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Social Science
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Modernity, Openness, Interpretation: A Perspective on Multiple
Modernities
Ibrahim Kaya
Social Science Information
2004; 43; 35
DOI: 10.1177/05390184040685
http://ssi.sagepub.com/cgi/content/abstract/43/1/35
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Theory and methods
Th ´ orie et m ´ thodes
Ibrahim Kaya
Modernity, openness, interpretation:
a perspective on multiple modernities
Abstract. This article aims to inspire an analysis of modernity that would provide
a starting point for conceptualizing multiple modernities. First, I argue that
conceptualizing modernity as an open-ended horizon engenders spaces to interpret
modernity in multiple ways. A view of modernity is thus developed that questions
totalizing and Eurocentric theories of modernity. Then the current state of the
plurality and diversity of identities and practices is emphasized as the consequence of
the openness of modernity to interpretation. In this respect, it is insisted that the
different features of non-western cultures should be seen as the indication for the
existence of multiple modernities. Finally, for a sociology of multiple modernities,
four basic themes are outlined that need to be worked on: plurality of civilizations,
histories, modernizing agents and the projects of modernity.
Key words. Interpretation – Modernity – Multiple modernities – Openness – Plurality
R´sum´. Le but de cet article est de susciter une analyse de la modernit´ qui servirait
de point de d´part ` la conceptualisation de modernit´s multiples. Tout d’abord,
l’auteur pose que conceptualiser la modernit´ en tant qu’un horizon non-ferm´ cr´e des
espaces d’interpr´tations multiples de la modernit´, proposant ainsi une vision de la
modernit´ qui remet en question les th´ories eurocentriques et totalisantes de la
modernit´. Puis, l’accent est mis sur l’´tat pr´sent de la pluralit´ et de la diversit´ des
identit´s et des pratiques appr´hend´ comme la cons´quence de l’ouverture de la
modernit´ ` des interpr´tations plurielles. A cet ´gard, l’auteur met en avant que les
diverses caract´ristiques des cultures non-occidentales doivent ˆtre prises en compte en
tant qu’indicateurs de l’existence de modernit ´ s multiples. Pour finir, l’auteur indique
quatre voies fondamentales de recherche ` explorer pour une sociologie des modernit ´ s
Social Science Information & 2004 SAGE Publications (London, Thousand Oaks, CA and New
Delhi), 0539-0184
DOI: 10.1177/05390184040685 Vol 43(1), pp. 35–57; 040685
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Modernity, openness, interpretation:
a perspective on multiple modernities
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36 Social Science Information Vol 43 – no 1
multiples: la pluralit´ des civilisations, les histoires, les agents de la modernisation, et
les projets de la modernit´.
Mots-cl´s. Interpr´tation – Modernit´ – Modernit´s multiples – Ouverture – Pluralit´
Over the past few decades comparative historical sociology has
undergone a number of socio-political and theoretical develop-
ments. In the 1950s and 1960s modernization theory assumed that
functional exigencies and societal competition would converge
social configurations. Talcott Parsons, as the leading theorist of
this tradition, viewed modernity as a uniform, unambiguously struc-
tured pattern in progress towards harmonious integration. Not only
are the autonomous components of the system believed to be inte-
grated, but also, on the basis of the American model of modernity,
other societies are assumed to converge. At the moment, neo-
modernization theory, in the context of globalization and neo-
liberalism, agrees with earlier modernization theory in assuming the
necessary convergence of social configurations. Perhaps Francis
Fukuyama’s thesis of the end of history summarizes the current
state of this theorizing on convergence. He argues that the liberal
way of life is the optimum mode of the good life for any society in
the world. In this case, comparison would be of residual interest; if
modernity converges different socio-political contexts, there would
be no need to compare them. In response to critiques of this per-
spective, however, new attempts at theorizing modernity have been
proposed over the past few years, which aim at analysing ‘‘multiple
modernities’’, thus reopening comparative societal analysis. The
theme of multiple modernities, in its new form, has occupied a pro-
minent position in social theory and research. 1 Scholars involved
with the projects on the study of multiple modernities have reopened
the debate on comparative historical sociology either by going back
to civilizational analysis or by emphasizing the agency of modernity
in different socio-political contexts. These observers no doubt pose
serious questions about ‘‘Eurocentric’’ theories of modernity; once
the concept of multiple modernities is shown to be a plausible obser-
vation on the current state of the social world, it should become
harder to defend the notion that modernity is a European project.
