The Forsyte Saga 7 (1967) 25-26 BBC TV.txt

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Michael: When a forsyte decides 

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 to buy something,              

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it is part of his nature        

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 to pretend he doesn't want it. 

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 But when my father-in-law goes 

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 to buy a picture,              

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 he is caution personified.     

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 In his opinion,                

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 all modern painters            

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 will be dead before he is.     

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 So t thefe thingngo do         

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 is to buy one of those         

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 already dead,                  

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 and what's more, only those of 

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 the dead who are sure to live. 

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 My fatin-ls ind                

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 that morland is one of those,  

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 and he's most probably right.  

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Oh, I was looking at the tail,  

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some good painting in that.     

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Yes, m forteof ce.              

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We've met before.               

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Yes, my grandfather bought it   

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from the painter.               

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There's a note on the back.     

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I don't want to part with it,   

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but these are lean years.       

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Would you like to see the back? 

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Oh, I always look at the back.  

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So do I. It's sometimes         

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the best part of the picture.   

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Will you give me a hand?        

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Yes.                            

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There's just a hook...          

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ah, yes.                        

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That's right.                   

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Thank you.                      

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You know, mr. Forsyte,          

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there's something               

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in the hereditary principle     

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when it comes                   

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to the sale of heirlooms.       

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One knows the provenance.       

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Oh, yes, I dare say. But I can  

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see it's genuine without that.  

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"George morland                 

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to lord george ferrar.          

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For value received,             

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80 pounds, 1797." Yes.          

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He came into the title later.   

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Hm?                             

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My grandfather, I mean.         

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Ah, yes.                        

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I'm glad morland got his money. 

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Great rips, our grandfathers,   

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mr. Forsyte.                    

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Days of great rips, those.      

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Oh, he was a great rip,         

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morland. But he could paint.    

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You know in those days, people  

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could buy with confidence.      

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They can't now.                 

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Oh, not so sure.                

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Not so sure.                    

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The electrification of art      

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may be a necessary process.     

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We're all moving,               

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mr. Forsyte, very fast.         

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Yes, well,                      

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the pace doesn't matter,        

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as long as it leads somewhere.  

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You know,                       

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it's astonishing how seldom     

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anyone says anything to me      

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of any interest.                

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Well, now. What do you think    

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would be a fair price?          

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Oh, well, why not               

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get another opinion?            

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Oh, demetrius?                  

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Oh, that haymarket man?         

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Is his opinion better           

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than yours?                     

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That I can't say.               

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He'd probably value the picture 

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at five guineas and make        

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you an offer.                   

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Well, I don't care for it to be 

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known that I'm selling pictures.

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Well, I wouldn't want you       

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to get less than you might.     

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Now if I were to ask demetrius  

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to buy me a morland,            

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well, 500                       

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would be my limit.              

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Well, shall we say six?         

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Oh, that would be               

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too generous, perhaps.          

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Five-fifty?                     

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Oh, we won't haggle. Six.       

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Now, you can have a check,      

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and I'll take it away with me.  

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It'll hang in my gallery        

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at mapledurham.                 

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Well, I'm really obliged to you,

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and I'm delighted to think it   

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will go to a good home.         

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Near the river, I believe.      

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Yes.                            

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Have you your own               

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electric plant there?           

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Yes.                            

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You know, if you hang those     

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still-lifes a little closer,    

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this won't be missed.           

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You think so?                   

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Michael: So much                

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 for my father-in-law,          

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 efficient as ever.             

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 But my other forsyte?          

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 Not so predictable.            

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 When two people live together, 

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 and one of them is in love,    

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 he's bound to be sensitive     

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 to the emotions of the other.  

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 But fleur, restless,           

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 was no new thing,              

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 and what she                   

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 was really feeling,            

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 she concealed as well from me  

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 as from everyone else.         

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Oh. Oh, it's you.               

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Oh, come in.                    

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Thank you.                      

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I expected you last week.       

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Well, I've been rather busy.    

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I dare say.                     

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Though what you find            

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to do all day... hm.            

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Jon and anne are in town.       

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Oh, harold's painting           

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a beautiful thing of her.       

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It'll be quite unique.          

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Well, what do you think of her, 

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now you've met?                 

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Anne?                           

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A nice little thing.            

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Pretty too.                     

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Jon's obviously devoted.        

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And mr. Blade?                  

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Oh!                             

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Has he been bowled over?        

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No, no, no.                     

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Harold sees her merely          

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as a composition, you know.     

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In white.                       

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Shades of whistler.             

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Hm?                             

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Oh. Now, fleur, if you wouldn't 

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Zgłoś jeśli naruszono regulamin