[CrunchyRemux] Ichiban Ushiro no Daimaou - 06 (720p).txt

[Script Info]
; Script generated by Aegisub 2.1.7
; http://www.aegisub.net
Title: fuckoff
ScriptType: v4.00+
WrapStyle: 0
PlayResX: 848
PlayResY: 480
ScaledBorderAndShadow: yes
Last Style Storage: Default
Video Aspect Ratio: 0
Video Zoom: 6
Video Position: 0

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,EFN Gregorio,32,&H00FFFFFF,&H010000FF,&H00000018,&HB4000060,-1,0,0,0,100,100,0,0,1,2,2,2,100,100,15,1
Style: DefaultAlt,EFN Gregorio,32,&H00D8D8FF,&H010000FF,&H00000000,&HB4000060,-1,0,0,0,100,100,0,0,1,2,2,2,100,100,15,1
Style: Sign,Calibri,35,&H00FFFFFF,&H010000FF,&H00000000,&HB4000060,-1,0,0,0,100,100,0,0,1,2,0,2,0,0,15,1
Style: OP,BlackChanceryPL,35,&H00790050,&H00EDBA73,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,2,0,9,10,30,15,1
Style: OP_PL,BlackChanceryPL,32,&H004C0031,&H008B3900,&H00FFFFFF,&H00000000,-1,0,0,0,100,100,0,0,1,2,0,1,10,10,15,1
Style: ED,MK reczne,35,&H00C0F8FF,&H000000FF,&H001B0036,&H001B0036,-1,0,0,0,100,100,0,0,1,3,0,8,10,10,15,1
Style: ED_PL,MK reczne,35,&H00C0F8FF,&H000000FF,&H001B0036,&H001B0036,-1,0,0,0,100,100,0,0,1,3,0,2,10,10,15,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text

Dialogue: 0,0:00:01.89,0:00:05.40,Default,,0000,0000,0000,,Sai Akuto lubi towarzystwo kobiet, tak?
Dialogue: 0,0:00:05.40,0:00:07.53,Default,,0000,0000,0000,,Generalnie mówiąc, to tak.
Dialogue: 0,0:00:07.98,0:00:11.82,Default,,0000,0000,0000,,Kobiety potrafią zrujnować życie. Musiałaś o tym słyszeć.
Dialogue: 0,0:00:11.82,0:00:15.30,Default,,0000,0000,0000,,Powinniśmy kontrolować go przez kobiety.
Dialogue: 0,0:00:15.30,0:00:17.28,Default,,0000,0000,0000,,To bardzo prostackie.
Dialogue: 0,0:00:17.28,0:00:19.36,Default,,0000,0000,0000,,Wiemy o tym.
Dialogue: 0,0:00:19.36,0:00:22.80,Default,,0000,0000,0000,,Oczekujemy, że spełnisz pokładane w tobie nadzieje.
Dialogue: 0,0:00:23.55,0:00:25.92,Default,,0000,0000,0000,,Zostawiamy wszystko w twoich rękach.
Dialogue: 0,0:00:25.92,0:00:29.88,Default,,0000,0000,0000,,Zrobię wszystko, aby uwieść Sai Akuto.
Dialogue: 0,0:00:30.81,0:00:32.21,Default,,0000,0000,0000,,Bardzo dobrze.
Dialogue: 0,0:00:32.21,0:00:37.29,Default,,0000,0000,0000,,Jeśli jednak ci się nie powiedzie, będziesz musiała ponieść pełną odpowiedzialność.
Dialogue: 0,0:00:37.29,0:00:39.68,Default,,0000,0000,0000,,Mówiąc "odpowiedzialność" masz na myśli moje zwolnienie?
Dialogue: 0,0:00:39.68,0:00:41.92,Default,,0000,0000,0000,,Nie widzę powodu, aby ci odpowiadać.
