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I JJ Hereare somerecordedSongo-style basslinesfor you to study,alongwith shortdescriptions of each.
Thereis no CD track for these shortexamplesbut try playing therhythmic approach ofone of them at a time
along with a CD track from this chapter'
a) Notice the use of arpeggioshereaswell asbeat4 and
La{esolucîon (2-3)
) =sz D
Note the useof the major 7th hereaswell asthe '4 and' figure tied to the next bar.
GCr
Therhythm of barsI and3 hereareoften playedby JuanFormel.
Aml
Bml
E7
D7
c) Tumbaolike line but usingmore space givesit a different swing.Note the use of theF on the G7 chord.
ElBuenoGente (2-31
) =ztz
G7
Bb
Ab G7
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