133.PDF
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Hereare
somerecordedSongo-style
basslinesfor
you to study,alongwith shortdescriptions
of each.
Thereis no CD track for these
shortexamplesbut try
playing therhythmic approach
ofone of them at a time
along with
a CD track from this chapter'
a) Notice the use
of arpeggioshereaswell
asbeat4 and
La{esolucîon
(2-3)
)
=sz
D
Note the useof the major
7th hereaswell asthe
'4
and'
figure tied to the
next bar.
GCr
Therhythm of
barsI and3 hereareoften
playedby JuanFormel.
Aml
Bml
E7
D7
c)
Tumbaolike line
but usingmore space
givesit a different swing.Note the use
of theF on the G7 chord.
ElBuenoGente
(2-31
)
=ztz
G7
Bb
Ab
G7
C,rnl
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