Modern Drummer #024.pdf

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FEATURES:
His name may not be widely known to the general public, but
Simon Phillips has earned his credentials playing with such
artists as Pete Townshend, Stanley Clarke, and Jeff Beck.
Despite the fact that he is relatively young, Phillips has gained
the experience of a seasoned veteran, and shares his insights on
a variety of subjects.
10
STEVE SMITH
Starting drum lessons at age nine, Steve Smith studied drums
through elementary school, high school, and finally, at the
Berklee School in Boston. His extensive training paid off, and
the next few years found him in the company of people like
Jean-Luc Ponty and Ronnie Montrose. Here, Smith discusses
his life and the situations that led him to his current group.
Journey.
14
COLLIN WALCOTT
As a percussionist with the group Oregon, Collin Walcott is
called upon to mix a variety of musical traditions into a
coherent form. In this interview, Collin discusses his classical
training, his jazz experience, and his study of Indian music, and
explains how he has merged these different influences into his
own unique style.
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19
27
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MARKET
COLUMNS:
ASK A PRO
22
2
PRODUCT CLOSE-UP
Yamaha YD-9022WD Drum Kit
by Bob Saydlowski, Jr.
4
60
8
CONCEPTS
and Other Hang-ups
by Roy Burns
Concept for Two Drum Sets
by David Garibaldi
34
66
MALLETS
by David Samuels
The Music of the Drums, Part 2
by Barry Altschul
38
68
PORTRAITS
Carmine Appice
by Scott K. Fish
ROCK 'N JAZZ CLINIC
by Roberto Petaccia
42
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ELECTRONIC INSIGHTS
Heavily Wired
by Vince Gutman
THE CLUB SCENE
by Rick Van Horn
46
82
by Cheech Iero
DRIVER'S SEAT
Hints on Playing with Big Bands
by Charli Persip
90
52
94
Latin Fills
by Norbert Goldberg
98
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STAFF:
EDITOR-IN-CHIEF: Ronald Spagnardi
FEATURES EDITOR: Rick Mattingly
ASSOCIATE EDITORS: Mark Hurley
Paul Uldrich
MANAGING EDITOR: Scott K. Fish
ART DIRECTOR:
Tom Mandrake
PRODUCTION
MANAGER:
Roger Elliston
ADVERTISING
DIRECTOR:
We receive many inquiries throughout the year on writing for Mod-
ern Drummer Magazine. Since a good percentage of our material is
submitted by freelancers, I'd like to take a moment to explain the pro-
cedure for anyone who may be interested.
First, be sure you're totally familiar with the publication, particular-
ly if you're a newcomer to the magazine. There is nothing more frus-
trating than receiving a lengthy letter on a proposed article when that
exact subject was covered one issue back. Take note of the type of ar-
ticles we've published in the past. You cannot write for a magazine if
you're not familiar with that publication's editorial style and slant.
Let's suppose you have a valid idea for an article, but you're con-
cerned that we may have published something similar recently, or that
perhaps it's already in the works. A brief letter, which clearly summa-
rizes your idea, together with a self-addressed stamped envelope
(SASE) is all that's needed. You'll hear from us within three weeks. If
the idea is appealing, you'll get our go ahead along with a Writer's
Guideline which spells out article lengths, photographic requirements,
how to prepare your material, and what you can expect to be paid.
Though telephoning would appear to be a shortcut, we'd truthfully
prefer the written approach. Our Editors will generally ask for a writ-
ten outline or synopsis, so save yourself a phone call unless it's an ur-
gent matter.
The completed article should also be submitted with a SASE, even if
it has been OK'd. Oftentimes, the end product does not turn out as we
had expected and it must be returned. Anyway, you'll know within
three weeks. If we like your finished article, it will be scheduled and
published. Your check will be in the mail within four to six weeks after
publication.
So if you have an idea you think might be helpful to fellow drum-
mers, don't let it go to waste. Let us know about it. We're always on
the lookout for good editorial material and competent writers. We'd
love to hear from you.
