.
SCHIRMER
New
York/London
CONTENTS
Piano Saxophone
AI.RI.IM
LEAF (from:
Lyric Pieces, Op. 12)
.
.
.
,
,
Ed1w-d Grieg
.
,
,
,
,
32
12
CANZONETTA,
Op.
6
,
,
,
,
,
,
,
,
. . . .
,
Alfred0 d'<Ambrosio
,
,
,
,
2
2
FANTASY
PIECE.Op.
73.
KO.
3
,
,
,
,
.
,
,
Robert Schumann
.
,
,
,
68
25
GYPSY
ROSDO
,
.
. . .
,
,
.
.
. . .
.Joseph
Haydn
.
.
,
. .
,
35
13
ItVTERRIEZ7,O
(from:
GOye.YCa.3)
,
,
,
Enrique Granados
.
,
,
26
10
I
J
(from:
Sonatina,
Op.
100)
,
~
~
,
~
.
.
,
.
,
Antonin Dvofhk
~
~
.
~
. . .
19
~
8
~
MINUET
. . . . .
<
.
<
<
.
. . . . . . .
Joseph
Haydn
.
.
,
,
. .
41
15
MINUET(from:
Diilertirnenfo
in
D.K.
H4)
.
,
. . .
iVolfgang Amadeus hlozart
,
44
16
NOCTURKE,
Op.
Posth.
,
.
.
,
.
.
.
.
.
Frédéric Chopin
.
,
.
,
.
15
7
THEOLDCASTLE
(from:
Pictu1-es at an Exhibition)
,
. .
,
,
.
, ,
Jfodest
Mussorgsky
,
,
. .
53
20
ROMANTIC
PIECE.Op.
75.
No. 1
Antonin DvoTAk
. . .
,
.
22
9
KONDO
Ih
D
ii'olfgaiig Amadeus Mozart
48
18
SICILIENNE
AND
ALLEGRO
(from:
Fliite
Soiiiita
A'o.2)
Johaiin Sebastian Bach
,
,
,
7
4
SONATINE
(from:
FiutMovement)
,
,
.
.
, ,
.
Maurice Ravel
.
,
,
,
62
23
VOCALISE,Op.
34.
So.
14.
,
,
,
,
,
,
,
.
,
.
,
Sergep Rachmaninoff
58
22
FOREWORD
Although many outstanding composers have written
solos
for the saxophone,
its comparatively late invention leaves a great void in its literature. For many
years its use
was
confined to military bands and, occasionally, the orchestra.
Emergence of the saxophone as
a
solo instrument did not take place until the
1920’s,
and it is since then that most of the
solo
literature written for it has
been composed.
If
the serious saxophonist wants to perform the music of the
Classical and Romantic periods, he must turn to transcriptions.
The pieces in this collection have been selected
for
their musical value, and
for their adaptability to the st)le and limitations
of
the instrument. Being
transcriptions, certain changes were necessary.
Cuts
have been made where
deemed advisable and many
of
the compositions were transposed from their
original keys. Tempo indications are those recommended b) the transcriber.
Technically the
solos
might be graded from medium-easy to medium-difficult.
It is suggested that,
for
the purpose
of
interpretative study, the student
avail himself of other music by the domposers included here.
A
knowledge
of
the style
of
each composer and the era
in
which he lived ir inlraluable.
These compositions may be used both as study pieces
and
in
formance, and are valuable additions to the literature available
saxophone.
concert p.er-
for the solo
L.
T.
Index
by
Composers
Piano
Saxophone
ALFREDOD’AMBROSIO
, , ,
. .
,
.
Canzonetta, Op.
G
,
. . . . . . .
2
2
SEBASTIAN
BACH
......
Sicilienne and Allegro
(from:
Flute
Sonata No.
2)
......
7
4
FRÉDÉRICCHOPIN
.........
Nocturne, Op. Posth.
........
15
7
ANTONIN
Dvo~~AK
.........
Larghetto (from:
Sonntina,
Op.
100)
..
.
19
8
ANTONIN
DVORAK
.........
Romantic Piece. Op.
75.
No.
1
. . . . .
22
9
ENRIQUEGRAS
ADOS
........
Intermezzo
(from
:
Goye.ccas)
.
26
10
E~~VARB
.......
Album Leaf (from.
Lyric
Pieces,
Op.
12)
. .
32
12
JOSEPH
HAYDN
..........
Gypsy
Rondo.
,
.
.........
.35
13
JOSEPH
HAYDN
..........
Minuet
................
41
15
WOLFGANG
AxIADEus
MOZART
. .
,
.
hIinuet (from:
Diuertirnento in
D,
K.
334)
.
44
16
WOLFGANG
AMADEUS
MOZART
....
Rondo
in
D
.....
48
18
MODESTMUSSORGÇKY
..
The Old Castle
(from:
Pictures
at
an
Exhibition)
,
53
20
SERGEYRACHMANINOFF
......
I’ocalise,
Op. 34, No.
14
.......
58
22
MAURICERAVEL
.........
Sonatine (from:
First Movement)
. . . . .
62
23
ROBERTSCHUMANN
........
Fantasy
Piece, Op.
73,
No.
3
68
25
JOHANN
GRIEG
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