Dialogue: 0,0:00:55.54,0:00:56.02,OP,,0000,0000,0000,,{\an5\move(499,33,545,33)\fry0\1c!color4!\fscx200\t(0,480,\fry180\1c!color4!\fscx100)\fad(0,480)\shad0\bord0}
Dialogue: 0,0:00:55.54,0:00:56.02,OP,,0000,0000,0000,,{\an5\move(499,33,545,33)\fry-180\1c!color4!\t(0,480,\fry0\1c!color4!\fscx200)\fad(480,0)\shad0\bord0}mu
Dialogue: 0,0:00:55.79,0:00:59.54,OP_PL,,0000,0000,0000,,{\bord3\blur6\2a&H80&\fad(200,200)}Nie oprzesz się nieskończoności
Dialogue: 0,0:00:55.79,0:00:59.54,OP,,0000,0000,0000,,{\bord3\blur6\2a&H80&\fad(200,200)}{\k23}{\k26}mu{\k35}gen{\k36}da{\k11}i {\k39}de {\k22}mo{\k30}don{\k135}na{\k14}i
Dialogue: 0,0:00:56.02,0:00:56.28,OP,,0000,0000,0000,,{\an5\move(544,33,586,33)\fry0\1c!color4!\fscx200\t(0,260,\fry180\1c!color4!\fscx100)\fad(0,260)\shad0\bord0}mu
Dialogue: 0,0:00:56.02,0:00:56.28,OP,,0000,0000,0000,,{\an5\move(544,33,586,33)\fry-180\1c!color4!\t(0,260,\fry0\1c!color4!\fscx200)\fad(260,0)\shad0\bord0}gen
Dialogue: 0,0:00:56.16,0:01:00.83,Sign,,0000,0000,0000,,{\fs20\an8\3c&HFFFFFF&\c&HCA9330&\bord2\fad(400,700)\pos(307,7)}DARTH DRAGON {\c&H35B4ED&}&
Dialogue: 0,0:00:56.16,0:01:00.83,Sign,,0000,0000,0000,,{\fs20\an8\3c&HFFFFFF&\c&HCA9330&\bord2\fad(400,700)\pos(322,26)}{\c&HCA9330&}LORD GOLD CRANE
Dialogue: 0,0:00:56.16,0:01:00.83,Sign,,0000,0000,0000,,{\fs37\an8\3c&HFFFFFF&\c&HCA9330&\bord3\fad(400,700)\c&H2930DE&\pos(373,42)}PREZENTUJĄ:
Dialogue: 0,0:00:56.28,0:00:56.63,OP,,0000,0000,0000,,{\an5\move(585,33,623,33)\fry0\1c!color4!\fscx200\t(0,350,\fry180\1c!color4!\fscx100)\fad(0,350)\shad0\bord0}gen
Dialogue: 0,0:00:56.28,0:00:56.63,OP,,0000,0000,0000,,{\an5\move(585,33,623,33)\fry-180\1c!color4!\t(0,350,\fry0\1c!color4!\fscx200)\fad(350,0)\shad0\bord0}da
Dialogue: 0,0:00:56.63,0:00:56.99,OP,,0000,0000,0000,,{\an5\move(623,33,643,33)\fry0\1c!color4!\fscx200\t(0,360,\fry180\1c!color4!\fscx100)\fad(0,360)\shad0\bord0}da
Dialogue: 0,0:00:56.63,0:00:56.99,OP,,0000,0000,0000,,{\an5\move(623,33,643,33)\fry-180\1c!color4!\t(0,360,\fry0\1c!color4!\fscx200)\fad(360,0)\shad0\bord0}i
Dialogue: 0,0:00:56.99,0:00:57.10,OP,,0000,0000,0000,,{\an5\move(643,33,671,33)\fry0\1c!color4!\fscx200\t(0,110,\fry180\1c!color4!\fscx100)\fad(0,110)\shad0\bord0}i
Dialogue: 0,0:00:56.99,0:00:57.10,OP,,0000,0000,0000,,{\an5\move(643,33,671,33)\fry-180\1c!color4!\t(0,110,\fry0\1c!color4!\fscx200)\fad(110,0)\shad0\bord0}de
