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Handwriting Analysis: The Complete Basic Book
Handwriting
Analysis
The
CompZete Basic
Book
NEW PAGE BOOKS
A
division of The Career
Press,
Inc.
Franklin Lakes,
NJ
Copyright
0
1980
by Karen Amend and Mary
S.
Ruiz
All rights reserved under the Pan-American and International Copyright Conventions. This
book
may
not
be
reproduced, in whole or in part, in any form or by any means electronic or mechanical, includ-
ing photocopying, recording, or by any information storage and retrieval system now known or here-
after invented, without written permission from the publisher, The Career Press.
HANDWRITING
Printed in the U.S.A. by Book-mart Press
To order this title, please call toll-fiee I-800-CAREER-1
(NJ
and Canada:
201-848-0310)
to order
using VISA or MasterCard, or for fbrther information on
books
fiom Career Press.
The Career Press, Inc.,
3
Tice Road,
PO
Box
687,
Franklin Lakes, NJ
07417
The author of this
book
does not dispense medical advice nor prescribe the use of any technique as a
form of treatment for medical problems without the advice of
a
physician, either directly or indirectly.
The intent of the author is only to offer information.of a general nature to help you cooperate with your
doctor in your mutual quest for health.
In
the event you use any of the information in this book for
yourself, you are prescribing for yourselc which is your constitutional right, but the author and pub
lisher assume no responsibility for your actions.
Library of Congress
Cataloging-in-Publication
information available upon request.
To the Reader:
The authors and editors of this manual have taken painstaking efforts to maintain the anonymity and
rights of privacy of all persons whose handwriting samples appear herein. With respect to the hand-
writing samples of any person who
is
not a public figure, such samples may in fact have been altered,
for purposes of concealing their identity, and will not necessarily be actual examples of any person’s
true penmanship. Notwithstanding this, if it occurs that any person is thought to be identified, on the
basis of any handwriting sample contained herein, the reader should bear in mind that the text accom-
panying each respective sample represents only the authors’ analysis of said sample, based on gener-
ally accepted graphological principles, and makes
no
comment on the character of any real person.
ANALYSIS
ISBN 0-87877-050-X
Introduction
In this closing quarter of the 20th century,
we
live in an era emphasizing the
achievement of inner peace and harmony. Institutions, groups and individuals have
dedicated themselves to helping others attain personal enlightenment and self
awareness; synthesizing the mind and body into one smoothly functioning unit is the
goal. Physical well-being is an indication of mental well-being, yet when we speak
of
the healthy individual, we refer to more than the akppearance of a trim, active and
disease-free body. Some people have the ability
to
mask their mental and emotional
instabilities with an external personality facade designed to give an impression of
inner balance. Occasionally the facade is
so
complete that even the person himself is
fooled and the communication with deeper needs and feelings is lost. The outer
behavior protects the vulnerable self within; the individual has succeeded in con-
structing a protective shield against the pain of negative experience.
While we cannot read minds, we can see certain body movements. Tone
of
voice,
gestures, posture, body structure and manner of dress can be interpreted as clues to
inner psychological make-up and behavior. Often, the outer style reflects the inner
one. It is possible through thoughtful observation to penetrate the disguise and re-
veal the inner character behind the mask.
Certain facial expressions are associated with certain moods. We can watch a
conversation taking place inside a telephone booth and without a sound escaping,
still sense the mood of the conversation. The caller tells all with facial expressions
and body posture. Thus we demonstrate thoughts arid feelings through the silent yet
expressive language of our bodies. Handwriting,
too,
is an expressive and silent
gesture.
As you write you are consciously attempting a message. Beyond the conscious
information contained in the written words, the handwriting also divulges informa-
tion about you and how you felt unconsciously as you wrote.
Writing is a physical process. The brain sends an order through the nervous sys-
tem to the arm, hand and fingers, where together they manipulate the writing tool.
In
this way, the intent to write forms deep within the creative processes
of
the mind
and makes writing an expressive gesture representative of the mind behind the pen.
Despite the teaching of a standard letter model to form the letters and words
necessary to express our ideas, no two writings are exactly alike. An American
statistician determined that the possibility of two writings being identical is one
chance in
68
trillion!
iV
HANDWRITlNG ANALYSIS THE COMPLETE BASIC
BOOK
Every written sample displays the same wonderful variety as the
Faces,
finger-
prints, voices and bodies of us all. We recognize our friends’voices on the phone,
and by the tone alone know their state of happiness or sadness, anger or warmth.
Handwriting is a reflection of mood changes, characterizing the writer’s state of
mind at that moment.
Emotional factors dictate the form of the writing stroke. It is possible to deter-
mine personal behavior by studying the mannerisms of formation and spacing
within a writing. Handwriting matures, grows or disintegrates along with the per-
sonality, or with physical changes due
to
age, health, or tension. Personality devel-
opment can be studied by examining samples penned at various times through the
years. These examples provide a visual history of the development of
a
life emo-
tionally, physically and mentally.
The word “graphology” is a combination of the Greek word
grapheirt,
which
means “to write,” and the suffix “ology,” a branch of scientific study. Graphology,
then,
is
the study of writing based
on
a growing
body
of knowledge which is con-
stantly being tested in practical use. Since
it
is a continuing and growing body of
knowledge, and not a codified system like basic arithmetic, the student should not
be alarmed to find varying, sometimes conflicting interpretations assigned
to
a
stroke or shape. It
is
possible to understand writing character using different ap-
proaches
to
the specific origins, just as the medical and psychological fields get re-
sults even when starting from different positions. And like medicine, graphology is
also an art of combining and synthesizing information that requires training and
judgment in its application. This book gives the most widely accepted and most
practical basic elements of graphology and their meanings.
At
the end of the book,
you will find tips and guidelines for doing your own analyses.
People study handwriting for various reasons. For example, the science of crim-
inology offers courses of study which entitle one to
be
licensed as a handwriting
expert. Testimony
of
the handwriting expert is admissable in a court of law for pur-
poses of establishing identification or validity of a particular docurlien
t,.
The profes-
sional title for one qualified in this field is “examiner of questioned documents.”
These experts work in cooperation with law enforcement agencies, attorneys or
anyone interested in determining officially who wrote what, where and under what
conditions. Famous trial cases have involved the services of a handwriting expert
to
help determine guilt or innocence
of
the defendant,
just
as such trials have involved
psychologists and psychi3
t
ris
t
s.
There is another, larger group of people who study handwriting
as
a means
to
discover themselves and others. These people are called graphologists. They know
that exaggerations in writing formations suggest similar exaggerations in the per-
sonality of the writer. Character traits that deviate from the norm will show up in
the handwriting. The graphologist learns to analyze the difference between normal
and abnormal traits in the writing. Both fundamental knowledge and interpretive
skill have their importance in an accurate analysis of a handwriting sample, and all
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