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'ABDUL HAS OFFERED TO GIVE UP THE CHASE."
Sharp sarcasm edged Peter's words. "Damned good of him to give you up, don't
you think? Not every man would make such a sacrifice out of gratitude."
Jenny was stunned. "Do you mean that because you saved Sheikh Abdul's life,
he's agreed to stop seeing me?"
"Exactly. But I told him his kindness is unnecessary, since there's obviously
nothing between us."
Nothing! Against her will a sudden image leaped into Jenny's mind - the image
of how Peter had reached for her, his hard chest pressing against her, his
mouth hungry, burning with commanding heat. She had run her fingers up his
strong back and into his hair, feeling the silky softness of tousled
strands....
So Peter considered that nothing! Well, then, Jenny thought, let the sheikh
pursue me....
WILLA LAMBERT
is also the author
of this SUPERROMANCE
2-LOVE'S EMERALD FLAME
These titles may be available at your local bookseller or by writing to:
Worldwide Reader Service
1440 South Priest Drive, Tempe, AZ 85.281
Canadian address: Stratford, Ontario N5A 6W2
Published, July 1982
First printing May 1982
ISBN 0-373-70.023-7
Copyright (c) 1982 by Willa Lambert. All rights reserved. Philippine copyright
1982. Australian copyright 1982. Except for use in any review, the
reproduction or utilization of this work in whole or in part in any form by
any electronic, mechanical or other means, now known or hereafter invented,
including xerography, photocopying and recording, or in any information
storage or retrieval system, is forbidden without the permission of the
publisher. Worldwide Library, 225 Duncan Mill Road, Don Mills, Ontario, Canada
M3B 3K9.
All the characters in this book have no existence outside the imagination of
the author and have no relation whatsoever to anyone bearing the same name or
names. They are not even distantly inspired by any individual known or unknown
to the author, and all the incidents are pure invention.
The Superromance trademark, consisting of the word SUPER?OMANCE, and the
Worldwide trademark, consisting of a globe and the word Worldwide in which the
letter "o" is represented by a depiction of a globe, are trademarks of
Worldwide Library.
Printed in USA.
CHAPTER ONE
"THE BENNU," he said, referring to the hieroglyph of a heron with two long
feathers growing from the back of its head. The man had quietly joined Jenny
in the small alcove on the first floor of the Egyptian Museum in Cairo. She
was facing a sandstone relief that had been saved from the area around Abu
Simbel when the Nile had been backed up behind the multimillion-dollar Saad
al-Ali - the Aswan High Dam.
She was surprised by his company. Though the museum was kitty-corner from
 
the Nile Hilton, and therefore quite accessible to tourists, most of them
usually kept to the more impressive Tutankhamen exhibit located on the second
floor. Jenny was saving that until last, rather like saving a fine dessert to
be savored after a thoroughly enjoyable and deli-ciously filling meal. She
assumed the man was a tourist - he spoke perfect English, albeit with a
thoroughly enchanting accent that was more British than American. She should
have been forewarned by the fact that he was able to identify a key figure in
hieroglyphic script. Jenny knew very few people, besides her colleagues in the
archaeological profession, who were so thoroughly informed. "Yes," she said,
turning to him, quite prepared to further define the heron character so he
would know he wasn't the only one with a modicum of knowledge on Egyptology.
Despite being handicapped by the warehouse dimness for which the Egyptian
Museum was notorious, Jenny had recognized him immediately.
"It really isn't a heron at all, you know," he said, failing to notice in
the poor lighting how the blood had drained from her face. "It represents the
phoenix - that legendary bird that lived for five hundred years before
converting its nest into a funeral pyre and cremating itself in the searing
flames." He held up his hand as if to prevent an interruption. In truth, Jenny
hadn't found her voice yet. It was caught somewhere at the base of her throat,
where it had become lodged when she first realized who he was. "But there is a
happy ending," he continued, "for it emerged anew from its own ashes to live
for another five hundred years - give or take a hundred years, of course."
He smiled - a very attractive smile. If he'd been smiling from the
beginning, she might not have recognized him, because his pictures always
showed him as very somber. Oh, yes, she had his picture - several of them, in
fact, culled from archaeological journals and magazines. She had faithfully
filed them in an album begun in 1922. Not that he had been alive in 1922. No,
the album's first pictures hadn't been of him but of his grandfather, followed
by his father, then by him.