Dialogue: 0,0:00:57.10,0:00:57.49,OP,,0000,0000,0000,,{\an5\move(670,33,713,33)\fry0\1c!color4!\fscx200\t(0,390,\fry180\1c!color4!\fscx100)\fad(0,390)\shad0\bord0}de
Dialogue: 0,0:00:57.10,0:00:57.49,OP,,0000,0000,0000,,{\an5\move(670,33,713,33)\fry-180\1c!color4!\t(0,390,\fry0\1c!color4!\fscx200)\fad(390,0)\shad0\bord0}mo
Dialogue: 0,0:00:57.49,0:00:57.71,OP,,0000,0000,0000,,{\an5\move(713,33,755,33)\fry0\1c!color4!\fscx200\t(0,220,\fry180\1c!color4!\fscx100)\fad(0,220)\shad0\bord0}mo
Dialogue: 0,0:00:57.49,0:00:57.71,OP,,0000,0000,0000,,{\an5\move(713,33,755,33)\fry-180\1c!color4!\t(0,220,\fry0\1c!color4!\fscx200)\fad(220,0)\shad0\bord0}don
Dialogue: 0,0:00:57.71,0:00:58.01,OP,,0000,0000,0000,,{\an5\move(755,33,794,33)\fry0\1c!color4!\fscx200\t(0,300,\fry180\1c!color4!\fscx100)\fad(0,300)\shad0\bord0}don
Dialogue: 0,0:00:57.71,0:00:58.01,OP,,0000,0000,0000,,{\an5\move(755,33,794,33)\fry-180\1c!color4!\t(0,300,\fry0\1c!color4!\fscx200)\fad(300,0)\shad0\bord0}na
Dialogue: 0,0:00:58.01,0:00:59.36,OP,,0000,0000,0000,,{\an5\move(793,33,814,33)\fry0\1c!color4!\fscx200\t(0,1350,\fry180\1c!color4!\fscx100)\fad(0,1350)\shad0\bord0}na
Dialogue: 0,0:00:58.01,0:00:59.36,OP,,0000,0000,0000,,{\an5\move(793,33,814,33)\fry-180\1c!color4!\t(0,1350,\fry0\1c!color4!\fscx200)\fad(1350,0)\shad0\bord0}i
Dialogue: 0,0:00:59.36,0:00:59.50,OP,,0000,0000,0000,,{\an5\move(813,33,833,33)\fry0\1c!color4!\t(0,140,\fry180\1c&H00790050&)\fad(0,140)\shad0\bord0}i
Dialogue: 0,0:01:01.22,0:01:01.63,OP,,0000,0000,0000,,{\an5\move(491,33,524,33)\fry0\1c!color4!\fscx200\t(0,410,\fry180\1c!color4!\fscx100)\fad(0,410)\shad0\bord0}
Dialogue: 0,0:01:01.22,0:01:01.63,OP,,0000,0000,0000,,{\an5\move(491,33,524,33)\fry-180\1c!color4!\t(0,410,\fry0\1c!color4!\fscx200)\fad(410,0)\shad0\bord0}a
Dialogue: 0,0:01:01.47,0:01:05.10,OP_PL,,0000,0000,0000,,{\bord3\blur6\2a&H80&\fad(200,200)}Jeśli cię to martwi, powtórz to
Dialogue: 0,0:01:01.47,0:01:05.10,OP,,0000,0000,0000,,{\bord3\blur6\2a&H80&\fad(200,200)}{\k16}{\k18}a{\k34}sec{\k42}cha{\k18}u{\k38}yo {\k16}re{\k18}peat {\k14}shi{\k148}te
Dialogue: 0,0:01:01.63,0:01:01.81,OP,,0000,0000,0000,,{\an5\move(524,33,552,33)\fry0\1c!color4!\fscx200\t(0,180,\fry180\1c!color4!\fscx100)\fad(0,180)\shad0\bord0}a