Despite all the advantages of these arguments, there are some
inescapable problems that need to be faced. Particularly striking is
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Kaya
Theory and methods 37
the weakness of these theories in conceptualizing modernity. What
kind of theorizing then could shed light on the argument for the con-
cept of multiple modernities? I propose that a theory of modernity
should be able to provide tools that would make the concept of
multiple modernities plausible, and I argue that modernity is an
open-ended horizon in which there are spaces for multiple interpre-
tations. This immediately implies a critique of totalizing theories of
modernity. In this article I therefore aim to provide a conceptual
analysis that considers modernity to be open to interpretation
rather than being a closed monolith.
Many observers have explained modernity, over the last two
centuries or so, as being a single, uniform, coherent world (see
Kolb, 1986). It is for this reason that many currently assume that
modernity can be conceptualized either as nearing its end or as an
uncompleted project. These are the conclusions at which ‘‘post-
modernism’’ and ‘‘modernism’’ have thus far arrived. In other
words, reading modernity as a coherent whole has led some obser-
vers to conclude that modernity is a dead end, while others recon-
struct modernity as the incomplete project of Enlightenment.
Once modernity is defined as a totality – rational, ethical, etc. – it
becomes hard to think about any alternative perspective beyond its
rejection or defence. When we think of modernity, for example, as a
totalizing logic based on instrumental rationality, we would have to
read modernity as a dark age, having caused the Holocaust,
Hiroshima, Chernobyl, etc. for, if an epoch is unifying – and unified
– in one fundamental way, there cannot be any way of talking about
it other than marking it as a destroying or dehumanizing epoch.
On the other hand, when we read modernity, for example, as an
emancipating project, in this case modernity would have to be cele-
brated as a bright age, bringing about liberty, universality, social
security, etc.
From these considerations, one might want to argue that moder-
nity is a double-edged phenomenon. In fact, both dark and bright
‘‘stories’’ have unfolded in modern history. Indeed the Holocaust,
ethnic cleansing, etc. occurred in modern times, but so did ‘‘develop-
ment’’. Does this show that modernity is a double-edged phenom-
enon? Viewing modernity as double-edged would also imply
holding a coherent vision of life. In other words, dividing modernity
into dark and bright sides could easily lead some to conclude that
modernity is a ‘‘totalizing’’ epoch by insisting on one side and by
viewing the other side as a by-product. It should be clear by now
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38 Social Science Information Vol 43 – no 1
that, in reducing modernity to a double-edged phenomenon, there is
always a risk of viewing it as totalizing.
Rejection of the idea of modernity as a coherent whole or even
as a double-edged phenomenon could of course indicate that ‘‘our
horizons are multiple, and that multiplicity is not itself a collection
or a system appearing within some last unified horizon’’ (Kolb, 1986:
241). Kolb does a wonderful job of showing that, beyond Hegel
and Heidegger, there are other ways of understanding modernity.
One does not necessarily need to be an adherent of the Enlighten-
ment, nor is it necessary for one to be a ‘‘priest’’ in order to judge
modernity from a Christian point of view. To the partisans of
modernity as a coherent whole, it may be said ‘‘that many of the
cultural, political, and scientific forces in our lives move in com-
peting and often inconsistent directions’’ (Yack, 1997: 130–1).
There is no single, agreed idea of modernity, but there is space
which provides opportunities to interpret ‘‘imaginary significations
of modernity’’ in multiple ways, 2 and this space is culture, or lan-
guage or history, whose importance is no less than that of power
or rationality.
To make this argument plausible, the ‘‘openness of modernity’’ to
interpretation will be discussed. If it is shown that modernity could
be interpreted in multiple ways, the idea of modernity as a coherent
whole would fall. For instance autonomy, as a most basic imaginary
signification of modernity, has been interpreted in multiple ways, so
that the tension between individualist and collectivist interpretations
of autonomy has played a central role in the history of modernity.
Next I will explore the question: what is it that makes modernity
‘‘a field of tensions’’? I want to argue that it is modernity which
makes it possible for radically plural world-interpretations to be
expressed openly, and it is for this reason that the field in which
human beings live necessarily becomes a field of tensions. More pre-
cisely, because conflicting, opposite views of life find shelter under
conditions of modernity, tension-filled relations between human
beings become unavoidable. However, the argument should show
the limits of modernity’s openness, too. In other words, what is pos-
sible and what is not possible in the interpretation of modernity
must be clearly shown: for example, whether ethnocentrism is a
modern phenomenon or not.
In the contemporary phases of modernity its very openness
creates new possibilities for even further opening. Certainly changes
in the recent history of modernity are due precisely to its openness
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