"I do believe you have a place in the United States called Phoenix, do you
not?" he asked. Jenny got a strange feeling at the roots of her hair, a
feeling that shivered its way down to the soles of her feet. She had assumed
he had recognized her, too. However, if that were the case, she couldn't
believe he could still be blas6 about it. "It's in Arizona, isn't it?" he
asked.
"Arizona?" Jenny said, sounding very much like a parrot and feeling silly
because of it.
"Phoenix, Arizona," he elucidated. "That is the place, isn't it?"
"Oh, yes," she admitted, trying desperately to get her thoughts back into
some semblance of order. If he could carry this through with such aplomb,
Jenny was determined to match him. Her whole problem was that she hadn't
expected this ordeal quite yet. She had arrived in Egypt early just so she
would have time to get herself mentally prepared for their scheduled meeting
in Hierakonpolis. Oh, she had told herself she needed the extra days so she
could take the leisurely boat trip up the Nile to the excavation site, but the
real reason had been her need for a little time here in Egypt to prepare.
"It symbolized the morning sun rising out of the glow of dawn," he said. For
a moment Jenny didn't know what he was talking about, then she realized he was
still giving her a lesson on the heron hieroglyph. She found his patronizing
attitude just a little insulting. He must have known she was as well
acquainted with what he was saying as he was.
"Hence it was conceived as the bird of the sacred sun-god, Re," he
continued. If he sensed her growing chagrin, he certainly didn't let on. "It
represented the new sun of today emerging from the body of the old sun of
yesterday - a manifestation of Osiris, the symbol of resurrection and light."
He finished off with a quote from Job that, some scholars argued, indicated
that the phoenix legend had passed over into Judeo-Christian teachings: "'Then
I said, I shall die in my nest, and I shall multiply my days as the sand.'"
"'Who forgiveth all thine iniquities, who healeth all thy diseases, who
satisfieth thy mouth with good things, so that thy. youth is renewed like the
 
eagles,'" Jenny shot back, glad her voice had finally lost its confused
squeak. Her quotation had come from Psalms. While neither reference probably
had anything whatsoever to do with the phoenix, although that mythical bird
had always been represented as an eagle in Greco-Roman art, she had at least
proved she could match him obscurity for obscurity.
"I say, that's very good!" he complimented her, seeming genuinely
appreciative. Jenny really couldn't believe he hadn't expected her to be as
knowledgeable on the subject as he was. She might not have got her education
at Oxford, but she had all the accreditation in their mutually shared field to
match him diploma for diploma. There were some people who might even have
said, after her work at the dig at Avaris on the eastern side of the Nile
delta, that she was far more qualified to work on this excavation at
Hierakonpolis than he was. "My name is Peter," he told her. "Peter Donas."
She automatically held out her hand. She hadn't wanted to. At least that's
what she told herself. Hers had merely been a natural reflex born of
introduction after introduction at lectures, college teas, or while meeting
the never ending stream of academicians who moved in, out of and around
Jenny's circle. She certainly wanted her hand back the moment he took it,
finding he held it far longer than was prescribed by good etiquette. She would
have pulled it away by force, except she found that the power in his calloused
fingers had somehow drained her of all her strength.
"Yours?" he asked, making her wonder whether he was referring to her hand,
which he wouldn't release. Her fingers seemed insignificant within the cupping
of his powerfully larger ones.
"Yours?" she questioned, unsure just what he was asking. She continued to be
a little muddled, this whole scenario somehow unnerving her. She didn't know
why their meeting couldn't have taken place later, as scheduled, instead of
now. She had so hoped to be calm, cool and collected.
"I've already told you my name," he said, clearing up the problem and
delivering a delighted laugh. "Peter Donas, remember? What I was hoping, of
course, was that you might tell me yours. I know you're American because I
overheard you ask the guard back there a question about the present location
of Ramses II's mummy and I detected your accent. So, since we both speak a
common language and are both far from home, I was hoping you might not take
too unkindly to some company."
She did find the strength to pull back her hand. What's more, she managed
with a force that surprised him. She had to admit, however, that he was
exceedingly quick in his recovery.