Dialogue: 0,0:01:01.63,0:01:01.81,OP,,0000,0000,0000,,{\an5\move(524,33,552,33)\fry-180\1c!color4!\t(0,180,\fry0\1c!color4!\fscx200)\fad(180,0)\shad0\bord0}sec
Dialogue: 0,0:01:01.81,0:01:02.15,OP,,0000,0000,0000,,{\an5\move(551,33,593,33)\fry0\1c!color4!\fscx200\t(0,340,\fry180\1c!color4!\fscx100)\fad(0,340)\shad0\bord0}sec
Dialogue: 0,0:01:01.81,0:01:02.15,OP,,0000,0000,0000,,{\an5\move(551,33,593,33)\fry-180\1c!color4!\t(0,340,\fry0\1c!color4!\fscx200)\fad(340,0)\shad0\bord0}cha
Dialogue: 0,0:01:02.15,0:01:02.57,OP,,0000,0000,0000,,{\an5\move(592,33,623,33)\fry0\1c!color4!\fscx200\t(0,420,\fry180\1c!color4!\fscx100)\fad(0,420)\shad0\bord0}cha
Dialogue: 0,0:01:02.15,0:01:02.57,OP,,0000,0000,0000,,{\an5\move(592,33,623,33)\fry-180\1c!color4!\t(0,420,\fry0\1c!color4!\fscx200)\fad(420,0)\shad0\bord0}u
Dialogue: 0,0:01:02.57,0:01:02.75,OP,,0000,0000,0000,,{\an5\move(622,33,647,33)\fry0\1c!color4!\fscx200\t(0,180,\fry180\1c!color4!\fscx100)\fad(0,180)\shad0\bord0}u
Dialogue: 0,0:01:02.57,0:01:02.75,OP,,0000,0000,0000,,{\an5\move(622,33,647,33)\fry-180\1c!color4!\t(0,180,\fry0\1c!color4!\fscx200)\fad(180,0)\shad0\bord0}yo
Dialogue: 0,0:01:02.75,0:01:03.13,OP,,0000,0000,0000,,{\an5\move(646,33,684,33)\fry0\1c!color4!\fscx200\t(0,380,\fry180\1c!color4!\fscx100)\fad(0,380)\shad0\bord0}yo
Dialogue: 0,0:01:02.75,0:01:03.13,OP,,0000,0000,0000,,{\an5\move(646,33,684,33)\fry-180\1c!color4!\t(0,380,\fry0\1c!color4!\fscx200)\fad(380,0)\shad0\bord0}re
Dialogue: 0,0:01:03.13,0:01:03.29,OP,,0000,0000,0000,,{\an5\move(684,33,725,33)\fry0\1c!color4!\fscx200\t(0,160,\fry180\1c!color4!\fscx100)\fad(0,160)\shad0\bord0}re
Dialogue: 0,0:01:03.13,0:01:03.29,OP,,0000,0000,0000,,{\an5\move(684,33,725,33)\fry-180\1c!color4!\t(0,160,\fry0\1c!color4!\fscx200)\fad(160,0)\shad0\bord0}peat
Dialogue: 0,0:01:03.29,0:01:03.47,OP,,0000,0000,0000,,{\an5\move(725,33,778,33)\fry0\1c!color4!\fscx200\t(0,180,\fry180\1c!color4!\fscx100)\fad(0,180)\shad0\bord0}peat
Dialogue: 0,0:01:03.29,0:01:03.47,OP,,0000,0000,0000,,{\an5\move(725,33,778,33)\fry-180\1c!color4!\t(0,180,\fry0\1c!color4!\fscx200)\fad(180,0)\shad0\bord0}shi
Dialogue: 0,0:01:03.47,0:01:03.61,OP,,0000,0000,0000,,{\an5\move(777,33,806,33)\fry0\1c!color4!\fscx200\t(0,140,\fry180\1c!color4!\fscx100)\fad(0,140)\shad0\bord0}shi
Dialogue: 0,0:01:03.47,0:01:03.61,OP,,0000,0000,0000,,{\an5\move(777,33,806,33)\fry-180\1c!color4!\t(0,140,\fr...