June's cover feature is 23 year old Simon Phillips, a highly talented
yet under-rated artist, who has performed with the likes of Peter
Townshend, Stanley Clarke, Frank Zappa and Jeff Beck. Drummer
Steve Smith has been with Journey since 1978 when he was called
upon to replace Aynsley Dunbar. Steve's dedication to the band, and
the effect his drumming has had on the group, are only two of the
many topics discussed. And Harold Rowland's illuminating portrait of
Collin Walcott examines his classical background, and his role as the
versatile percussionist of Oregon.
Some time back, we thought it might be interesting to explore the
world of the proverbial behind-the-scenes hero of the entertainment
business—the Broadway pit drummer. MD's Karen Larcombe was
successful in gathering together four drummers from the top shows in
New York for an informal rap, aptly titled, Broadway Drummers
Roundtable.
And for anyone who may have ever had a great idea for a new drum
product but just didn't know where to start; MD's special How To Get
Your Product On The Market, we're hopeful, will supply that extra lit-
tle push up the road to success.
Finally, the results of MD's Third Annual Readers Poll are in. Once
again, this year's poll clearly reflects the opinions of thousands of
readers who took time out to vote for their favorite players. My per-
sonal congratulations to each and every one of the highly deserved
winners for 1981. Also, my thanks to Neil Peart who recently became
the 29th member of MD's illustrious Advisory Board.
Jean Mazza
ASSISTANT
ADVERTISING
MANAGER:
Maureen Politi
ADMINISTRATIVE
DIRECTOR:
Isabel Lori
ADMINISTRATIVE
MANAGER:
Ann Lambariello
DEALER SERVICE
MANAGER:
Carol Morales
CIRCULATION:
Leo L. Spagnardi
Ellen Urry
MD ADVISORY BOARD:
Henry Adler
Peter Magadini
Carmine Appice
Mitch Markovich
Horacee Arnold
Butch Miles
Louie Bellson
Joe Morello
Bill Bruford
Neil Peart
Roy Burns
Charley Perry
Jim Chapin
Charli Persip
Billy Cobham
Joe Pollard
Joe Corsello
Arthur Press
Les DeMerle
Paul Price
Len DiMuzio
Paul Real
Charlie Donnelly
Ed Shaughnessy
Don Lamond
Lenny White
Mel Lewis
CONTRIBUTING EDITORS:
Susan Alexander, John Faraola, Robyn
Flans, Norbert Goldberg, Harold How/and.
Cheech lero. Larry Kanusher, Michael Ro-
zek, Boh Saydlowski, Jr., Michael Shore, T .
Bruce Wittet.
MODERN DRUMMER Magazine A SSN 0194-
4533) is published 9 limes yearly, February,
April, May, June, July, August, October,
November and December by Modern Drum-
mer Publications, Inc., 1000 Clifton Avenue,
Clifton, N.J. 07013. Controlled Circulation
Postage paid at Clifton, N.J. 07015 and at
Richmond, Virginia 23219. Copyrighted 1981
by Modern Drummer Publications, Inc. All
rights reserved. Reproduction without the
permission of the publisher is prohibited.
SUBSCRIPTIONS: $15.95 per year. $28.95.
two years. Single copies $2.00. MANU-
SCRIPTS: Modern Drummer welcomes
manuscripts, however, cannot assume re-
sponsibility for them. Manuscripts must he
accompanied by a self-addressed stamped
envelope. CHANGE OF ADDRESS: Allow at
least six weeks for a change. Please provide
both old and new address. MUSIC DEAL-
ERS: Modern Drummer is available for resale
at bulk rales. Direct correspondence to Mod-
ern Drummer Publications, Inc., 1000 Clifton
Avenue, Clifton. N.J. 07013. (201) 778-1700.
POSTMASTER: Send form 3579 to Modern
Drummer, 1000 Clifton Avenue, Clifton, N.J.
07013.
Sonny Igoe
Paul T. Riddle
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