"I assure you," he said with an accompanying laugh of apparent pleasure, "my
intentions are purely admirable. I have nothing more sinister in mind than a
mutually shared wander through these murky halls and then, perhaps, a bit of
tea back at the hotel. By chance are you staying at the Hilton, too?" Jenny
was furious. Whereas she had blanched stark white upon first seeing him
standing beside her, she was now a dark pink. He stepped back just a bit, as
if to verify that he wasn't about to leap at her. "Really, I'm all innocence,"
he assured her. "Cross my heart; hope to die. All I'm suggesting is walk, talk
and tea."
Apparently he thought she was concerned that he might try to make a pass at
her there in the alcove of the museum, thought she was upset because he
appeared to be some kind of lothario out to sweep a poor young - twenty-nine
wasn't all that old - American tourist off her feet. Yet that was not what was
bothering her. He hadn't recognized her; that was the trouble. She had known
him right off, but he still hadn't recognized her. Which meant he'd thought
she hadn't known the bennu hieroglyph from that of a ba - a depiction of the
Egyptian soul by a bird's body with a human head. No wonder he'd been so
surprised when she'd shot back her biblical text about youth renewing itself
like an eagle. It had been bad enough when he'd confronted her, engaging in
harmless small talk. To find he'd been assuming from the start that she was a
Miss Everyday Tourist was frankly a blow to her ego - professional and
otherwise. He should have known. He should have recognized her. She was Jenny
 
Mowry. His grandfather had jilted her grandmother. Jenny and this man might
well have been brother and sister had Geraldine Fowler and Frederic Donas got
married.
"Jenny Mowry!" she wanted to scream at him. "Remember my treatise on Crete?
I said that Crete was all that remained of Atlantis after it had been
destroyed by the volcano on Thira, and you came out publicly and said my
theory, while not a new one, was still as much poppycock as it had always
been." What audacity to call a person's work and research poppycock when he
couldn't even recognize her as he stood right next to her! The lighting was
bad. The lighting was very bad. But the lighting was definitely not that bad.
"You'll have to excuse me; I've got to go," she said, hearing her voice sound
with strained breathlessness. She wondered why she couldn't make her legs
follow through with her intentions, put one foot in front of the other to move
her right out of there. Possibly she thought that he would yet come to see who
she was.
"Let's talk over tea, then," he said. "You're heading back to the hotel now,
you say?"
"No," she answered. "I didn't say that, as a matter of fact."
"Oh," he said, seemingly chastised and a bit at a loss.
She should have moved right then and there, swept right by him out through
the large vestibule and into the hot dusty Cairo street. Then, when they met
again in a few days in Hierakonpolis, he would realize his faux pas. "Tea?"
she said instead.
"Tea?" he echoed.
"You did offer to buy me tea, didn't you?" she asked, as if he were the
awkward one. She had a better grasp of the situation now and felt more in
control. "Or did you?"
"Yes, of course," he affirmed. "I did indeed offer you tea. I was, however,
somehow under the impression that you had said no."
"You've no doubt heard it's a lady's prerogative to change her mind?" Jenny
said. "Well, it might be a hackneyed and unfair truism, but I have changed my
mind. Actually, I'd love that cup of tea." What she wanted to do was get them
out into the full light of day. She wanted that bright Egyptian sun to shine
down on her like a spotlight, pointing out her honey-colored hair that haloed
her oval face like a lion's mane; pointing out her dark brown eyes, her pert
nose with its five freckles, her sensuous but not too sensuous mouth, her
dimple, her skin that unlike that of so many blondes tanned to even
perfection. Then she would see that flicker of recognition sparking at last in
his golden eyes. Yes, golden eyes - dark and rich gold. Jenny had seen such
eyes only on certain birds of prey. No, that wasn't quite true. The eyes of
the birds had been piercing, decidedly dangerous. Peter's eyes were a warm
gold that pulled her toward them, seduced her into an awareness of them even
more intense than her awareness of the attractive squareness of his jaw and
the dimple in his chin that would have made her want to reach up and touch it,
had his eyes not kept drawing her back to them.
"Great!" he said. He took her upper arm, obviously thinking she would have
trouble negotiating the corridors of the museum, when in fact she had got
around quite nicely before he had appeared on the scene. If there was anyone
who needed help in seeing in the inadequate lighting, it was he. She had
certainly had enough light by which to see him. She didn't pull away though,
having successfully fought down the impulse. After all, it was gentlemanly
courtesy on his part, and Jenny, though she believed in women's rights and
wanted equal work opportunities, equal pay and equal recognition of her
qualifications, still enjoyed having doors opened for her, hats tipped and
gentlemen stand to greet her whenever she entered a room. She couldn't very
well jerk away from his hold without being unduly impolite, but his hand was
doing something to her it shouldn't have been doing. Not that she could really
put her finger on what was bothering her, because she couldn't. He wasn't
holding her too tightly. He wasn't even moving his fingers. His hand was
simply there, simply sending these funny little vibrations up her arm, into
 
her throat and breasts, down---She found consolation in knowing he would be
taking his hand away soon enough once he realized just whom he had in tow.
Thank God, daylight! There it was right up ahead, framed by the massive open
doors of the museum's main entrance. It wouldn't be long now. Just a few more
steps. One, two, three----
"Ohhhhhh!" she groaned, not believing she had tripped. There hadn't seemed
anything on which to trip. Yet there she was, stumbling in the dimness of the
Egyptian Museum, as if she had to give Peter Donas some valid excuse for
having taken the liberty of putting his hand on her arm in the first place.
"Gotcha!" he announced triumphantly. He had her all right, like an octopus -
all arms. Such big arms they were, too. Such strong arms. And how hard his
chest felt beneath his shirt as her uncertain steps brought her into direct
contact with him when he turned to stop her fall.
"I'm fine," she said. "Really, I am fine." She was trying very hard not to
sound as if she had just tripped over the edge of a precipice and was still on
her way down.
"They're supposed to be remodeling this place soon," he told her, his arms
no longer wrapping her, his chest no longer hard against her breasts. He was
back to just his hand on her arm. "They're scheduled to use some of the
revenues from the recent Tut exhibit that went on world tour."
They exited into the sunlight, and to Jenny's increased chagrin he still
didn't recognize her. In any case, he didn't give any indication he did. "The
museum was dark, but at least it was cool," was all he said when they paused
on the porch outside the large ocher-colored building. "It must be over a
hundred out here." She was somewhat mollified by the fact that he was
obviously having trouble seeing anything at the moment. One hand shielded his
golden eyes, the other still held her arm, as if he expected her to stumble
down the steps leading to the courtyard. She rationalized that where the
museum had been too dark, the outside was too bright. She was squinting, too,
and he could hardly be expected to recognize her with her face all screwed up.
So if he couldn't recognize her in the dark of the museum and he couldn't
recognize her in the light of the Cairo sunshine, the next step was to go into
the better lighting of the hotel. Although she continued to have no problems
seeing him.
He was bigger than she had thought he would be. She was five foot seven, and
he towered more than five inches above that, making him taller than six feet.
He looked younger than his pictures revealed - probably because he always
seemed so sober in the photographs. Editors of scientific journals had a
penchant for somberness, thereby instigating rumors that no one in the
scientific community ever had any fun. Which simply wasn't true.
Peter remained intent upon getting Jenny across a street congested with
traffic that ranged from an expensive Mercedes to a cluttered donkey cart. The
herd of goats that suddenly came barreling around the corner added to the
mess. Jenny could never get used to seeing livestock parading through the
middle of busy streets in a metropolis of close to ten million people. Peter's
grip tightened on her arm, warning her that she had better stop or risk
getting run over by a vintage-model American car that would have been
relegated to the wrecking yard in the United States. Not only was it still
running in Egypt, but it would probably continue to run for a good many years
to come, held together by prayers and chicken wire.
Ahead loomed the Nile Hilton, a modern structure among a conglomeration of
new buildings and old. Cairo was one more of those age-old cities trying to
make the transition from past to present. What resulted was a hodgepodge of
East meeting West and old meeting new, all of which left the visitor imagining
he was caught up in a time flux that tossed him from medieval minarets one
minute to glass-and-chrome discos the next.
Jenny glanced sideways, once again taking in Peter Donas in full sunlight.
Damn, he was handsome, although that had nothing whatsoever to do with
anything! He and she had been destined long before they'd been born to meet as
enemies. That this meeting was progressing the way it was now was only because
 
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